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this queer coming of age story had me feeling nostalgic and warm and fuzzy. It was so beautiful and the teenage ungst was captured perfectly.
The tenderness and honesty, it explores identity, the ache of trying to fit in, and the heavy weight of grief. Francis captures the raw vulnerability of adolescence in a way that feels deeply personal und profoundly moving.
I LOVED THIS!

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Early DNF
I really didn't like the writing style so I had to DNF. It was way too overly descriptive about every little thing such as "he smiled somberly at their inaudible melodic chirping". This happened so much in the first few pages it's like the author used a thesaurus to describe everything in pain-staking detail. I think the adverbs really needed to be edited down. I can't comment on the story as I didn't get far enough but the writing was not good.

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Scraps by Matthew Francis

4.5/5 Stars ๐ŸŒŸ will be posted today

Thank you NetGalley for the eARC of Scraps!

Firstly, I absolutely adored the cover for this book and all of the illustrations that came with it on the chapter headers!

We start of with a young boy called Gus whoโ€™s lost his mother and had to move back to his dads house.

We find that Gus is an artist that is going to be going into an art college at the end of the summer. During his time he ventures into the old town he once knew and meets a few people at the local skate park.

Gus then makes his own skateboard using scraps of wood from his fatherโ€™s woodworking shop and this follows on to meeting Bridger who goes on to teach Gus skateboarding.

He also meets a girl named Tara who at first I thought was very assuming of Gusโ€™s sexuality but turns out she is just looking out for him in ways she knows sheโ€™d wanted to be back then.

We also meet hot headed Max who is stuck in the past and doesnโ€™t want to change. This shows throughout the book but eventually things change.

Thereโ€™s a scene in which Gus looks through a magazine and we see his emotions on girls and boys which was sad and could see some self guilt.

Thereโ€™s some very cute moments between gus and his dad throughout the book and my favourite has to be when Dan (the dad) finally tells his son to stop calling him sir.

I love how Tara being part of the lgbt+ helps a lot for Gus while heโ€™s struggling to learn and accept things for how they are.

Another of my favourite parts was Gus and his dads conversation about loneliness and love it was beautiful and accepting โค๏ธ

I cried at the end and I fell in love with this book and will forever recommend it. I have kept as little details as possible out but please go look at this book itโ€™s beautiful โค๏ธ
Plus thereโ€™s a short film on YouTube I recommend watching!

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I absolutely loved the premise, but I ended up DNFing due to the writing. It felt like it needed a lot more editing. From the very first page, the author relies heavily on words like 'spotted,' 'noticed,' 'watched,' and 'saw,' making the writing feel too telling. I also got confused by the head-hopping (a sudden switch in POVs), and rather than leaving a negative review, I decided to stop reading.

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I enjoyed the story and the early 2000s setting. I found the writing to read quite young at points, especially with regard to characterโ€™s feelings, which were told rather than shown more often than not. As a queer skateboarder I am still really happy this book exists.

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Many moments in this book that genuinely moved me. The coming out scene, in particular, really stayed with me. It wasnโ€™t overdone or dramatic for dramaโ€™s sake; it felt honest, tender, and full of heart.

I will admit, I made the mistake of watching the short film first, which had me anticipating certain moments in the book. I found them, but they felt more simplified and quieter in tone, yet still impactful in their way.

This is more than just a coming-of-age story. Honestly, this one will be sitting with me for a long time.

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I absolutely loved this book. I can't wait until I can read the next book by Matthew Francis. Five out of five stars from me and would be more if I could.

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I really enjoyed the SCRAPS short film on YouTube and was excited when I saw the story was being expanded into a novel. A queer coming of age story set in the skateboarding world of the early 2000s definitely appeals to my interests. I did like getting to see more of Gus and Bridgerโ€™s story beyond where the short film ends. It was a quick, breezy read that has some nice small town atmosphere.

Unfortunately the writing held me back from being able to fully enjoy this. There were so many odd word choices when it came to descriptions. And I felt like there was more of an emphasis on describing locations and actions instead of the charactersโ€™ thoughts and emotions. It seemed like I was just getting an overview instead of being able to viscerally feel what they were going through. Also, I wasnโ€™t a fan of how the POV switches happened. The book is mostly from Gus POV but sometimes in the middle of the chapter it would change to being Bridger, Gusโ€™ dad, or one of Bridgerโ€™s friends' perspectives for a paragraph or two before switching back. It just felt a bit sloppy.

