Thank you NetGalley and Macmillan publishers for the eARC copy of this book!

Yeva becomes a dragon slayer knight at a young age and is separated from her family to train for her new life. She never removes the armor she has been using to train for many years as it has become her identity and many people know her by it. Even though everyone knows her as a knight, nobody remembers the girl she was or the woman she becomes. She must go to the kingdom of Quanbao in search of a dragon they supposedly keep within their borders. In Quanbao, the dragons are not slayed but worshipped.

The cover of this book drew me in but the story itself kept me interested. Its short length made it easy to follow along. The writing style was simple but detailed which made it a beautiful read, specially for the descriptions of the scenery and creatures. The main characters were well written, I liked that their backstories were easy to follow and made sense with the development of the story and characters themselves. I liked that the romance is not too cheesy nor the main/prevalent focus of the story. It is important to the story but in a way that makes sense and is not just mindlessly added to create a hook. I love the queer/lesbian representation here, it was described so naturally that it made it seem as if it was not a weird occurrence for the characters in those kingdoms (and it shouldn't be.)

The only reason why I did not give it a 5 star rating is because I haven't read many stories of the same or similar topic so I'm technically new to reading about dragons. But it was the best way I could have imagined for getting into dragons. Another thing is that the ending left me wanting to know more of Yeva's family and Sookhee's ancestors and past life (maybe a novella or extra/special chapter?)

Overall, the book was lovely and I enjoyed reading it. From the beautiful cover to the character's backgrounds, this book managed to capture my attention and make me want to read more.

Ahoy there mateys. This is "A new Queer, Asian-inspired fantasy novella about a renowned dragon slayer who never takes her armor off in public."  There is also a f/f romance element as well.  I like elements of this novella well enough.  The main character, Yeva, is a dragon hunter sent to the reclusive nation of Quanbao as a diplomat.  It is rumored that Quanbao worships dragons.  The ruler, Lady Sookhee, has secrets and Yeva is supposed to find them out, not fall in love with the queen.  I did feel that the first part of the book was much stronger than when Yeva goes to Quanbao.

The character of Yeva was my favorite.  I really enjoyed reading about Yeva's childhood and how she became a dragon hunter.  The juxtaposition of world building between Yeva's realm and the culture of Quanbao was nice.  Yeva's king seems to be an all-powerful, selfish dictator.  Lady Sookhee may be queen but rules with the help of a women's council.  The political details were rather lightly touched upon but I did enjoy what was presented.

The main issue for me was that I did not buy the romance.  I didn't hate it but I didn't love it either.  I did not get to really see the relationship start or evolve.  Instead, it just kinda skipped ahead.  I also thought that Yeva was rather dense about the queen's secret given how much time they spent together.  The ending was also fine but did not thrill me.  These issues may all stem from the novella-length.  I think I would have prefered a novel instead.

I liked the author's writing style enough that I bought the Tensorate series.  I shall see if I like those novellas better.

3.5 rounded down

The story told is stunning and the prose is beautiful. Unfortunately, the heart of the story is missing from the telling. There is clearly a full novel's worth of story here, but the important parts are cut out in the telling. The entire story is told as if seen by an impersonal 3rd party. At the heart of this story there is a romance, but every aspect of the couple's time together is skimmed over or referenced only in passing. This story could have been glorious, but instead it is merely good.

Neon Yang’s Brighter Than Scale, Swifter Than Flame is a book I’m definitely getting for my sister once it’s out — which, to those who know me/my sister tells you something right up front, but I’ll elaborate for the rest of the world! There are dragons, a female protagonist, and a lesbian relationship, which also meets her criteria that the lesbians don’t come to a tragic end.

It’s also a story of belonging, of dislocation from culture and finding your way back into it, which I’m sure will resonate for a lot of readers, even if the stakes aren’t as high as these for most people. Yeva is initially very divorced from her body and her “foreign” appearance, hiding it all to make her own place among the guildknights, but rest assured: that isn’t allowed to stand unchallenged (while at the same time she maintains some bond to her adopted home, in the form of her one friendship).

It’s a novella, so we don’t get large-scale worldbuilding or a very slow build relationship, but what we do get works well for me: Yeva’s fumbling attempts to fit into her new place, her confused loyalties, and her growing feelings for Lady Sookhee.

