Thank you to the publisher and NetGalley for providing me with an ARC in exchange for an honest review.

This was cute! While not the typical style of writing I tend to gravitate to in romance, I still enjoyed the story and characters, and would absolutely recommend grabbing this as you head to the pool or beach this summer.

This was such a sweet and thoughtful read! Fans of Emily Henry and Abby Jiménez would also like this story and romance. I was rooting for the couple in this book, and appreciated the sections related to anxiety and mental health issues. I wish there were more details about the movie Valeria directed, but overall I loved this story and tore right through it!

Thanks to NetGalley and the publisher for the ARC.

Confession time: Greenwald’s debut novel Sizzle Reel, which is set in the same universe as this one, didn’t really do it for me. I enjoyed the author’s narrative voice and the Hollywood setting, and thought it had some important things to say, but the romance plot left me cold and felt ultimately underdeveloped. I didn’t think I’d pick up one of her books again…but, I mean, c’mon. Look at that cover! And I was excited to see Valeria, a character I really liked from Sizzle Reel, finally get her own HEA.

I was SO pleasantly surprised by how much I ended up absolutely LOVING this book. Greenwald’s strong narrative voice is consistent throughout, and the way she writes Hollywood through the eyes of a big-time star (as opposed to a production assistant in the previous book) was really good and felt incredibly authentic. I loved Valeria even more in this book—her passion for both film and academia, her relationship to her gay-best-friend-slash-former-beard Charlie, her candor about the difficulties of being an openly lesbian woman in Hollywood, and her passion for better queer representation in general. One of the things I really liked about Sizzle Reel was the way it wove in discussions of biphobia and the unique challenges that come along with being a bisexual woman; Director’s Cut does this just as deftly with the topic of how Hollywood handles queerness.

And the romance. The romance was SO good. Greenwald writes the intensely simmering chemistry of the early days of a relationship as proficiently as she navigates the more lived-in and conflict-prone waters of an established relationship. Valeria and Maeve were SO good together. I can’t remember ever getting this attached to a couple in a romance novel before. I loved how realistically the author wrote the transition from Maeve being totally unimpressed with her to gradually softening to…well, no spoilers (but you can probably guess). Also, while not the spiciest romance novel I’ve ever read per say, the sheer chemistry between these two characters had me literally sweating. I will not elaborate except to say don’t be like me and mainline this on an airplane where you’re crammed close to other people…who could ostensibly look over your shoulder at any point and see the screen of your Kindle. The only reason I didn’t give this book five stars is that my old nemesis, the third act conflict, frustrated me quite a bit; but, credit where it’s due, I felt that, unlike a lot of other third act conflicts that have frustrated me, this one felt authentic, realistic, and actually had what I felt was a good reason behind it.

Consider me a convert. I hope Greenwald writes more in this universe; I want more of these characters!

This was so good! Women in suits? Yes, please!

I had just finished a queer Hollywood romance story when I started reading this one, and oh man, it did not disappoint. The chemistry between Val and Maeve felt authentic and as someone who lives in LA, I recognized some of the setting which is always fun. I also enjoyed the discussion on work, sexuality, and the miscommunication trope. Did I mention the suits? Anyway, definitely would recommend!

I really enjoyed this book as it provided a nice light break from the type of books I usually read. It had a good plot and I enjoyed each of the characters in it. It definitely had some steamy parts to it but it was also balanced out with sweet romance parts. I even learned a few things about film along the way! I would recommend.

✨Thank you NetGalley for allowing me to be an ARC reader for this wonderful book!✨

Here are my honest thoughts on the book:

I absolutely loved reading this novel🥰. I thought that Val and Maeve had really great character development. The topics around past relationship traumas and anxiety felt authentic and just REAL.

Charlie was such a great character I absolutely loved him and hope there is more to his story! I haven’t read Sizzle Reel yet, but now I’m itching to get my hands on a copy!

While I don’t have much background knowledge on the film industry, I felt that this book was easy to follow when the topics were dove into throughout. It actually made me want to look more into the movies mentioned!

Highly recommend reading this for those who love sapphic romance with a little bit of spice🌶️🏳️‍🌈

cute, sweet, sapphic romance. i really felt for the couple so much and the vibe was cool. thanks for the arc. maybe a new nice big book

I loved Carlyn Greenwald’s last book, Sizzle Reel, and I was so excited to continue reading about the journey of these characters. While Sizzle Reel is focused on Luna, she becomes a side character in Director’s Cut in order for Greenwald to tell Valeria’s story.

