Thanks for the review copy. I feel like this book is different from anything I have read. It certainly contains time travel but I feel like it is more character driven than science fiction based. I look forward to reading more books by this author in the future.

This dual timeline, time travel story inspired by the author’s interest in polar exploration is rich with secret agent/spy-novel vibes, science-fiction, romance, drama, heartbreak, suspense, and joy! Commander Gore is such a likable character! I found I had to make myself slow down and savor this book.

I liked this book, it was different from other books I have previously read. The characters were very interesting and the story was good.

This book was so unique and fun I could not get enough! It was so engaging and witty with a perfect genre mash-up. It's a time travel story without actual time travel. The focus of this book is on the corporate side of supervising the adjustment to a foreign world rather than typical time-jumping-related action and themes (although the story definitely delivers on the classical twists in this department). Apart from being simply fun, it also draws deeper parallels between the time expats and real-life migrants in UK and social commentary is precisely what earns my books an extra star. The romance was a great bonus and worked really well. I highly recommend this book

Whoa. What a fun and wild ride.

Part science fiction, part romance, part spy thriller "The Ministry of Time" has something for everyone. Is your historical fixation Victorian arctic exploration? This book has it. Interested in compelling narration about the realities of being mixed race in a racist society? This book has that too. I never thought that I would be hooked by a romance between an unnamed 21st Century narrator and a real life British naval explorer from the 1800s but here we are.

"This Ministry of Time" is so creative and executed so well. While it is humorous and cynically hilarious, I will caution people that this is not a rom com. The vibes are closer to a sci fi thriller than a romance novel. However, I was gripped from the beginning by this story and the characters. While the characters are not all always likable (by design) and I was often suspicious of them, they all were extremely compelling.

I do think that the time travel details/plotline didn't always make complete sense. However, time travel is really tricky and doesn't make complete sense by definition. I think that the book would have gotten bogged down if significant time was spent explaining the specific rules of time travel in this scenario.

4.5 stars

Thank you NetGalley and Avid Reader Press for the eARC. All opinions are my own.

📚 #BOOKREVIEW 📚
The Ministry of Time by Kaliane Bradley
⭐️⭐️⭐️ / Pages: 352 / Genre: Science Fiction

The British government has found a Time Machine and uses it to bring back inconsequential people from the past, so as to not disrupt the timeline. It’s early days, so they’re just trying to see what happens to these people when they bring them to the present. They take them right before they die and bring them to the present, then pair them with a person known as a bridge to help acclimate them to the present.

The premise of this book is so interesting as are the people they bring back. The story is mostly told from a first person perspective, who is the bridge for a soldier from 1847–and you never know her name, which I didn’t realize until I started writing this review and went back to try and find it. Weird. Anyway, it’s incredibly fun watching the people from the past learn the ways of modern society and technology. There’s also a slow burn romance that’s very hot. Story, characters, writing are all mostly great, but there are bits that just drag on and on and then the action part of this story happens too suddenly in a way that’s incredibly confusing. I think this book just needed a better editor to help shape the narrative in a more cohesive way. The elements are all there but the execution left me confused and annoyed. I really wanted to love this one.

Thank you @netgalley and @avidreaderpress for my gifted copy.

I don’t know how to really put into the words what I felt about this book. I feel like the blurbs written paint it as a light hearted spy romance. It’s so much more than that. I absolutely laughed many times. The love story absolutely tugged at my heart strings. What the blurbs on Goodreads didn’t tell me is how deeply I’d love these characters. Not just Graham and , but Maggie and Arther. Especially Arthur. It’s rare that I finish a book and immediately read it again. But here I am. Reading it again.

3.75 stars

The Ministry of Time was one of my most anticipated books this year. I found it interesting, well-researched, and lovely in parts but the back half was a bit too esoteric for me.

The set-up given by the publisher is only part of the story, and while all of it is true and very enjoyable, the author definitely tries to explore bigger themes and more complicated plot in the second half of the book. Unfortunately, that’s the part that went off the rails and became too chaotic for me.

Did I not fully understand the story or just not connect with what it was? Was the author trying to do too much or did it just go over my head? I guess I’ll never know.

In some ways, this book felt like a kookier but less successful and impactful Babel set in modern day. The fish out of water time traveler experiences, relationships, and found family aspects were the highlight for me. The complicated spy thriller aspects I could have lived without. I liked it but didn’t love it.

