I <3 short stories. I genuinely enjoyed this collection and loved the writing style. This was my first Katherine Dunn read, so I will definitely be checking out geek love. I also enjoyed how every story is very different and takes you to a completely different place. Though some stories stuck out far more than others to me, I still very much enjoyed reading this! Thank you Farrar, Straus and Giroux for the earc.

4.5 stars! I am a huge fan of Geek Love and was so excited to see Katherine Dunn on the list of upcoming books in NetGalley. Some of the stories dragged a bit but her writing was enthralling and I was so deeply absorbed! If you like Mariana Enriquez type stories, you enjoy a well written story and getting deeply involved, I recommend it. I loved the dark vibe some of the stories carried and in general how different it all was. Thanks to Katherine Dunn for sharing these stories. I really got lost in them!!! Thank you NetGalley for the ARC and Farrah, Straus and Giroux for bringing out another book by one of my favorite cult authors!

I wanted to like this collection soooo bad. Dunn, the legend behind Geek Love, left behind this trove of short fiction, a mix of unreleased and previously unpublished stories that explore desire, violence, and survival -- mostly through the lens of women struggling to maintain control over their lives. It should have been mesmerizing. But mostly, I was frustrated.

Now maybe this is a me problem, but I spent most of this book searching for a throughline connecting these 19 stories that never quite materialized (I sincerely hope that someone smarter than me writes a review explaining what connects these stories so I can understand the error of my ways). As a whole, the collection felt scattered-- occasionally intriguing in isolation, but ultimately failing to cohere. A few pieces stood out-- "Fanno Creek" and "The Flautist" had an odd magnetism that I really can't explain-- but the rest blurred together in a way that felt more like a slog than a revelation. e stories felt a little scattered. Sometimes intriguing in isolation, but failing to cohere as a whole. I kept waiting for a moment where everything would snap into focus, where the collection as a whole would make sense, but it never did.

That said, Dunn's talent is unmistakable. "The Resident Poet" made my skin crawl (in the best way), while "Near Flesh", the collection's namesake, is an absolute masterclass-- one of the bleakest, most devastating explorations of intimacy and the limits of automated companionship I've ever read. Dunn knows how to unsettle, how to make the grotesque meaningful, but taken as a whole, Near Flesh never came together for me as a fully realized work.

This makes me sad. I wish I felt differently. I wanted to be swept up in what I think could have been Dunn's singular, feral vision, but this collection just didn't land.

Geek Love is one of my favorite books by this author and this one is also very good. There are nineteen stories, some are only a few pages long but you would not think that, the story is conveyed very well in a short period. Most touch on female, desire, motherhood and violence. I enjoyed all of them, and I can't really name one that stood out more than the others, the story of the woman who purchases various sex robots to pleasure her, was interesting, a warning I suppose of letting your desires get ahead of your smarts. I would certainly recommend this and Geek Love (if you haven't read it). Thanks to #Netgalley and #MCD for the ARC.

While I appreciate the creativity that was required for this book, I don’t think it’s for me. The short stories felt confusing, and I didn’t really understand the point or the message. I can see why some readers would like it, I just don’t think it’s my style.

I just wasn’t feeling this. I appreciated how short some of these stories were, but I found each time I moved on to the next, I’d forgotten what the previous was about. So I figure this book and I are just not compatible.

My first time reading Katherine Dunn even though I've had Geek Love on my shelf for years.

The first thing I admire about this book is its inclusion of truly short fiction: stories that are only a few pages long but present a clear vision or scene, conveyed through crisp imagery and description, and that leave you with a distinct impression before moving on and changing gears. "Fanno Creek" and "The Flautist" were like this, and I really enjoyed them both. There are several longer stories, too, that are urgent and compelling from the get-go; my favorites are "In Transit," "Rhonda Discovers Art," and the title story "Near Flesh."

These five stories are the biggest takeaways from the collection for me. The stories gain traction and momentum as readers progress through them; they really start to take off toward the middle, and I appreciate this thoughtful attention to curating the reading experience.

Dunn navigates many different styles and subjects through these stories and I appreciate the range of ideas exhibited here. Not every story worked for me and that's OK because the ones that did will stick with me. I think this collection stands as a great introduction to Katherine Dunn, and it's inspired me to finally read Geek Love.