I predicted the twist of the story fairly swiftly, but it was still satisfying to see it play out. I’d have loved a little more play with the strangeness of… well, a certain character (not Yeva), but maybe that would’ve given the game away too much.

Overall, I really liked it.

Thanks to NetGalley, the Publisher and Author for an eARC of this title in exchange for my review.

Brighter than Scale, Swifter than Flame by Neon Yang is a lovely novella framed in a folk fairy tale style about mythical dragon hunters and the lands and people who honor and hold them dear.

For a novella, the worldbuilding is great with interesting details, style and settings as well as simply beautiful prose. The author did a great job telling a complete tale with vivid imagery and depth of feeling, all while being deeply satisfying.

I look forward to reading more from this author.

The plot is predictable and the characters are...okay? I found the use of an unseen narrator kind of frustrating. It made me feel distanced from the characters and diminished the emotional depth I was hoping for.

Also, is anyone else annoyed that the cover art is white washed? I thought Yeva was described as having dark hair and golden skin, like her mom. Or did her description change throughout the story?

2025 is the year of the lady-knight!

I really think Neon Yang shines with their novellas. This was lush and romantic and told at just the right pace.

In this compact little book, we are told the story of a legendary dragon slayer- the mythic guildknight, Yeva, as they are sent on a covert mission to the fiercely independent nation of Quanbao to gather intel on the rumors of dragons. There, they must earn the trust of the mysterious Girl-King, Lady Sookhee. As they get closer, the mystery of the rumored dragons begins to unravel and Yeva must decide between their allegiance to the Empire or their growing affection for Lady Soookhee and the people of Quanbao.

☀️book review☀️
brighter than scale, swifter than flame by neon yang

This was one of the best fantasy novellas I read in a long while.

Yang’s novella takes place in the mystical land of Mithrandon, where the famed dragonknight Kunlin Yeva has made a name for herself by becoming the most lethal dragon hunter out there. She is sent to the Asian-inspired land of Qinbao on a diplomatic mission and as she becomes close to their queen Sookhee, she finds out secrets long hidden about the dragons she hunts and who she really is.

I love a solid novella that tells a really solid plot with established characters, and this story really captures that for me. Yeva’s conflict and understanding of herself is the main thing you focus on in the story but it weaves reallg well with the plot and the pacing never stalls because of it.

The worldbuilding is fantastic - despite its shorter length, it doesn’t skimp on anything and covers everything necessary in a really effortless way. The important parts of the world are weaved into Yeva’s conflict and the plot as a whole masterfully. It really is storytelling at its finest.

It covers some compelling themes such as imperialism, biracial identity, and how we accept who we are and how we find home. Its a short and sweet fantasy read that really speaks to the reader.

I cannot recommend this enough - it blew me away!

Thanks to Netgalley and Tor Publishing for a copy of this e-ARC in exchange for this review.

"The Mandalorian" meets sapphic dragon slayers. Need I say more?

Neon Yang has a knack for crafting SFF stories that not only have unique premises but are also just badass. This novella was just so satisfying to read. Being able to witness the character progression and growth for Yeva that happens from page one until the end was just incredibly gratifying.

This may be a short little novella, but it has a lot to say about questioning the people and systems we've pledged our loyalty to, and whether allegiance supercedes justice. Overall, I absolutely loved the vibes and writing style employed in this novella. Honestly, I would take ten more just like it!

I'm really liking novella's written like this. It's a short story, but the world is very fleshed out and the characters are very compelling. The story was a bit basic in terms of I was able to figure it out pretty early on, but I thought it was interesting and I wouldn't mind coming back to this world.

Brighter than Scale, Swifter than Flame is a standalone sapphic fantasy about a knight, Yeva, who is scooped up by the imperial guard for her innate ability to kill dragons. She is sent to a neighboring kingdom to investigate rumors of dragons in their possession, and there learns more about her parents and family as she spies for her king.

I found this story a bit slow moving, but overall enjoyed it.

Thank you NetGalley and Tordotcom for this ARC Copy!

Gorgeous cover, sapphic, tea, and dragons, what more could a girl possibly want from a book right? Maybe for the story to be just a little longer because I was not ready to leave the world. When will I ever learn with novellas that I will always be left wanting more. That is in no way a complaint about this book and actually quite a bit of praise.