Thanks to NetGalley and the publisher for the advanced review copy.

The Ministry of Time released May 7th, 2024.

I am never going to watch the AMC television program The Terror (I am a fraidy-cat), but if the fandom for the AMC television program The Terror were incarnate in a single person, I would kiss that little weirdo right on the face. Every time my fannish life overlaps a little bit with The Terror fandom, I experience warm and fond feelings for a group of people who are fannishly insane in much the same way as me (the kind that comes with a lengthy bibliography). And now it has given us Kaliane Bradley’s The Ministry of Time.

With textureless hetfic escaping fandom containment left and right recently and making its way into romance novels, I feel duty-bound to report on a few things that The Ministry of Time is not:

a romance novel (I would classify it as “romantic tragedy with jokes” a la Tom Stoppard’s Arcadia)
The Terror fanfic with the serial numbers filed off

While author Kaliane Bradley does thank The Terror in her acknowledgements, she elsewhere describes the first iteration of her book as “a daft story about what it would be like if your favorite polar explorer was [sic] your housemate.” In other words, The Ministry of Time is undisguised, unreconstructed polar exploration RPF (Real Person Fic), which frankly is a great idea and more people should be doing it.

The story follows an unnamed civil servant who gets a new position working with “refugees of high interest status and particular needs.” Once she accepts the job, she finds out that the refugees in question are expats not from other countries but from other centuries. They’ve been yoinked out of their own time—where they were doomed to die via things like guillotine, witch-burning, and freezing to death in the Arctic—and now require careful monitoring to determine the impact of time travel on the human body. Our protagonist is assigned as minder to Lieutenant Graham Gore, lately of the Franklin expedition, but as time goes on and the expats settle into their new world, she and Graham begin to suspect that the government has not been truthful about the goals and methods of the time travel project. There is also a certain amount of the two of them staring at each other’s mouths.

At first, Graham and the narrator are curiosities to each other. Graham has two centuries of history to catch up on, and the narrator—his “bridge,” as she’s called—has been coached to record his every movement, as well as to find “teaching moments” in which to get him up to speed on modern-day norms. Other bridges are able to—or choose to—maintain their professional distance, to think of their expats as test subjects rather than people. Our narrator doesn’t, or can’t. Graham becomes a person to her, a person with “a willow line” of eyelashes and a habit of smoking in the bath. (He also uses a combination of charm and the newly acquired phrase “quality of life” to acquire things he wants, like an endless supply of cigarettes and an air rifle for hunting pigeons in the London suburbs.)

Through him, she also grows to love his fellow expats Arthur (a traumatized World War I escapee) and Maggie (my heart, my world, my everything). The community that blossoms among the expats, especially perfect angel Maggie Kemble who has never done one single thing wrong in her entire life, provides an elegant way to shift the reader’s perspective on what the narrator owes to her job and her country’s future, and what she owes to these all-too-real human people. If the bridges don’t care for them as people, then nobody will, because the project certainly does not. At one point, another bridge, Semellia, tries to advocate for the expats to receive mental health care, and she’s shut down with a curt “Thanks for your input.”

In her 1962 novel Love and Friendship, Alison Lurie wrote, “The power of society is such that, no matter how much we despise it, our crimes are always against individuals.” The Ministry of Time cares deeply about the individuals. Though our narrator doesn’t know the aims of the time travel project, she keeps hoping that there might be a way to fix the world that she lives in, and the world that’s to come. Her near-future London suffers battering heat waves, and global warming, surely, could have been averted? Surely the small moral compromises that get made along the way, the unease she feels in conversations with her colleagues, would be worth it, then? Bradley makes the case that there can be no future separate from the people that comprise it.

If you’re writing a book that asks the reader to support a burgeoning romantic relationship between a modern-day woman and a time-traveling polar explorer, the British Empire is the inevitable elephant in the room. Available options include depicting said explorer as a uniquely enlightened snowflake who had the correct opinions all along; dedicating an ungodly amount of narrative space to leading the explorer character to embrace the appropriate liberal shibboleths; or not talking about empire at all and hoping the reader won’t worry too much about it.

As someone who would worry so much about it, I was relieved to find that Bradley ignores the third option and finds a stellar tight-rope balance between the first two. Our narrator is the daughter of a white British father and a Cambodian refugee mother, and her position as a white-passing biracial agent of the British government allows the book to take a refreshingly nuanced approach to discussions of race, power, and empire.