I am a musical theater nerd, and I had so much fun reading about the syllabus for Valeria and Maeve’s class. It is a class analyzing movie musicals including West Side Story and La La Land. I even thought through how I would answer all of the questions on the midterm exam outlined in the book. I snickered at the snide comments about the Dear Evan Hansen and Les Misérables movies. This is absolutely a class I would have loved when I was in college.

I also love good Jewish representation in romance novels, and I enjoyed the references to Valeria and Maeve’s Judaism. Valeria tells a story during an interview about unintentionally becoming a drug dealer for her younger cousins at a Passover seder. Valeria’s mom also gets very excited when she guesses Maeve is Jewish based on her last name. I appreciated that there were references to their religion without it taking over the whole story.

More and more romance novels I read have bisexual representation, and I am all for it. Maeve and Valeria have a beautiful conversation about what it means to date as a bisexual person and the difficulties and judgments that can come with it. Maeve makes it clear that the conversation makes her feel heard and validated, and it is just such a lovely moment. More representation like this please!

Of course, good mental health representation is also so important to me. Valeria is in therapy and her longtime relationship with her therapist is very important to her. Director’s Cut also addresses the difficult decision to go on medication. At first Valeria is hesistant to go on medication and tries a supplement instead, but Valeria’s sister lovingly encourages her to explore medication. Mental health treatment is a deeply individual and personal decision, and Greenwald handles it with such care and nuance.

One of the things I loved about Greenwald’s writing in Sizzle Reel is how real it feels and that holds true in Director’s Cut as well. She brings you into Valeria’s head in a way that makes you feel as though you’re talking to your best friend. Valeria is a famous director and actress, but Greenwald depicts both the good and the bad that come with fame (especially when it comes to dating). The reader becomes intimately aware of all of her feelings and insecurities. It makes it easier to empathize with Valeria even when she messes up because you are so immersed in her world and her reasoning behind her actions.

Greenwald’s work is fun, funny, and thoughftul. I loved Director’s Cut and cannot wait to see what is next for Greenwald and her characters.

This was cute and fun, and I really enjoyed the main character's voice. My biggest complaint isn't really about the content of the book, but just that the Hollywood trope has been a little overdone and I didn't find anything unique about this specific one.

Val was the most compelling character in Sizzle Reel, IMHO, so I was super excited to dive into this sequel. More Val Is always better!

We open with A-list actress Valeria Sullivan taking a break from acting and returning to her academic roots by teaching a film study course at USC where she meets her gorgeous co-professor, Maeve Arko . Not one but two sexy professors? How did these USC students get so lucky??

Val feels like she’s not taken seriously by anyone for her academic pursuits, and she’s right; Maeve is initially dismissive despite the fact that Val knows her stuff as they clash over the syllabus, office hours and exam questions. The first few chapters are dense with film theory, but as the book progresses the focus shifts away from academia for focus more on the budding romance between Val and Maeve.

Eventually, they begin a relationship as Maeve realizes there is more to Val than her acting chops, but Val’s anxiety and mental health begin to get worse. Greenwald does an excellent job of portraying Val’s internal monologue, spiraling thoughts and out of control anxiety as she deals with the ramifications of her own fame on her relationship with Maeve. The pressure of being under a constant microscope and Val’s own deteriorating mental health threatens their nascent romance. Val can’t seem to get out of her own way, and Director’s Cut provides an honest, heartfelt look at the real drawbacks of fame and the challenges of being as gay celebrity.

We do also witness Val’s struggle with how she wants to show up (or not!) in Hollywood as a director, actress or leave the pursuit altogether for a quiet life in academia. She really goes through it while trying to work it out but the indecision feels authentic - it’s a huge decision made all that harder by her anxiety.

We thankfully get a happy ending for Val sand I would say this sophomore novel is even better than her first!

Thanks to Vintage and NetGalley for the ARC.

I really enjoyed reading this book, it had everything that I was looking for from a romance novel. The character were interesting and I enjoyed the overall relationship between the two characters. Carlyn Greenwald has a great writing style and it left me wanting to read more from them.

I was looking forward to this one because I thought the cover was so cute!

This was an enjoyable read. If you're a film buff, this is the book for you. All of the details about films and the discussions for their class went over my head, but I could see the value in the analysis that they discussed.

I would have liked more scenes between just Maeve and Valeria to help build the chemistry. If it weren't for the sex scenes, I would have said this felt like more like women's fiction than romance.

As a native Angelino, it was fun to see places I am familiar with on the page. Especially the city of Torrance, where I went to high school!

Steam level: 🔥🔥🔥

This book was my first queer romance novel & I believe this was a positive introduction to the sub genre. I liked the mental health rep, the open discussions about sex, & the way romantic emotional trauma was handled.