If you liked the short film and are dying for more of the story then check out the sample of the book and see if you enjoy the writing. If it works for you then the book should be a fast, cute read.

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This book was incredible! I have never read anything like this before. It was so emotional and written so perfectly. I loved getting to know the MMCโ€™s and the other side characters. Such a good romance read that makes you feel so many different emotions throughout. I enjoyed this book the entire time reading.

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The book is poorly written and could have benefited from two or seven more rounds of editing. Some of the issues include POV hopping between characters, telling rather than showing, overuse of character filters such as "saw," "thought," "watched," etc., and odd physical reactions and body language descriptions (e.g., grinning sneakily, whispering through grimaced teeth).

Overall, it reads like bad fanfictionโ€”not something worth reading.

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I watched the short film on YouTube, and I loved the depiction of skater teens in rural Montana in the 90's. I was excited about reading more of Gus and Bridger's story, and I felt that it hit all the right marks.

Gus being the shy artist and learning to skate from Bridger while also dealing with coming-out was well written and heartfelt. The story beats between the two characters were really great, and I also enjoyed the side characters especially Tara and Max. At the same time, the story does feel more like a screenplay/movie rather than a novel. There are shifts in point of view which I think would fit well for a movie, but they take some getting used to after the first few beats of the story. For that reason, I'm looking more forward to the full length movie.

At the same time, I would still highly recommend this story to lovers of YA M/M romance titles like The Perks of Being a Wallflower and the movie Shelter.

Thanks to the writers and Netgalley for a copy.

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This one honestly felt more like a screenplay than a novelโ€”and that tracks, since it started as a short film. The first third is basically a scene-for-scene adaptation, and I could picture the movie version way more clearly than I could connect to the book. The short film? Genuinely good. But turning it into a novel didnโ€™t really work for me.

The comparisons to Heartstopper arenโ€™t just vibes, think Heartstopper and skateboarding in the early aughts in a blender, but not fully blendedโ€”you can still spot the chunks. scenes, charactersโ€ฆ. identifiable to me in a way that would be more than a coincidence

The writing itself feels pretty unpolished in a way that might be fine for younger readers, but threw me off, that screenwriting style again. Incredibly straightforward in its telling of peopleโ€™s inter motivations, just handed to you like stage directions.

Becuase of that, the POV shifts all over the placeโ€”sometimes weโ€™re in a parentโ€™s head, sometimes side characters, sometimes itโ€™s omniscient in a way that makes you question whether the narrator is seeing or knows this. Like a film.

And the main characterโ€™s identity arc? It felt like a Big Deal for about five pages, and then suddenly he was out and chill about it. Thereโ€™s some very soft background homophobia implied, but itโ€™s never shown or explored in a way that felt era-appropriate.

At the end of the day, I just donโ€™t think this needed to be a book. If you liked the short film, you might enjoy spending more time with the characters. I wonโ€™t be picking up anything else by this author but would definitely watch the feature length film in preproduction.

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Bro this is the easiest 5 stars ever

Every so often, a book finds you at just the right moment and this was that book for me. From the very first page, I knew I was in for something special. The tone, the atmosphere, the vibesโ€” they all whispered, โ€œThis oneโ€™s going to leave a mark.โ€ And it did.

Francis captures teenage angst with a rawness and nuance thatโ€™s rare to find.

๐˜‹๐˜ฐ ๐˜ ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ฉ๐˜ช๐˜ฎ ๐˜ต๐˜ฐ๐˜ฐ ๐˜ฎ๐˜ถ๐˜ค๐˜ฉ? ๐˜ ๐˜ฅ๐˜ฐ๐˜ฏ'๐˜ต ๐˜ธ๐˜ข๐˜ฏ๐˜ต ๐˜ต๐˜ฐ... ๐˜ฃ๐˜ฆ ๐˜จ๐˜ข๐˜บ... ๐˜ช๐˜ง ๐˜ฉ๐˜ฆ'๐˜ด ๐˜ฏ๐˜ฐ๐˜ต.

