I really enjoyed this debut novel! I appreciated this story of precolonized west Africa. The journey of the main character was powerful and believable, both figuratively and literally. This history fiction transported me to the 25th century and gave me a glimpse of life during that time. The dynamics between her and the king were reminiscent of Hades and Persephone and I was throughly entertained. Would definitely recommend.

eARC Review: Masquerade by O. O. Sangoyomi 🐘

This was a wonderful merging of the Greek myth of Hades and Persephone with Nigerian mythology in an alternative medieval West Africa! The setting was atmospheric and the court politics all encompassing to the point where even I was left scratching my head as to how I missed it all. 🤔

The story follows Òdòdó, a blacksmith in Timbuktu who finds herself whisked away to the glittering Yorùbá court. I enjoyed her rise to power as the Àlaafín’s bride and her descent into darkness. Her love of Àremo (can’t get the special accent marks on my phone) was an interesting show of how obsessive love can start out on the best of terms (if not incredibly questionable ones), but soon descend into utter chaos. At times, I was rather confused by her decisions and why she made them, but man did I love her last one! 😳

One other thing that made me scratch my head a bit were the time jumps that made me feel like larger periods of time passed when they didn’t. That and I do wish we had a deeper look into the gods of Nigerian mythology/the Yorùbá people; I just felt like they had too small of a scene in the book and would’ve liked a more clear reason as to why they showed up when they did. 🙁

Other than that, I had a great time with this wonderful reimagined historical retelling with a sprinkling of fantasy. Big thank you goes out to Forge Books and NetGalley for accepting my request to read this stunning debut in exchange for an honest review; and to the author, Sangoyomi, for crafting such a beautifully dark depiction of the Persephone myth set in medieval West Africa. ❤️

Publication date: July 2!

Overall: 4.5/5 ⭐️

A blacksmith from Timbuktu, Òdòdó faces hardship under the oppressive rule of the Yorùbá king. Abducted and taken to the capital, she discovers her captor is the king himself, who desires her as his wife. Suddenly thrust into a world of power and intrigue, she navigates the treacherous court, forced to choose between her own survival and the fate of her people.

I loved this! The writing style is beautiful and immersive. Òdòdó is strong, resourceful, and resilient. Despite the dangers she faces, she never loses her humanity.

Thanks, NetGalley, for the ARC I received. This is my honest and voluntary review.

Sangoyomi set out to create a historical novel that highlights African exceptionalism, pre-European colonization and exploitation. In a world of warriors, craftsmen, and a few war elephants, Sangoyomi succeeds. This is a fun and relatively fast paced novel, with a lot of interesting details from West Africa.

If we just hit the general plot points the BookTok Girlies should be all a twitter. Nineteen year old illiterate, underfed, hardworking and beautiful Ododo is a skilled blacksmith who is kidnapped by the ruler of the empire that has just seized control of her home city. As his captive and potential bride she is instructed in history and strategy, where she quickly becomes a master tactician. After a failed attack, her captor instructs her in the arts of war, which she also excels at. As love blossoms, Ododo denies her king his right to marry, but does fight alongside him becoming a famous warrior woman. She even rides an elephant in a single saddle with her king at her back. Sound familiar? Not as spicy as a Maas novel, and with less connection to her steed than a Yarro, but this has the feel of one of those romantasies, except it isn’t a fantasy although we do have some interactions with the Gods.

The plot has a lot going on, and while entertaining, we do lose some of the character development that would really drive this story home for overly complicated layers of plot. There is also some weird dismissiveness between Ododo and her attendants that seems very strange, but necessary for the plot to move forward. Still fun, but not as well executed as I would like for a full recommendation. This is still a solid read, especially if you are looking for something that is not a European or American setting and fast paced without going too deep.