Graham Gore’s life and opinions are less exhaustively documented than, say, Shackleton’s, so Bradley has some leeway to make her own decisions about what kind of person he is. But she doesn’t avoid the blameworthy points of his biography, either: In real life, Gore saw action in the Aden Expedition, which suppressed Arab resistance to the British takeover of Aden. The book baldly describes this event as a “bloodbath,” and its significance in the arc of Gore’s life—whether in his own time or ours—arises repeatedly over the course of the book.

Bradley threads a difficult needle here. She gestures at the ways in which—like Graham, and frankly like the reader—the narrator contributes to deeply immoral societal structures, but she resists the impulse to glib absolution for either of them, or for the reader. Graham is guilty; the book’s narrator is guilty; we are guilty. If that sounds grim to read, I promise you that somehow it is not. It’s accomplished with wry humor and a light hand, via kicky dialogue that illustrates the growing connection between Gore and the narrator.

We assume a particular outcome from the temporal disconnect between the book’s two central characters. Graham will be forced to question his assumptions. Maybe along the way he’ll remind the narrator about some of the structural injustices we tolerate and rationalize, even. Eventually, though, Graham will arrive at the correct moral conclusions as understood by our more morally enlightened modern age. It’s not historical chauvinism if we here now really are better than all the generations of people who came before us!

That is, at least, how the narrator thinks about it. But she’s writing in first-person, which means she’s writing from the future, which means that the her who is writing knows more than the her being written about. “I exist at the beginning and end of this account simultaneously, which is a kind of time-travel,” she reminds us. The her who is writing keeps urging the reader—and we keep ignoring her, because we also think we know best—to set down our assumption of superiority. It isn’t just wrong, it’s dangerously wrong. Those who forget the past—rather, those who believe they have nothing to learn from it, only things to teach—are doomed to repeat it.

Perhaps inevitably, the book’s attention to character, relationship, and theme comes at a cost to the nuts-and-bolts of how time travel works and what everyone’s goals for it are. A friend of mine is worryingly prone to reading time travel books I’ve recommended her and then closely questioning me on the logistics, and I could hear her voice in my head as I was reading The Ministry of Time: “Remind me where they got the time machine in the first place? And why did Adela say that killing the protagonist wouldn’t matter? And can you remind me what the mole character was hoping to achieve?” On the first read, there is simply no chance I’d have been able to answer these questions. On a second read, I was prepared to make a stab at them, but did not feel that my answers would readily withstand cross-examination. Bradley is simply not as interested in the science, the spying, or the government conspiracy; and at times that disconnect really shows.

This was fine by me. So the antagonists never fully come into focus—who cares? Aren’t the real villains the friends we make along the way? Bradley’s such a master of the tiny moments between people that it’s hard to focus on the exact mechanics of the betrayal; it’s enough that the creeping trickle of unease has now crescendoed into a tsunami that leaves devastation in its wake. “This was one of my first lessons in how you make the future,” says the narrator. “Moment by moment, you seal the doors of possibility behind you.” I thank The Terror fandom once again for opening the doors of possibility to this funny, sexy, melancholy, postcolonial, completely unhinged time travel story.

Have you ever seen an old photo of some long dead but visually arresting person and fallen a little bit in love? Do I have a book for you.

Ministry of Time by Kaliane Bradley is a kind of Kate & Leopold story with higher stakes and a much more thoughtful approach to how outlooks around sex and race have changed across centuries. Because of this book, I cried on the bus, which speaks to not only the emotional resonance of the book but how addicting it is if I'm so desperate to continue reading that I'll open it on the bus KNOWING THE HURT IS COMING.

For hard sci-fi/time travel aficionados, I feel that I should mention the book is quite focused on the dynamics of having a roommate from the past rather than a deep, technical portrayal of how time travel might work. The book is pretty hand-wavy outside of this dynamic, but I think it worked beautifully.

Actual rating- 3.5/5 Stars

I loved the concept of this novel! Usually time travel novels have their main character go into the past for a multitude of reasons. So this was a breath of fresh air to see the characters using time travel to save those from the past from their deaths.