I really enjoyed the folklorist prose and the world building, and I am definitely interested in reading more works from this author.

5/5 ⭐️⭐️⭐️⭐️⭐️
Brighter Than Scale, Swifter Than Flame
Author. Neon Yang
Thank you so much Netgalley and Tor publishing group for this copy! This is a fantasy novella that follows Yeva, a masked guildknight that slays dragons. She is sent to the kingdom of Quanbao where she ends up encountering Lady Sookhee, the “girl king” who challenges her beliefs and stirs feelings she did not even know she had within her. As their bond deepens, Yeva must choose between her sworn duty and the possibility of a new path forged through love and self-discovery. I really loved Yeva as a main character, and reading as she struggled through situations she felt extremely uncomfortable in and her growth throughout them. I felt the twist coming from a ways away, but it was still really good. I enjoyed that this was more romance focused, then action packed. The main focus is the relationship between the the dragon slayer and Lady Sookhee. I would love to read more in this world, and would not be opposed to a full length novel of this. I really enjoyed this.

For such a short story, this novella is brimming with rich and interesting world-building. The descriptions were lush and vivid, and the story read like a fairytale.

I do feel like the narration felt distant from Yeva at times, which lent to the fairytale feeling of this novella but ultimately made me have trouble connecting to the characters. I also wish the romance had more buildup with one or two scenes in its early stages to establish a deeper connection between Yeva and Sookhee. I think if their chemistry was further explored, Yeva’s devotion would feel more authentic.

All in all, a fun and quick read!

This was a really solid novella!

Unfortunately I fell into a pretty gnarly slump and missed the pub date, but better late than never I guess. I thought this had a really great, immersive amount of lore and exposition without feeling like I was being overwhelmed. Everything read like it had its place and I enjoyed the time I got to spend in this world and its kingdoms!

I liked our main characters and enjoyed the development between them--my only real complaint is that the conclusion of the climax felt a little lackluster and it didn't entirely match the tone of the conflict up until that point. Otherwise, I liked this a lot!

Yeva slew a dragon when she was 13 and it cost her her hand — and life as she knew it. Instead of living happily with her parents and her sister, instead of finally being old enough to join her mother in her trips to the markets of Quanbao, Yeva finds herself exiled to Mithrandon, where the Emperor lives, to become one of his guildknights and spend the rest of her days as a weapon in the Emperor’s hand, slaying dragon after dragon after dragon.

When the Emperor wants to send a battalion of his knights into Quanbao to hunt down an escaped dragon, the guildmaster sends Yeva, instead. And Yeva is … unsettled. On the one hand, she’s far away from her routine, away from the comfort of rules and restrictions, but on the other, she’s finally in Quanbao, a place that brought her mother so much joy. There’s new food to eat, a new language to learn, and a queen whose playful smiles make Yeva’s heart skip, whose friendship has her longing for something she’s never been brave enough to want for herself.

Killing dragons? Easy. Falling in love? Harder.

This novella is inspired by Asian cultures, food, and dragons. These aren’t fire breathing winged monsters; instead, they’re sinuous creatures with elemental powers and ancient lifespans, near mythic gifts, and compassionate hearts. And Yeva kills them with ruthless, thoughtless skill. She doesn’t ask — never has — what dragons are or why they have to die; she only knows that they’re dangerous. When she learns that the Quanbao culture reveres them rather than slays them, she tries her hardest not to think about all the dragons she’s killed, tries her hardest to keep seeing them as mere animals rather than as thinking beings.

However, the story’s focus isn’t on the world building or even the dragons — though both are a highlight, skillfully put forth in a way to shape the story without drawing too much focus away from the romance. Sookhee, queen of Quanbao, is a capricious, charming, clever queen. She takes one look at the guildknight sent to her and understands both the threat she is, and the weaknesses she sees in Yeva, who is alone, isolated, and vulnerable, who is trying to reach out to people in search of answers to questions she doesn’t know how to ask.