The premise of the book - a Hades and Persephone retelling against the backdrop of medieval Central Africa - really sold me in the beginning. We follow a young woman who is part of a guild in Timbuktu as she gets kidnapped by a charming stranger who turns out to be the 'evil' king of Yorubaland and plans to make her his wife. The story has a really strong beginning, with a beautifully descriptive writing style, but started to feel increasingly silly once the kidnapping happened. I found myself very annoyed with how passive the protagonist is and despite the story being told from her POV and there technically being a lot of interiority, it never felt like her emotional state was explained very well. She just accepts her kidnapping way too easily, and apart from the odd offhanded comment about her mother being left behind, she does not seem upset at all and just goes along with everything. For a romance whose origin is at its core very abusive, the emotional impact and nuance is decidedly lacking. As a result, I did not invest in the story at all and ended up DNFing it about a third into the novel.

4.75🌟 I really enjoyed this one. In this story, we meet Ododo, who is a Black Smith (a social outcast), and whose life is suddenly turned upside down when she catches the eye of an influential man, King Aremo. In this new world, she must choose between holding on to her old life or fighting to hold on to this new unexpected upgrade. It's not all smooth sailing. At every turn, Ododo is face with conniving opposition to her presence, and in the end, she is forced to wisen up and use her mental skills to save herself. There were so many times in this book where I was worried for her, but she rose to the occasion and handled her business. Ododo started off so sheltered and naive and evolved into a badass that took no prisoners. I support women's rights and wrongs. The only reason this wasn't a full 5 stars is because there was a huge incident that happened that I felt was kinda brushed away, and that needed a bit more attention!! All in all, this novel was one of my anticipated new releases, and I am very happy with my reading experience. Thank you to Netgalley and Tor publishing, Forge Books, for gifting the e-arc and audio arc.

3.5 stars. Thank you to NetGalley for the ARC and Libro.FM for the ALC. I ended up listening to the audiobook.

This style of book isn't my preferred genre so I think people who really like Historical Fantasy would enjoy it even more. I found the beginning hard to get into as the main character seemed to like her captor too quickly (trying to be vague to avoid spoilers), but the world building was strong. Ultimately there is a lot of courtly intrigue, powerful women, deception and a fair bit of action.

As posted to GoodReads

I was so impressed by this debut! Masquerade is a historical fiction set in 15th century West Africa and is loosely based on the myth of Hades and Persephone. Ododo is a blacksmith who is captured by the warrior king of a rival tribe. The king wants her as his wife, and Ododo is unsure whether to embrace this new life or strive to return home.

This historical fiction had hints of fantasy lore and the world building was incredibly lush. I enjoyed the political intrigue and the development of the main character. Sometimes I felt like Ododo miraculously had abilities she shouldn’t have, conveniently knew what to say, and was able to accomplish things in a way that felt too easy. It was a little “not like other girls” in that way. There was also a point half way through where the story became like a fever dream and I got a little lost. But within a few chapters things picked back up and were action-packed.

Overall it was refreshing to see tropes we know and love (he trains her, he falls first, forbidden romance, secret identity, rags to riches, etc.) being used in a setting that felt entirely unique. Even though the story elements were familiar, I didn’t fell like I read this book before. And the ending was so satisfying! Solid four stars!

This was a satisfying read and the ending was perfect. It takes some elements from Hades and Persephone, but calling it a retelling is a stretch. The first half of the book is slow but once it picked up, I couldn't put it down. Highly recommend the book and audiobook.

I'm not really sure to what to say. Marketing made me think this book was going to be heavier in fantasy elements than it was. I still enjoyed the historical setting, however, but was a bit disappointed when my expectations turned out to be wrong.

The first half of the story was paced in a weird way. The first few chapters with Òdòdó's kidnapping were intriguing, but her extremely quick acceptance of her situation was very odd to me. There didn't seem to be any emotion coming from her aside from passivity and that made it difficult for me to connect to her and her story. An event that was supposed to be tense and scary was just... flat.

The second half did pick up in terms of action, though! I found myself more engaged, if only to figure out what Òdòdó was going to do. I still found the writing emotionless, but the twists were interesting and I appreciated that O.O. Sangoyomi wasn't afraid to take chances with plot twists and the direction the story took. I'll definitely keep an eye out on their future works!

Massive thanks to Tor for this ARC in exchange for an honest review.