Kaliane's writing style is lyrical and conjures quite the array of imagery. I will say that there were moments when it was hard to tell who was talking until you were halfway through the conversation. But I was able to power through and still enjoy the story and growth of the characters.

My biggest complaint is that the story felt a bit incomplete. It starts off insanely strong with the Ministry and the bridges monitoring their expats. And even with the romance sub-plot, the story was progressing as were the characters. But once we get to the third act, so much happens, but also a lot is left unexplained. There wasn't much to a specific (and seemingly very important!) storyline other than a couple revelations that then felt like there were too many loose ends left.

Overall, I loved this book. I just desired more.

I absolutely love time travel books, movies, stories and ideas, so I was looking forward to reading this book!
The book, taking place in the not so distant future, started a bit slow, as the main character described how the characters from the past were brought into the future and assimilated by paring each with a "bridge" to live with (an employee from the Ministry) for a year, to monitor their adjustment and progress. The narrator is assigned Graham Gore, an officer from a failed arctic expedition from 1847. Through the monitoring and assessing, we get to know Gore. along with a few other travelers from different time periods as they bond over the disorientation, loneliness and culture clashes they experience. I absolutely loved the unique descriptions and writing style that was poetic but to the point. The Commander's friends Maggie and Arthur were great examples of characters who found that our current time might have been a better place for them to have been born rather than the time they originated. I do wish there had been a bit more description of their lives previously, so we could better watch their evolution and better get to know their characters, as they brought humor and warmth to the story. I also wished for a bit more from the narrator's history, including that of her family, as there is mention of her family's traumatic past, but it is more mentioned in passing rather than being descriptive or truly in depth. I also wished for a bit more description of what it was like in the future world. More depth in general, I think would have brought this book to a 5 star for me. I am so happy to hear that the BBC will be brining this to the screen, as I think this book will adapt beautifully and may even be enhanced by adding more visuals and depth to the story. This book touches on many timely topics of climate change, imperialism, power, control, LGBTQ issues, and family/love/belonging. I absolutely LOVED the twist (I didn't see it coming and wish there had been a bit more interaction after the reveal!) and absolutely loved that at the end, there was hope for a better future for humanity , even one that included love and family, for the narrator.

A civil servant discovers that all is not as it may seem in a pioneer government program that involves time travel and helping historical figures assimilate to the 21st century. As the woman begins to make inquiries, she discovers a larger plot at play. Debut Author Kaliane Bradley tackles several weighty topics and handles all of them with aplomb in her first book The Ministry of Time.

In the near future, an unnamed British citizen is in the final round of her interviews for a new position in civil service. She’s risen as high as she can in the languages department of the Ministry of Defense as a translator and needs a new paycheck. When the opportunity comes to apply, she jumps at it.

Much to her surprise, she makes the cut to become what is informally known as a “bridge” for a brand new program in the Ministry of Expatriation: the British government has solved the problem of time travel and has retrieved five “expats” from various centuries in the past to study the effects of their new tech. Each of the expats will be paired with a bridge for a year. The expat and bridge will live together, and the bridge will act as the expat’s guide to the 21st century.

The protagonist bridge is assigned to Commander Graham Gore, a naval officer who was on an expedition in 1847 to find the Northwest Passage through the Arctic Ocean between the Atlantic and Pacific Oceans. Gore is retrieved moments before he dies on the expedition and experiences an understandable shock at being in London in a completely different century. Despite his discomfort, he makes peace with this sudden turn of events and agrees to move into the government-issued home with the bridge.

For the next year, the bridge helps Gore settle into his new century. The living arrangements prove to be difficult for Gore at first who lived in an age of utmost propriety between men and women. With so many new discoveries to be made every day thanks to the bridge, though, he makes sincere attempts at assimilating into this new world. The bridge performs her assigned tasks, recording Gore’s reactions and basic vital signs every day and filing her paperwork like clockwork along with the other bridges.

Soon, however, the bridge makes a startling discovery. She and the other bridges have been collecting reams of data, yet none of it is being taken seriously. When one of the other expats begins experiencing a strange sensation that all five can only describe as “thereness,” the bridge begins to wonder whether she and the other bridges really do know what’s going on. The science and technology of time travel is wondrous enough, as is the retrieval of people from the past. But where will all this lead eventually? And why does it seem like the Ministry of Expatriation has hidden motives?

