Agatha Christie’s The ABC Murders is a fantastic story (if you haven’t read it yet, you definitely should add it to you TBR), and Murder Takes the Stage is a great story that has shades of The ABC Murders woven into it.

Now that the Phyllida Bright Mysteries is firmly established as one of my favourite series, it was really nice to get a change of pace (the vibrant theatre world) and a new location (London). It gave things a fresh new feel and made for some very interesting looks into Phyllida’s past life, one that we have only been given small hints to in past books.

And while we left most of the large cast of regular characters from the series there were a TON of new characters introduced in this one, from theatre producers, to critics, to actors and actresses, to police detectives. It may sounds intimidating, but it was actually fun to get to know so many new faces (and it wasn’t really hard to keep track of them all).

The mystery moved along at a pretty good pace. The first half of the book was a bit slower as we met all the characters and set up the murders and then things started to happen pretty quickly the pacing never let up until the final reveal.

The lack of familiar faces from past books is more than made up for by the amount of background information we get about Phyllida Bright. As I mentioned earlier, we have only had small hints at what may have happened to her husband but in this book we get most, if not all, of the story. It’s quite an eye-opener and I loved that we finally get to know what happened, but also that these revelations change the relationship between Phyllida and her will they-won’t they dance partner Bradford.

For readers who have been with this series from the start, there are so many satisfying elements that make this book a joy – from the homage to Agatha Christie’s work, to learning about Phyllida’s past, to (no spoilers!) much more, it’s definitely a great cozy mystery to sink your teeth into. I enjoyed this one a lot and can’t wait for the next installment!

*** Thank you to the publisher, Kensington Publishing, for providing me with an e-copy of this book via Netgalley for review purposes.

Cambridge is an auto-buy author for me, and I love the premise of this series! Set in the 1930s, Agatha Christie's housekeeper and friend, Phyllida, solves mysteries. This time, Phyllida has a string of sinister ones threatening theatre folk to get to the bottom of!

I love how cleverly the Christie references are woven in, in addition to Christie and her husband, Max, who are supporting characters. This time, Christie oversees a stage adaptation of one of her plays, there is a chef who physically resembles Poirot, and the mystery is reminiscent of Christie's ABC Murders. There are so many delightful easter eggs for Christie fans, but the book also stands firmly on its own, making it accessible to readers who may not be familiar with her work.

The story brims with vibrant characters, especially Phyllida. She is an observant, savvy, and likable sleuth. I enjoy her interactions with household staff, the witnesses and suspects, and her warm, devoted friendship with Christie. Phyllida even has a blossoming romance, which I am invested in because it's just so charmingly depicted. The mystery was creative, twisty, and well-plotted and kept me guessing all the way to the end. The denouement was reminiscent of Poirot himself, and I loved that touch.

This time, the action takes place away from Christie's estate, Mallowan Hall, and I enjoyed the backstage passes to the London theatres at the center of the suspicious deaths. The historical details create vivid scenes and immerse you in the setting. This witty series just keeps getting better and better, and this was such a fun and entertaining read.

Thank you to Kensington Books and Netgalley for the gifted ARC!

Murder Takes the Stage is book 4 in the Phyllida Bright Mystery series by Colleen Cambridge, and features Agatha Christie as a side character, with Phyllida as her mystery solving housekeeper.

I have not read any of the previous books in the series but I had no problem jumping straight into Murder Takes the Stage. I'm sure that if I had read the previous books, I would have had more insight into the relationships between some of the characters, but I don't feel that it is really necessary.

In Murder Takes the Stage, Agatha and her husband have moved the household to London, to oversee the production of one of her plays. When one of the actors in a play being produced by Agatha’s friends dies, she calls on Phyllida to determine if there was foul play. Then actors in other plays start dying in a strange manner, and Phyllida is compelled to solve the mystery.

I loved the setting of this story and how the author wove the real life figures of Agatha Christie and her husband into t the story into her story.

I also found it amusing how she wrote the mystery in this story so that it could be perceived to be the inspiration for one of Agatha Christie’s real life books.

Murder Takes the Stage was an engaging mystery that kept me guessing, and I would recommend it to any mystery lover. I’ll probably go back and read the previous novels to see more of the characters.

Many thanks to NetGalley for the advanced copy and an introduction to the fun characters. I look forward to more in this series. It doesn’t get the 5 stars due to the ending. Yes, the main character might always have a soliloquy at the end, but really would people, including the killer stay for the long drawn out denouement?
The rest of the read is fun and dialogue moves at a quick pace. Clever take on Agatha Christie’s household of characters.
Worth gifting to your cozy murder mystery readers.

