This was a interesting read about Devilish deals, I was hooked in the tour of deals throughout the ages. Ed Simon has a great writing style and it showed a lot of research and can’t believe how well the story was. I hope to read more from Ed Simon and can’t wait for more.

The book describes itself as being about the Faustian bargain, but it is broader than that, dealing with any deal with the Devil, real or metaphoric.

It starts with the religious basis of such deals, as is found in the Abrahamic texts and their apocrypha, then describes the quasi-historical story of Faust, including detailed sketches on his major literary interpreters: Marlowe, Goethe, and Mann. Discussing the tradition of soul-selling artists, the book then considers more metaphorical Faustian deals in our modern world, going so far as to suggest that we are exiting the Anthropocene for the Faustocene, a period of history not about our control over the world but about our unease with that control and what payment it might extract.

There is a section late in the book where the author makes a rejoinder to Adorno’s statement that no poetry can exist after Auschwitz to suggest that poetry is all there is after the first successful nuclear weapons test. And that feels true to form as regards this book, which at points feels more like poetry, an extended riff on the idea of what it means for evil to have a personage, or even an anthology of essays.

I did particularly like the sections on the underlying history of how we get to Faust. The idea of the Faustocene is fun. There were a few sections like that on the ways that these ideas intersect with the Gnostic traditions or likewise with the traditions around the Blues, that felt to short. And there were points where it felt like too much triangulation around a topic, or textual meanders, showing up since the concept itself is so broad.

I was unaware that the author was a religion writer. It feels embarrassingly self-obvious not to think about how a book about the Devil would involve religious thought. I think that this serves the text, but I do think that a reader should be aware of it in the sense that I feel like some of the sections are much more rewarding with a working knowledge of Christianity, and it might change how you appreciate the book.

It is an inconsistent book, not in quality but in topicality, moving in a sort of stream of consciousness through various representations of the Devil and their works. Its expansive reach means that I feel that the reader will matter here more than usual, because of how many different things that the book is. That makes it hard to recommend, or at least go into it thinking that you will love parts and be left out by others, and that it is less historical or lit crit than conceptual and experiential.

It may be the first time that I wished a book was a video essay, in that serialization and visual editing would provide more architecture to the text, and the rambling nature fit spoken language more.

My thanks to the author, Ed Simon, for writing the book, and to the publisher, Melville House, for making the ARC available to me.

This book is a fascinating and erudite study of the history of the faustian bargain in which an individual sells his soul to the devil in exchange for power and knowledge. Although associated typically with Christopher Marlowe play.Docor Faustus, elements of the story can be traced to stories of Christ and Simon Magus in the Bible. Traces the portrayal of the story in art, literature. music, film and politics. Index. Notes. Illustrations.

This title combines the best features of both the creative non-fiction and microhistory genres.

The Devil’s Contract is a comprehensive and entertaining a non-fiction book on this subject as one could like. In exploring the roots, advent, and legacy of the Faust legend, author Ed Simon connects threads as disparate as Gnosticism, medieval illuminated manuscripts, an assassinated Romanian intellectual, and finally the Manhattan project. Throughout the author showcases his wit and verve, adding linguistic and artistic flourishes that keep the pace lively and engaging. Like a skilled actor, the author draws you in and then takes you on a sprawling journey, compelling you all the while with the merit of his story and the artfulness of his delivery.

While I personally felt that a few of the later chapters strayed somewhat from the initial scope of the book, I can easily forgive authorial wanderings as interesting and delightful to read as these. This title should be required reading for anyone interested in the growth and evolution of the Faust legend; it demonstrates impeccably why this myth is so enduring and so central to much of later western culture.

Ed Simon's "Devil's Contract" details the history of a question underlying a bargain as old as time - Would you sell your soul to the devil? For what? And would you figure out how to reneg on it at the last moment? From Christ to Roko's Basilisk, Simon looks at where we've been and what contemporary satanic pacts may look like today. From the bible to music to the little boxes for terms and services, everything might have Mephistopheles's fingerprints on it.

My thanks to NetGalley for the advanced copy.