Author Kaliane Bradley juggles a variety of serious topics and for the most part does them justice. She doesn’t hesitate to channel her protagonist’s dry wit to comment on British colonialism, racism, and sexism, making keen-eyed observations and then leaving them with the reader before moving on to the next topic. With the premise of time travel as the backdrop, Bradley’s deep research into Gore’s original expedition shines and makes the novel a richer experience.

While the romance between the bridge and Gore may seem inevitable, its unfolding will still surprise many readers. Like the best love stories of the 19th century, Bradley takes her time in bringing her two characters together. Before they do become a couple, she lets readers take a jaunt through London and modern conveniences with a new view of everything.

Bradley doesn’t try to belabor—or insult—the book with the science and physics behind time travel. Instead, the protagonist bridge reassures readers that they can trust her to tell them the most important part of the story. Clearly, solving one of the biggest mysteries of science isn’t it, which will delight fans of science fiction who want more than the “science” of the genre.

While the revelation of why the protagonist doesn't get a name comes a little too late, the increasing intimacy of the storytelling may surprise readers and get them guessing as to the real recipient of the story. The ending stays true to the genre and to the story world Bradley has created.

Thank you to Avid Reader Press, Simon & Schuster and NetGalley for the opportunity read this eARC!

I saw this book as an early release Book of the Month selection and found the synopsis to be very intriguing, but did not ultimately choose it for this month. So when I was on NetGalley and happened upon the eARC I quickly requested it. The first 50% of the book was utterly absorbing as I oriented myself to the characters, to the premise, to what goals were and even began to get pulled into the mystery of it all. Graham Gore is hilarious, swarthy, handsome and swoony while the bridge is funny, a bit vulnerable and oddly relatable. I was all in and gobbled up the first half of the book in an afternoon. Unfortunately, I found the second half of the book to be where the wheels fell off plot wise. The plot felt simultaneously like it moved tediously through daily life while also feeling like far too much was swirling around. It made me lose interest and ultimately felt like it lost so much of the whimsy and romance that the first portion held. I believe that even in portions committed to action it could have held onto that. A few character deaths were also included that I felt unnecessary and ultimately a promising first half of a novel was a let down in the end. I applaud the ingenuity and creativeness of the plot and look forward to seeing what Bradley comes up with in the future as her writing continues.

Most time travel stories are about the wld adventures of a person or people visiting the past or future. There is the problem of causing changes to our own time if you let these time travel adventurers do just anything. Suppose instead, you could only bring people from the past to the present. Especially if those you moved were on the verge of dying anyway, this "perhaps" eliminates the problem of causing paradoxes. And as long as the story is bringing the characters to us, how about doing the book in the style of literature from the time of one of the involuntary time travelers. So a victorian novel with its huge span of description and background and character development for the first half of the book telling the story of twenty-first century folks trying to cope with people from. say the World War I era to oh, sixteen hundred something or other. When we finally do get to the action in the plot of the story, it turns out that even our carefully chosen people from the past that can't have any affect on the present, do have an effect, on all of spacetime, just by being in in a different time than they started from.

There's a lot to enjoy about The Ministry of Time; what stood out most to me was how seamlessly the fusion of genres worked in this unique story. Part sci-fi, part romance, part spy thriller – the story is consistently intriguing throughout, but has a lot of fun along the way. The quirky cast of inter-century characters reminded me of the found family in BBC's 'Ghosts', and the caustic wit of both the author and main character were in league with Sloane Crosley's sharp style of humor. I found it very easy to read, but with a satisfying and intelligent prose style to rival the most compelling and popular litfics.

I would certainly count The Ministry of Time among the more fresh and distinct books of 2024; I look forward to seeing how it's received at large after pub day!

I liked this, but it didn't really go anywhere. The romance was fine. The characters were mostly interesting. Unfortunately I just couldn't figure out why I was supposed to care about what was happening. Why time travel? Why are people on different sides? What exactly is happening? Didn't care enough to try to figure it out.