MURDER TAKES THE STAGE is the latest book in the Phyllida Bright series, a historical murder mystery with a twist that takes place in 1930s England where Phyllida Bright, Agatha Christy's friend and housekeeper, is a sleuthing delight.

The plot centers on murders at three London theaters. When a man named Archibald Allston is found dead in an armchair onstage at the Adelphia Theater, first impressions are that he died of natural causes. But the very next day, the unlucky actor playing Benvolio at the Belmont Theater is found with his head bashed in. And when a third victim turns up, this time with double-C initials, the fatal pattern is impossible to ignore. The murderer’s M.O. may be easy to read, but can Phyllida uncover the killer’s identity before the final curtain falls on another victim?

The characters are all fun and well developed in this well written gem of a mystery. Phyllida's dramatic reveal of the killer at the end would have made Hercule Poirot himself proud. I recommend it to fans of Agatha Christie, traditional mysteries, and historical fiction. I can’t recommend this series enough, it’s fabulous.

Many thanks to NetGalley and Kensington Publishing for providing me with an advanced reader's copy in exchange for an honest review. And thank you, Coleen Cambridge!! I eagerly anticipate the next Phyllida book's release

4.25 stars - I've only read one other book in this series and I loved it! I need to go back and read the first two in the series, but am so glad I got to read this one. The book takes place in 1930s England and the main character, Phyllida Bright, is the friend and housekeeper of Agatha Christie. Agatha is the queen of writing mysteries, but Phyllida has a knack for solving them. When there is a suspicious death at a London theater, Phyllida starts an investigation at Agatha's request.

The investigation is fun and Phyllida meets several interesting people from the theater world. She also fights to keep a secret from her past and also fights an attraction to Agatha's chauffeur Bradford. (This may be a mystery, but some of their scenes are definitely swoon-worthy!) Parts of the book move a little slowly, but things get very suspenseful as the killer claims more victims and Phyllida gets closer to figuring out the connection. Phyllida's dramatic reveal of the killer at the end would have made Hercule Poirot himself proud. This is a fun book for historical mystery fans as well as fans of Agatha Christie

Thank you to NetGalley and Kensington Books for the review copy of this ebook. My review is voluntary and unbiased.

Another fun instalment in this great series. Its great that Agatha Christie is a side character in this series but not the star and this story is based on her ABC murder story. The plot was entertaining with the expected twists and we learn a bit more about Phyllida and her past while a romance between her and Bradford develops a bit more which is a fun side line and I can't wait to find out more about his background. I received an advance review copy for free, and I am leaving this review voluntarily.

This is the first novel I have read by this author, and it happens to be the fourth book in a series. I did not know that going into this book. However, I found it interesting and enjoyable if you are a fan of Agatha Christy then you will really enjoy this book. In this book we follow Agatha Christy's maid named Phyllida Bright, is a sleuthing delight. When Agatha moves part of the household to London temporarily, Phyllida goes along. In this masterfully written mystery, each character is interesting and well-developed. You will recognize the Agatha Christie undertones in this light historical fiction mystery, particularly when the suspects are all assembled for the summation and accusation. Agatha serves only as Phyllida's method of transportation, never taking center stage in the story. The crew of the mansion is also involved in both witnessing and supporting Phyllida's pranks, as she is the official cleaner.

Thank you, netgalley, Kensington Publishing, for the Earc of this novel.

The author always has interesting characters in her stories, and it’s always fun watching Phyllida and Mr. Dobble squabble. The plot was entertaining and we learn a bit more about Phyllida and her past as well as watch her and Bradford move closer together. I can’t recommend this series enough, it’s fabulous.

This is such an entertaining series. There is perhaps even less of Agatha as a character in this one than in the previous books in the series, but her influence is all over it. The alliterative aspect and the stage environments were excellent and this is a great read. It does further Phyllida's backstory, and I think this series benefits from being read in order.

I thank NetGalley and Kensington Publishing for an advance reader copy of “Murder Takes the Stage.” All opinions and comments are my own.

“The play’s the thing,” as Mrs. Bright discovers is the heart of the matter in “Murder Takes the Stage,” the latest Phyllida Bright historical mystery by Colleen Cambridge. As alphabetical actors (more or less) meet their demise in a series of clever ways, can Mrs. Bright determine the ways and wherefores before the letters of the alphabet are used up? Ah, dear readers, “Be not afraid of greatness.”