The struggle with identity, the desire to fit in, the quiet storm of being differentโ€” it was all so real, raw. Bridger and Gus werenโ€™t just characters; they felt like living, breathing teenagers with fears, desires, and vulnerabilities that echoed truths Iโ€™ve known or seen.

"๐˜ž๐˜ฉ๐˜ฆ๐˜ฏ ๐˜'๐˜ฎ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜จ๐˜ถ๐˜บ๐˜ด," ๐˜‰๐˜ณ๐˜ช๐˜ฅ๐˜จ๐˜ฆ๐˜ณ ๐˜ฑ๐˜ฐ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ๐˜ฆ๐˜ฅ ๐˜ข๐˜ญ๐˜ฐ๐˜ถ๐˜ฅ, "๐˜ ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ต๐˜ฐ ๐˜ช๐˜ฎ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ด ๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ. ๐˜ˆ๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ต๐˜ช๐˜ฎ๐˜ฆ. ๐˜ ๐˜ฏ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ ๐˜จ๐˜ฆ๐˜ต ๐˜ต๐˜ฐ ๐˜ณ๐˜ฆ๐˜ญ๐˜ข๐˜น." ๐˜‰๐˜ณ๐˜ช๐˜ฅ๐˜จ๐˜ฆ๐˜ณ ๐˜ข๐˜ฅ๐˜ซ๐˜ถ๐˜ด๐˜ต๐˜ฆ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ช๐˜ณ๐˜ฆ๐˜ธ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ฉ๐˜ช๐˜ด ๐˜ข๐˜ณ๐˜ฎ๐˜ด ๐˜ค๐˜ญ๐˜ถ๐˜ฎ๐˜ด๐˜ช๐˜ญ๐˜บ. ๐˜๐˜ฆ ๐˜ต๐˜ฐ๐˜ฐ๐˜ฌ ๐˜ข๐˜ฏ-
๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ด๐˜ต๐˜ฆ๐˜ฑ.
"๐˜ž๐˜ฉ๐˜ฆ๐˜ฏ ๐˜'๐˜ฎ ๐˜ฏ๐˜ฆ๐˜ข๐˜ณ ๐˜จ๐˜ช๐˜ณ๐˜ญ๐˜ด, ๐˜ช๐˜ต'๐˜ด ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ๐˜บ'๐˜ณ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ต๐˜ต๐˜บ ๐˜ข๐˜ญ๐˜ช๐˜ฆ๐˜ฏ๐˜ด," ๐˜ฉ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฏ๐˜ต๐˜ช๐˜ฏ-
๐˜ถ๐˜ฆ๐˜ฅ. "๐˜ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ฏ๐˜ฐ ๐˜ช๐˜ฅ๐˜ฆ๐˜ข ๐˜ธ๐˜ฉ๐˜ข๐˜ต ๐˜ต๐˜ฐ ๐˜ด๐˜ข๐˜บ."
๐˜›๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ฐ๐˜บ ๐˜ด๐˜ฆ๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฅ ๐˜ด๐˜ฐ ๐˜ฏ๐˜ฆ๐˜ณ๐˜ท๐˜ฐ๐˜ถ๐˜ด. ๐˜Ž๐˜ถ๐˜ด'๐˜ด ๐˜ค๐˜ฉ๐˜ฆ๐˜ด๐˜ต ๐˜ธ๐˜ข๐˜ณ๐˜ฎ๐˜ฆ๐˜ฅ ๐˜ข๐˜ด ๐˜‰๐˜ณ๐˜ช๐˜ฅ๐˜จ๐˜ฆ๐˜ณ ๐˜ช๐˜ฏ๐˜ค๐˜ฉ๐˜ฆ๐˜ฅ ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ ๐˜ฏ๐˜ฆ๐˜ข๐˜ณ๐˜ฆ๐˜ณ. ๐˜๐˜ง ๐˜ฉ๐˜ฆ ๐˜จ๐˜ฐ๐˜ต ๐˜ข๐˜ฏ๐˜บ ๐˜ค๐˜ญ๐˜ฐ๐˜ด๐˜ฆ๐˜ณ, ๐˜Ž๐˜ถ๐˜ด ๐˜ธ๐˜ฐ๐˜ถ๐˜ญ๐˜ฅ ๐˜ญ๐˜ฐ๐˜ด๐˜ฆ ๐˜ฉ๐˜ช๐˜ด ๐˜ฎ๐˜ช๐˜ฏ๐˜ฅ.
๐˜๐˜ฆ ๐˜ธ๐˜ข๐˜ฏ๐˜ต๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ญ๐˜ฐ๐˜ด๐˜ฆ ๐˜ฉ๐˜ช๐˜ด ๐˜ฎ๐˜ช๐˜ฏ๐˜ฅ.
"๐˜‰๐˜ถ๐˜ต ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜บ๐˜ฐ๐˜ถ, ๐˜ ๐˜ค๐˜ข๐˜ฏ ๐˜ซ๐˜ถ๐˜ด๐˜ต... ๐˜ฃ๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ฉ๐˜ฆ," ๐˜‰๐˜ณ๐˜ช๐˜ฅ๐˜จ๐˜ฆ๐˜ณ ๐˜ด๐˜ฐ๐˜ง๐˜ต๐˜ญ๐˜บ ๐˜ข๐˜ฅ๐˜ฎ๐˜ช๐˜ต๐˜ต๐˜ฆ๐˜ฅ.
"๐˜'๐˜ฎ ๐˜ฏ๐˜ฐ๐˜ต ๐˜ถ๐˜ด๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ข๐˜ต."