This was a stunning historical fiction, about a culture immensely underrepresented in the genre. I've seen it described as fantasy and it's listed as such on Goodreads, the cover has a very fantasy vibe, but be aware it is NOT fantasy. There's no magic but even taking fantasy in its broader definition, that wouldn't fit. The world of Masquerade isn't imaginary or fantastical; it's simply not Western.
The story is loosely inspired by the myth of Hades and Persephone and the marketing seems very focused on that. I’m not sure it should be. I did see some nods to it because I was actively looking for them. But honestly, I'm not sure you'd even notice otherwise. Which is not at all a negative: it was a story much richer and more subtle than a plain Hades and Persephone retelling transported in another setting. It might actually be my favourite work inspired by this myth. But if you go in wanting a
traditional Hades and Persephone retelling, you might be disappointed.
The main character Òdòdó is a wonderfully complex woman. I was initially frustrated by how easily she accepted Àrệmọ abducting her. Even though she was happy with her change of fortune, wouldn’t it have been so much better to consent to it rather than being forced into it? But as the book progressed, she started looking at the situation more critically and questioning what his love meant. I absolutely loved her, and loved seeing her grow into her power. She is such a strong yet nuanced character. She was often right, also often wrong and I loved that about her: not perfect, not selfless, not immune to the corruption of power... And that made her wonderfully human.
I also loved the court intrigues and political aspects and how they impacted Òdòdó’s story.
Finally, the writing is absolutely glorious. Easy 5 stars. I will look forward to Sangoyomi’s next works!

Òdòdó’s hometown of Timbuktu has been conquered by the warrior king of Yorùbáland. A blacksmith by birth, she and the other women in her guild are labeled as witches. Already ostracized and impoverished, the treatment of their guild worsens under Yorùbá rule.

Òdòdó is abducted and taken across the Sahara to the capital city of Ṣàngótẹ̀. Upon arrival, she discovers that the Aláàfin warrior king himself has chosen her to be his bride.

Òdòdó finds herself at the very top of society, surround by more comfort and luxury than her previous could afford. But as she spends more time in court, she finds the world of battle and the political intrigue of the Aláàfin rule calling her name. As tensions rise between rivals states, elaborate schemes of deceit and hidden enemies unfurl within the royal city. Òdòdó must re-forge precarious loyalties of the court to her favor, or risk losing everything―including her life.

Read if you like:
- african mythology
- historical fiction
- a loosely based persephone retelling

Wow wow wow! This book is really fantastic. I loved the subtle references to the Greek myth of Persephone x Hades, but if you’re reading this and expecting it to be retelling - it is so much more than that. This is about women’s wrongs. The narrative is also full of high stakes and political intrigue - written with such beautiful prose and immersive storytelling. Òdòdó is such a great character; she is warm and loyal, yet fierce and brutal when she needs to be. Overall a great debut novel that I couldn’t put down and absolutely loved. I can’t wait to read whatever Sangyomi writes next.

Thank you to NetGalley and Tor Publishing Groups / Forge Books for a free digital copy of this book. This is my honest review. Publication date: July 02, 2024.

⭐️ 4.65
🌶 1.5

Phenomenal! What a stunning debut!

Masquerade is an incredible work of historical fiction, set in pre-colonial West Africa (mostly Nigeria) and richly infused with culture, cuisine, fashion, religion and politics. The world building was so vivid that I felt transported to this time.

I really appreciated the introduction to West African folklore and mythology throughout the story. The few òrìṣàs (gods) mentioned feel like ominous, invisible presences deftly playing with the characters' fates.

Perhaps better than this beautiful setting is the storyline itself. The FMC Òdòdó starts her journey as a blacksmith, socially-shunned for the superstitious belief that all blacksmiths are witches. After she is kidnapped to the Royal City by a wealthy, powerful stranger and forced to be his fiancé, Òdòdó is thrust into the deadly politics of the ruling noble class and must quickly learn how to survive.

Her growth from naive, sheltered girl living under her mother's forceful thumb to wealthy, powerful game-changer is reminiscent of Sansa Stark's from Game of Thrones. Òdòdó is an unreliable narrator due to her sheltered upbringing, yet she slowly learns just how trapped she is by her gilded cage and starts to play offensively against the misogynistic society trying to suppress her.