This book is a study in characters, as you can imagine that pages filled with actors would be. And the other goings-on, in a rented townhouse in London, Mr. Dobble the butler being his usual irascible self, and Mrs. Bright contending with the bad-tempered chef, are handled with the deftness of an experienced plotter.

But the biggest surprise -- the big secret! is revealed. Mrs. Bright spills something to Bradford the chauffeur, who readers have come to know as the one who may tease and bother the lady to no end, but there’s method to that madness. Phyllida learns she has friends in high places, in more ways than one, especially when our girl has everyone come together and she points out the murderer. Shortly after, she receives a very special gift.

“Murder Takes the Stage” is another wonderful story in the hands of a writer who knows how to combine suspense, suspicion and surprise in a narrative that will task your ability to decide on “whodunit.” I enjoy following Mrs. Bright and her ability to solve the crimes that are providing Agatha Christie with fodder for her mystery books. Looking forward to many more.

Another clever- oh so clever- installment in a series where Phyllida is the star and Agatha Christie is in the back seat. And it will be just as fun as a standalone. The Christies and Phyllida have moved to London just in time for a villain to begin working through the West End with alliterative murders. This one made me think more than many cozies. She's also, by the way, dealing with the mundane but troublesome aspects of running this sort of household. Phyllida is terrific and fans will be pleased to see that her relationship with Bradford (and his dog) is broadening. Thanks to Netgalley for the ARC. A good read.

This might be my favorite of the series yet! The pacing was great. Sometimes with mysteries there are so many characters, it's hard to differentiate, but the author describes each character so well and uniquely (and reminds us who the character is throughout the book) so it was easy for me to keep up! Love the relationship developments that happen in this book! I think this could be read as a standalone, but would encourage starting with book one. A big thanks to NetGalley for an early copy.

Thank you so much to NetGalley and Colleen Cambridge for providing me with a complimentary digital ARC for Murder Takes the Stage coming out October 22, 2024. The honest opinions expressed in this review are my own.

I really enjoy this series! I love the time period. Cozy mysteries are one of my favorite genres. I think these books have a lot of heart to them. I love the writing. I definitely love Agatha Christie’s work so it’s fun she’s a character in this series. I think the mystery was really interesting and I loved the theater setting. There were a couple things I wasn’t as excited about in the book. But overall, I really enjoyed it.

I would recommend this book to anyone who enjoys Agatha Christie mysteries!

The fourth book in this “Agatha Christie vibe” book series is the best yet.

This time the author treats us to her version of the ABC Murders by Agatha Christie. The author always has interesting characters in her stories, and it’s always fun watching Phyllida and Mr. Dobble squabble. The plot was entertaining and we learn a bit more about Phyllida and her past as well as watch her and Bradford move closer together. I can’t recommend this series enough, it’s fabulous.

My review is voluntary and all comments and opinions expressed are
my own.

Phyllida Bright isn't happy about accompanying her friend and employer, Agatha Christie, to London. Agatha is working on getting one of her books turned into a play and Phyllida comes along in her role as housekeeper to make sure things run smoothly. Not long after they arrive, Agatha is meeting some of her theater friends when they discover an actor has died on stage. There was no performance going on at the time, but it was still a shock to find Archibald Allston dead at the Adelphi theater. While there is nothing suspicious about his death, everyone is still upset by the event. Soon, an actor playing a character whose name begins with B is found dead in the Belmont theater. It doesn't take long for Phyllida to sense a pattern and decide to do what she can to stop the killer before he or she moves through the alphabet. The police inspector is well aware of Phyllida, and also seems to hint that if she doesn't butt out of the investigation, he might have to look into some murky events from her past.

This book is the fourth in the Phyllida Bright series, but it works well as a standalone read. The real-life characters of Agatha Christie and her husband Max Mallowan don't have very big parts to play in this story, so we don't get to see them interact with the other characters much at all. There is a budding romance for Phyllida and I'm sure she will soon be solving another mystery while here employer Agatha is dreaming up another one on paper. I would have liked Agatha to get more involved in the story, but I suppose she was "off stage" working out her next book idea!

"In this delightful historical mystery, Phyllida Bright - amateur sleuth and Agatha Christie's esteemed housekeeper - discovers a killer stalking the stages of London's illustrious theaters.