What I didn’t like was how quickly Valeria fell for Maeve. It felt odd/unnatural & I know Val was attempting to use Maeve & academia as a distraction but it still didn’t make sense when literally all Maeve did was decide to be nice to her for like one chapter at that point lol. Even with all that, I’d read this author again & I hope Charlie gets a book!

I didn’t understand the bad reviews about the first book in this series, Sizzle Reel, and I am glad this one has much better ratings! It’s FUN! I actually liked it more than the first book! The two main characters had a lot of chemistry and great tension and I really liked them both. I am pleasantly impressed!

Thank you NetGalley for the ARC!

Soo I liked this book. I'm having a little bit of a hard time writing my review though -- Let's walk through it:

This is my first Carlyn Greenwald and I enjoyed the blunt, brassiness of her writing style. *I think* this is the first full-length (almost 300 pg) novel I've read in first person that doesn't alternate back and forth between POVs. I've read some shorter 100-ish page stories from one POV, but this was a FULL book with one character.

In some ways I enjoyed it... The writing style took me a second to get into, but when I did it felt like someone you were close to was giving a life play-by-play. But I also felt like it limited our depth of connection with our other MC, Maeve. This limited perspective really relied on the reader connecting with Val -- I meannn, I did and loved it, but it was an interesting choice. I, personally, would have loved to get to spend more time understanding Maeve.

I loved the pairing of these two women. They felt perfect for each other, but even the most solid connection is not immune from past baggage and trauma. This story does a wonderful (and fun) job exploring that... It also made me put my Media & Gender Studies minor to the test. 😅 Great book. If you love sapphics, cinema, and musicals you're in for a treat!

I liked the general story line of this book but the first half was a little hard to get through. It felt like incomplete thoughts jumping from character thoughts to dialogue and back. I got lost in paragraphs many times and had to go back to reread or find the connection to something. Some of the extra characters like Mason where introduced to lightly so I had a hard time remembering their significance until they appeared as a character not a slight mention. The depth of film knowledge in the beginning also almost lost me. There was a ton of history and back story for the lectures being taught in the story line but then a lack of context of important characters and events. I’m still not sure if Val actually got a PhD or not. The second half did pick up a lot more and kept me drawn in. I think this story would have been great as a duel POV. I kept finding myself wanting to know more of Maeve’s thoughts and feelings.

Valeria Sullivan is an award winning actress who is trying to move into directing films. She has one bad interview on late night show. This causes her anxiety to spike and try and move out the Hollywood scene.

She finds the perfect escape to be a guest professor at USC and move to academia. She is co-teaching with Maeve Arko. The sparks fly between these two and must learn how to balance work and hollywood.

I liked how Valerie talked about her anxiety and counseling. Maeve and Valeria made a great team. I liked the many diverse characters in this book and how it talked about the filming industry and trying to make a change.

Regretfully, I DNFed at about 20%. This story is written in the first person and I was left feeling far removed from the characters. There was the feeling of a wall between myself and the plot developing that I couldn't scale no matter how much I drooled for this book. Actor turning to academia and teaching at a University only to slam into love? Yes please! It was my cup of tea but the wrong biscuits were served.

I really enjoyed this book. I found the voice a little strong in the beginning, but once I settled in, I really enjoyed the voice of the narrator. Even though the main character is a famous actress, she seemed very relatable with her frustrations about being underestimated in general and being pigeon-holed once she came out. It was obvious the author has a strong background in film and Hollywood, and the details reflect that insider knowledge. I loved the way the main character's anxiety was addressed head on, and though I found her reticence to talk about her conflicts annoying, I also found them realistic. The miscommunication trope is not my favorite in general. But this was not a case of a simple misunderstanding being blown out of proportion. The main character was paralyzed by her anxiety, even though she knew the longer she waited to talk about the issues the more complicated she was making it. Anyone who has every battled anxiety or struggled with task initiation due to executive function issues will resonate deeply with that. Even the annoyance I felt with her over this issue felt genuine -- I have made situations much worse by waiting to address them and it's just as frustrating for the person at the center of the conflict as it is for everyone else affected/reading. My only real critique is that I didn't feel like the love interest's character was fleshed out enough. Part of this was simply due to the single POV of this story and the fact that she was a secondary character, not a dual main character. But even beyond that, I just didn't feel like I knew much about her aside from the fact that she was bisexual and devoted to her career. I would have loved more development for that character, and more development around the resolution of the story and her decision to go to Paris and resume their relationship. I was happy that was what she chose, but I didn't understand really why she did. That said, it was a very enjoyable read. I read it in a single day and would definitely recommend it.

Thank You NetGalley for the ARC.
I liked the book and was intrigued by the plot. The middle of story did get boring but picked up towards the end. I just didn’t connect with the characters as I would’ve liked, but I did find them adorable at times.