Their relationship, slow-burning and tender, unraveled in a way that made every glance, every conversation mean something.

"๐˜ ๐˜ฐ๐˜ถ ๐˜ฌ๐˜ฏ๐˜ฐ๐˜ธ... ๐˜ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ ๐˜ฅ๐˜ฐ๐˜ช๐˜ฏ๐˜จ ๐˜ฏ๐˜ฐ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜บ๐˜ฐ๐˜ถ," ๐˜‰๐˜ณ๐˜ช๐˜ฅ๐˜จ๐˜ฆ๐˜ณ ๐˜ค๐˜ฐ๐˜ฏ๐˜ง๐˜ฆ๐˜ด๐˜ด๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ช๐˜ญ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ.
๐˜Ž๐˜ถ๐˜ด ๐˜ญ๐˜ฐ๐˜ฐ๐˜ฌ๐˜ฆ๐˜ฅ ๐˜ถ๐˜ฑ. ๐˜๐˜ฆ ๐˜ด๐˜ฎ๐˜ช๐˜ญ๐˜ฆ๐˜ฅ. "๐˜ ๐˜ฆ๐˜ข๐˜ฉ," ๐˜Ž๐˜ถ๐˜ด ๐˜ด๐˜ข๐˜ช๐˜ฅ ๐˜ช๐˜ฏ ๐˜ณ๐˜ฆ๐˜ด๐˜ฑ๐˜ฐ๐˜ฏ๐˜ด๐˜ฆ. "๐˜ž๐˜ช๐˜ต๐˜ฉ ๐˜ถ๐˜ด, ๐˜ฏ๐˜ฐ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ๐˜ด... ๐˜ด๐˜ฑ๐˜ฆ๐˜ค๐˜ช๐˜ข๐˜ญ."

But what really stunned me was the depth across the boardโ€” not just the leads, but the supporting cast too. Max, Tara, even Gusโ€™s dadโ€ฆ each one was thoughtfully written, layered, and purposeful. Francis didnโ€™t just give us a story; he gave us a world filled with characters who felt authentic, flawed, and whole.

There were moments in this book that moved me to tears, moments that made me smile, blush, ache, and think. The coming out scene especially hit home. It wasnโ€™t dramatic for the sake of drama. It was intimate and full of heart. Gusโ€™s fatherโ€™s response wasnโ€™t about gender; it was about embracing love in its fullness, in its wholeness, while you still can before a life of regret settles in.

This is more than a coming-of-age story. Itโ€™s a quiet, powerful exploration of love, friendship, identity, and the aching beauty of adolescence. Tbh Iโ€™ll be thinking about this one for a long time.

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