Housekeeper Phyllida Bright is quite in her element at Mallowan Hall, the charming English manor that she keeps in tip-top shape. By contrast, the bustling metropolis of London, where her famed employer Agatha Christie has temporarily relocated, leaves Phyllida a bit out of her depth. Not only must she grapple with a limited staff, but Phyllida also has to rein in a temperamental French cook who has the looks of Hercule Poirot, but none of the charm.

When a man named Archibald Allston is found dead in an armchair onstage at the Adelphi Theater, first impressions are that he died of natural causes. But the very next day, the unlucky actor playing Benvolio at the Belmont Theater is found with his head bashed in. And when a third victim turns up, this time with double-C initials, the fatal pattern is impossible to ignore.

With panic erupting among theater folk - a superstitious bunch at the best of times - Phyllida steps up to help with the investigation. The murderer's MO may be easy to read, but can Phyllida uncover the killer's identity before the final curtain falls on another victim?"

I will read whatever Colleen writes under whatever name.

Colleen Cambridge's "Murder Takes the Stage" whisks readers away to the world of 1930s London theater. The mystery unfolds as Phyllida Bright, Agatha Christie's housekeeper, delves into a series of murders in the vibrant West End. The victims are connected by a pattern that forms an alphabet of death, pulling Phyllida into a game where the lines between illusion and reality blur.

Phyllida emerges as a strong protagonist. The novel sees her transformation from a bystander to a determined sleuth. As Christie's housekeeper, she has unique insights, but her intelligence and skills set her apart. Despite being underestimated, Phyllida proves herself capable and resourceful.

The writing balances suspense with humor, particularly in Phyllida's interactions with Inspector Wellbourne. The dialogue feels natural and develops character dynamics without slowing the pace. This balance keeps readers engaged, even during methodical investigation scenes.

The pacing is solid for the most part. Cambridge maintains tension as the murders increase and the stakes rise. The final reveal is satisfying and surprising, avoiding obvious or convoluted solutions.

Cambridge’s experience shows in the plotting and period details. The novel distinguishes itself through its setting, characters, and themes. The theater world provides a rich backdrop for the classical mystery elements. Cambridge's attention to historical detail immerses readers in the period. The theater scene creates a backdrop that enhances suspense, portraying the glamour and competitiveness of the entertainment world.

The story explores the perils of ambition and fame. The killer's motive reflects the ruthless side of show business. Cambridge uses the setting to examine the pressures of relevance and success, a theme that resonates throughout the narrative.

Cambridge addresses media influence and public perception, adding depth to the plot. The killer's manipulation of attention reflects the power of sensationalism in the 1930s and resonates today. This approach elevates the story beyond a standard whodunit, offering commentary on fame and public opinion.

This novel offers an engaging read that maintains suspense until the end. I recommend it to fans of Agatha Christie, traditional mysteries, and historical fiction. Cambridge has crafted a story that entertains and prompts reflection on ambition, fame, and the line between performance and reality. Overall, it is a solid addition to Cambridge’s body of work.

This review is of an advance reader copy provided by NetGalley and Kensington Publishing. It is currently scheduled for release on October 22, 2024.

Housekeeper to Agatha Christie, Phyllida Bright, is back solving another murder! I have enjoyed this series so far and am eager to read more.

There have been a few unfortunate deaths occurring at the local theater and one of the victims relatives ask Phyllida for her help in solving the murders. The interesting thing about the murders is they follow the alphabet. We start with the death of Archibald Allston, and then the actor playing Benvolio at the Belmont Theater, and finally an actor with double- C- initials is found dead. It seems we have an ABC murderer on our hands (if you know, you know). Will the killer move on to the letter D or will Phyllida put a stop to the killings? You will have to read to find out!

Thank you Netgalley and Kensington Publishing for an advanced copy of this ebook in exchange for an honest review.

MURDER TAKES THE STAGE is the fourth book in the Phyllida Bright Mysteries by Colleen Cambridge. Oh my goodness… this series just keeps getting better and better with each book! I adore the backdrop of Agatha Christie as a minor character, while her housekeeper (and so much more!) Phyllida Bright takes center stage. The plot is superbly clever, and the setting of several theaters in London adds to the appeal. With actors and actresses thrown into the mix of murder(s), there is chaos and drama for Phyllida to wade through to solve the case. I especially love that we get more information about Phyllida’s backstory and her relationship with Agatha Christie’s chauffeur seems to be heating up—and and I highly approve. I simply can’t wait to read more in the series!

I was provided with an advance copy. All thoughts and opinions are my own.