Òdòdó faces many challenges from both friends and foes, yet her perseverance and determination not to give in and play the quiet, dutiful female earned my respect and admiration. While her naivety could be frustrating at times, where this tale ends will have you cheering for her. Honestly, that ending is perfection - I didn't see it coming!

Ultimately, if you're looking for a feminist take on West African history written by a BIPOC author, featuring an entirely BIPOC cast, with LGBTQIA+ side characters and morally grey to morally charcoal politics, this is it.

I received an ARC from the publisher via NetGalley and am voluntarily posting a review. All opinions are my own.
Masquerade caught my attention when I read the blurb and it promised a reimagining of Hades and Persephone set in 15th-century West Africa. It’s a rather ambitious premise in attempting to retell Greek myth in a new context all on its own, and O.O. Sangoyomi succeeds in playing with those conventions, while also subverting them for the purposes of her narrative. .
I admit I don’t know a lot about Timbuktu or West Africa, and most of what I do know is related to colonialism. So I appreciate the window Sangoyomi gave into what the region might have been like at the time, particularly through the language, culture, and traditions.
Òdòdó is a sympathetic protagonist to follow, and she mirrors Persephone very well. She’s rather strong-willed, and I admired her for refusing the king who kidnapped her early on, and insists he prove his sincerity in pursuing her. I love the way this gave her agency in her situation, as well as commenting on the sexism of the time, often intermingled with classism, and how women had few opportunities beyond marrying well to elevate themselves.
The story had a lot going on, so it kept my interest throughout, turning pages to see how things would turn out. The pacing was fairly even, with only some slower moments that balanced out the quicker bits.
This was a solid debut, and I’m interested to read more from O.O. Sangoyomi in the future. If you’re interested in an immersive, slightly fantastical historical fiction read set in 15th-century Africa, I’d recommend checking this out!

Thank you to Netgalley and the publisher for providing me with an eARC of this novel, however, all thoughts and opinions are my own.

Before I get into my review I want to talk more about what this is and isn't. This isn't a romance. This is a woman kidnapped to become a bride. This is not a fantasy. There is no magic, aside from the story telling. This has the vaguest connection to Hades and Persephone, but I think if you're looking for a retelling, you're going to be disappointed. So, what is this? This is a historical fiction novel that examines power, what people are willing to do for it and how it can be gained by aligning oneself with marginalized communities. There, now I can talk about the book.

I loved having this glimpse into Western African history and culture. I apparently both want and need more pre-Colonial African history in my life. I have watched a few documentaries and some great movies about this sort of time period and I still find it absolutely fascinating so when I saw that this book was slotted in that period I was stoked. Our main character, Òdòdó, is kidnapped by the King of a descent sized empire for the time and she is a member of a shunned group of women who are the blacksmith's of the region. Called witches (this is where the idea that this is a fantasy comes from), but in reality they are women who didn't have the ability to choose any other life.

Òdòdó is given an opportunity for a different life. One that she really wants, but as time goes on she becomes disillusioned with how everything in the royal palace is ran. However, she realizes that she can make a difference, if she can gain more power. And then more power and so on. She also loses some of the things that are most important to her during this struggle. However, I enjoyed watching her grapple with staying true to herself and getting what she wants. I think she's a generally likeable character and she learns to play the games of royalty pretty well. Political Intrigue is quite prevalent in this, so if you're not a fan this may not be for you.

Overall, I think that fans of historical fiction that like royalty and political intrigue could really enjoy this. If you're interested in Western African history, this could be a great read for you as well. I don't know if it is completely historically accurate, but I think Sangoyomi did their best. Also, speaking of the author, this is an absolutely stellar debut and I can't wait to see what comes next.

This book transports us to a rich and imaginative world in which our main character, a blacksmith, is taken away by soldiers to marry the king of the empire, who has taken an interest in her. The story narrates her journey to garner power in the political game of Ṣàngótẹ̀, where she faces challenges from all sides, and where friendships may not always be earnest.