Gosh, I adored this fresh take on time travel! The premise is so fun: what happens if you grab a bunch of would-be-dead people from Olden Days™ and inject them into modern society? Give 'em a guide, teach them the ways of the world, what could go wrong? Obviously, hijinks will ensue, and the possibilities are endless! Here are some of the reasons this was such a hit for me:

►I do love me a historical rabbit hole! Legit, our main character finds her own self in a rabbit hole of sorts, wanting to know all the things about Commander Graham Gore when she is tasked to be his handler. Fun fact, this is an absolutely real man, who went missing on an Arctic expedition in the mid-1800s. The author herself basically aquiences that this is a fan fiction of sorts, and I am here for it. Honestly, Graham gets a way better story here than "freezing and cannibalism" so I feel like he'd approve. Guess I'm going to have to watch The Terror now, eh?

►Just decided that time travel banter is my new favorite thing. I loved every bit of the relationships. Obviously between MC and Gore, but really just all the characters! They were all so wonderfully well developed, and then throw in different time periods and different personalities and yeah, it was an absolute riot!

►There is such a great mix of fun moments and serious/emotional moments. Look, I know it sounds kind of lighthearted, and at times it was, but there are also a lot of other emotions coming at you. I cried, I laughed, I swooned, I gasped in shock... this book has it all, friends.

►Obviously the whole premise paves the way for a lot of important discussion about racism, sexism, homophobia, misogyny, etc. I mean, in the eras that the travelers are from (basically from the 1600s-early 1900s), folks are not exactly pillars of tolerance. (If we're being honest, people still aren't, but it is better, anyway.) Coming from various points in history, all the characters had a lot of preconceived ideas of the world and those in it. Some were more open minded than others, but it was still a huge culture shock, obviously. Plus, the MC is a WOC, and several of her coworkers come from marginalized backgrounds, so there is just a crapton of important commentary and conversations.

►It is just plain entertaining as hell. I just wanted to keep reading and never put it down, while simultaneously not ever wanting it to end. That's it, that is all you really need to know. Apparently the rights have been bought and seems to be moving along, and you need to read and watch this!

Bottom Line: Never knew how much I needed old timey Arctic explorer fanfic in my life.

Thank you to the publisher and NetGalley for providing this eARC.

The Ministry of Time follows a civil servant in a near future who must support the transition of a man plucked out of 1847 as he acclimates to modern society.

I love a good time travel book, and I love a good quirky book, and this book had both in spades. Beyond that, it has humor and wit, a solid romance, some mystery, and a rich emotional foundation. I think it might be so weird or all over the place that some folks will struggle, but I have to say, weird and scattered is my jam. This reminded me of everything I love about sci-fi and time travel stories, and I adored that it wasn't relentlessly bogged down by gritty darkness that so often finds its way into these kinds of stories.

In all, there's so much to love here, and I'd definitely recommend this read to anyone looking for a whirlwind read.

The Ministry of Time, by Kaliane Bradley, is a great time travel-ly romance. It is the perfect fun enthralling read.

I was happy reading this book and I had a great time. I was texting my friends about the swooning tension occurring. I didn’t know where the novel was going but I was happily along for the ride.

Here’s the plot in a nutshell: Time travel exists, a secret government agency is testing it out on historical expats. The expats have handlers who live with them, help keep tabs on them, and help them adjust to modern life. There’s danger, there’s humor. It’s not too heavy on the romance or the science. So if you want one but not the other don’t let the genres dissuade you.

The direct to reader asides are not my fav. That’s more personal preference to me than a dig against the novel. I also don’t love blatant foreshadowing. It dropped too many comments about the fate of the characters. But overall I really enjoyed it and I think readers are really going to like it. “1847”/Commander Graham Gore is going to have many fans.

Government organizations with secret departments is a specific niche I rather enjoy. If you’re looking for move books along this line try The Rise and Fall of D.O.D.O., by Neal Stephenson & Nicole Galland, or The Rook, by Daniel O'Malley.

If you’d like more time travel romance try A Quantum Love Story, by Mike Chen, or An Ocean of Minutes by Thea Lim.

Here are some quotes from Kaliane Bradley:
“I’d fixated on Graham because ever since seeing his daguerreotype, I’d fallen a little in love with him, and I wanted my readers to be a little in love with him, too.”

“Writing this novel was a sometimes quite exposing journey into thinking about mixed-race identity, inherited trauma, and the ways the personal can be political, or politicized.”

Quotes from the book:
“All likeable people know how to be a flattering mirror.”

“If you ever fall in love you’ll be a person who was in love for the rest of your life.”

“When something changes you constitutionally, you say: ‘the earth moved’. But the earth stays the same. It’s your relationship with the ground that shifts.”