When Yeva was taken into to the guildknights, she was three things: a girl, a mixed race child, and gifted with magic. Thrown in with other guildknights who were boys of the right blood and background but had no magic, she was further isolated and bullied. However, when Yeva put on her helmet and armor she became … invisible. No one could point and say she was different when they all looked the same; her armor and her helmet became her sanctuary, as well as her cage. When Sookhee offers her a half mask — to allow her to eat and drink while still keeping her anonymity — it’s a kindness no one else has ever shown her. With Sookhee, Yeva is able to become a person, again. A woman. Someone whose black hair and tanned skin don’t mark her as Other, but instead as belonging. Sookhee offers friendship, because she, too, is an Other, even in her own kingdom. She’s a queen, which forces a power disparity, even between her and her closest friends. But with Yeva, the two of them can be Other together.

The story has a predictable twist, which I think is a good thing. I enjoy when the book — having handed out all the clues — plays fair with me, allows me to be able to guess at the twist and then rewards me with a well-written scene that plays out just as it should. Yeva tries to avoid knowing what she should know because she doesn’t want to; because she would rather be happily ignorant rather than dutiful; and she wants to stay with Sookhee, to be happy, to be … a person. Herself. To have a chance to be a daughter again, a sister.

The writing is lyrical, reminiscent of a fairy tale with the story being told to the reader by a storyteller. The pace is perfect for a novella, though a very selfish part of me wants so much more. More of this world, more of Yeva and Sookee, more of the dragons and the Quanbao. Honestly, I think that’s the sign of an excellent novella where the story feels finished, but the reader is still left wanting more.

This is an excellent book if you’re into character studies, dragons, romance, and redemption arcs. It’s beautifully told, quick to read, and well worth your time.

Always a big Neon Yang fan, especially when they’re writing fantasy. While I wouldn’t categorize this as a favorite, I do think that this was a really interesting and enjoyable read. Also, it made me feel very accomplished for guessing the plot twist so I appreciate that. It really plays with themes of identity and loyalty that make it that much more interesting than a sapphic romance with a dragon involved. A lot of the moments feel pretty simple, but I think that made it a little bit more enjoyable. Worth the read if it sounds like your thing!

Brighter Than Scale, Swifter Than Flame by Neon Yang is written like a folktale, not about slaying dragons but finding yourself again after you’ve lost who you were to protect yourself. It’s a tale of identity, isolation, and culture. The fact that its main character, Kunlin Yeva, is a famous dragon slayer is less crucial to the story, as the narrator makes clear from the first chapter. The storyteller, who tells this story from their foremothers who heard it from their foremothers, makes it clear they’re telling the true story of Yeva, and not the legend of the dragon slayer who just so happens to be the same person. The way Yang uses the opening chapter to detail Yeva’s accomplishments as a dragon slayer, only to immediately imply to the reader that who they were, where they came from, who they were raised by, and who they loved is the better story than any legend of heroics or deeds and I am inclined to agree. Some Spoilers Ahead.


In the beginning, Yeva is stripped of everything she knows to become a guildknight of Mithrandon. She is taken from her family, her home, and everything she knows, all because she has a power within her bloodline, her father alleges, is from his bloodline, which I am inclined to believe is a falsehood. In Mithrandon, she is treated differently for her gender and her foreignness by the other trainees. She is discouraged from writing letters home to her family, fed the line that any employee joining a toxic corporation can relate to, of the knights being her family now. Her only family there, her uncle on her father’s side, does not look upon her with kindness because of the mother she was born to. Yeva quickly realizes she is not a person anymore but a tool for the empire to slay dragons. It’s no wonder she retreats into her armor, her helmet, and her training, becoming the tool they want her to be. Being a tool becomes who she is, her helmet and armor both her prison and her protection from what she has lost, herself. Even after all her accomplishments, her isolation, her hiding her identity beneath her armor, burying the culture of her mother deep within, and adopting the one of the Sun Empire as best she can, she is still sent away to Quanbao, the homeland of her mother she does not know because as her cousin points out, despite all she has done, she is still different from everyone else. Yeva claims the hurt this caused was invisible beneath her armor, do not believe her for a second. Throughout her time in Mithrandon, I wanted desperately for someone to give Yeva a hug and a shoulder to cry on, but Yang only gives her a helm and magic swords, a pale substitute.