I really wanted to love this book, and although the plot elements and ideas seemed interesting, it feels like at times this book is all over the place, and despite us following Òdòdó in her narration of events, it feels lackluster at times, with the characters being caricatures of ideas and tropes, and being flimsy at times. It gets 3 stars because although I did not love the entirety of the story, the prose and some of the plot points are really strong.

To finally have an African fantasy like this! The lush world building and story telling did not disappoint and I’m so grateful that I got to experience this work so much. I’ll definitely be recommending this to others.

Quick-paced, vibrant, and impeccably detailed, Masquerade is as entertaining as it is compelling.

If you like historical fiction based on myth, this is the book for you! I actually thought the book was a fantasy going in, and while there is something that seems fantastical at one point, I don’t believe it really was intended that way. I’m not really sure why it's marked as a fantasy - perhaps because the setting is more inferred than based on solid facts.

This novel is set in 15th-century West Africa, and this book shows you not only everyday things like food and clothing but also fashion, weaponry, politics, and social customs. It's an immersive experience.

I also forgot this book was loosely based on the Persephone myth, and having read the novel I can see how that would be, though the end result is quite different. Also, not sure why the blurb calls him a “cruel king” as he’s more spoiled himbo than horrific. She's also not forced to marry him, so don't worry if you are concerned about sexual violence.

Anyway, the novel had me hooked until around 80%, when it started to lean heavily into what I found to be drama. Rather than focus on the subtle political maneuverings, the story became saturated in levelling up Ododo to heights that felt a bit over-the-top. Don’t get me wrong; I thought this book was fantastic; I just found the ending a bit rushed.

Ododo is a wonderful character. The story follows her, as you heard in the blurb, as she is kidnapped and made part of the king’s court. The king wants her to marry him but she refuses. This is one of the best aspects of the novel - she is wary of the man’s reasons behind choosing her (unlike lots of stories where the woman is incredibly naive or stupid about it) and refuses to accept her new life until she’s convinced that he’s sincere. This is not a romance; in fact, I’d say it’s the antithesis of one - it shows how marriage, especially for women in lower economic and social standings - who have no hope of elevating themselves out of this, due to society itself - is a business. Ododo weighs the pros and cons In this way, Ododo, despite her young age - she’s 19 - is shown to be calculating and intelligent. In fact, this calculation and self-esteem are what propel her through the novel and comes back again and again.

Yet, she’s almost too good at everything all the time. She’s not exactly a Mary Sue, but she does seem to have a great number of natural skill sets. In this way, she felt a bit YA to me, though not enough to turn the story in that vein.

The other characters were great. My favourite was Rotimi, a side character. Aremo, the king, was rather insufferable, in truth. But, he’s a rich, spoiled, self-indulged king - of course, he’s insufferable! The other women, Kolo in particular, were layered and likeable.

One other thing this novel was great at was showing how systemic prejudice and institutionalized sexism are the true villains of the novel. Ododo is a blacksmith, something a certain small sect of women are in the novel, and despite their trade having a great value (as it’s perceived as mystical as well as important regarding the creation of weapons or other metal things), they are treated like secondary citizens because they are women. Sexism is a huge focus of this novel and it is great to see Ododo break through some of the glass ceilings.

The story itself is exciting and hard to put down. The pacing is a bit fast - I wished it had taken time to slow down and really show us the political intrigue aspects of Obobo’s story, but for the final ten percent of hte book to work other things were required, I suppose.

Overall, an entrancing, lyrical novel that manages to weave together several major themes into a beautiful tapestry.

I enjoyed this debut novel. I’m not familiar with pre colonial west African history, so I found this to be fascinating. Ododo was an excellent heroine. Brave and strong, and the story told through her was powerful. I did struggle with the pacing a little. Once you get past the first 30%, it really picks up.

DNF

I really wanted to love this book, but I found it pretty boring. I read the first few chapters and put it down and haven’t been able to pick it back up. That’s nothing to do with the book, I just am unfortunately in a reading slump right now and don’t want to force myself to finish this book and have that affect my enjoyment.

Thanks to NetGalley!