Despite her immediate family being absent from the story, they loom over it, especially Yeva’s mother. Her father’s world, Mithrandon and the Sun Empire, is a world of heroic deeds associated with traditional fantasy, but also cold and classist, also like traditional fantasy. Yeva’s need to seal away her identity and gender beneath her armor in a land associated with the triumph of good versus evil conveys a lot about the genre and its traditional treatment of women. Even her only friend and cousin, Emory Deerland, is thought of as strange for rather reading a book than raising a sword despite the guildknights flourishing under his care. It’s in the details that Yang shows the suppression of her mother’s influence and, by extension, her femininity. Her father is named in his first scene, and yet it isn’t until Yeva opens up in Quanbao that her mother’s name is said for the reader. It is interesting to compare this to Lady Sookhee’s relationship with her parents. Her father sacrificed himself to save her life, and it is her mother who resented her for it, a contrast to Yeva’s father, who chose to sacrifice his daughter’s childhood and, without knowing it, his marriage for the sake of duty.

It’s no coincidence that the land her mother is from and Yeva is forced to go to is literally warmer and more welcoming to her when she lets her guard down. Without a threat of a dragon appearing, despite her investigation, Yeva has a lot of time on her hands to embrace her mother’s culture, remembering the language she used to speak, talking to people, and trying the food. The latter, she has to shed the protection that is her helmet in order to do so. When she does this in front of a friend of her mother, her response of “It is you. I see her in you” carries so much weight and cuts so deep. That scene is more important to the story than any dragon appearance. The way Yang coincides the shedding of her armor with Yeva learning about her mother, embracing who she is under the armor, before embracing a lover, is so well done.

It’s a novella, so the pacing has to be quick for the tale Yang is trying to tell. It’s not about Yeva’s training, her ascension to guildknight, the passing of her uncle, or the slaying of the infamous dragons mentioned in chapter one. It’s about Yeva’s choices more than what she has actually been sent to Quanbao to do. To everyone, readers included, the secret of Lady Sookhee’s blood-sickness may be obvious to everyone but Yeva. However, Yeva figuring out the secret isn’t what is vital to this book. It’s the choices Yeva makes throughout her time in Quanbao and how those choices lead to her final two choices, the one in the climax when she finds out Sookhee’s secret, and the choice to finally visit home again in the ending. We don’t see Yeva’s reunion with her mother and sister, but we don’t have to. She has allowed herself, in Quanbao, to mentally come home, and now she can actually do so.

While the world building done is tremendous for the short amount of pages it is done in, from the Guildknight of Mithrandon to the food and culture of Quanbao, it is there to serve Yeva’s story. Not every book needs to he a series, and not every story needs to be a universe. Yang doesn’t have to tell us how Yeva’s reunion with her mother went for us to picture how it went, because her mother’s presence is felt throughout the book. If the ending of Yeva and Sookhee’s story is all there is, I’m happy to imagine two dragons flying in the night’s sky, twisting about through the clouds, with no concern for the Sun Empire.

I was lucky enough to get an early copy of Brighter Than Scale, Swifter Than Flame by Neon Yang - huge thanks to TOR for the ARC! This novella was such a gem: a strong female lead, beautiful LGBTQ+ rep, and rich, mythic (I want to say almost lyrical) storytelling all packed into a quick, one-sitting read.

I loved Yeva’s sapphic romance with Lady Sookhee - it felt tender and earned, and fit so well with the story’s themes of identity, duty, and reclaiming your past. The folktale-style prose gave it a timeless feel, and despite the short length, it still hit emotionally.

Read if you love:

- Queer fantasy
- Reclaimed identity
- Flowing lyrical prose
- Dragons and politics
- Soft but strong sapphic romance

"You have the strength of the earth in you," she used to tell her daughters. "The rains can come and the ploughs can carve through you and still you will remain."

Thank you to NetGalley, Neon Yang, and Tor Publishing Group for the E-ARC!

This is the legend of the guildknight Yeva. Famed as a dragon slayer, identity known by few and hidden behind a mask, her story is one she keeps close to her chest. If you're found wanting to know more about this warrior, all you have to do is open her stories pages.

When I heard that this book was a Fantasy likened to The Mandalorian, I knew I had to pick it up. This comparison is perfect for this story and it's hard to explain why (but I'll try my best). It felt as if I was watching a tv show or movie, which is largely helped through the narration, but also by the fact that the book is so character driven. The reader is being guided through a story that has since passed, one filled with a rich world, an FMC who has lost herself to her duties, and a Queen whose confidence is radiant.

If you're looking for a quick Fantasy read that also has good world building and amazing characters, I would highly recommend picking this up!