⛧☾༺Rating༻☽⛧
4.5/5 Stars
(Rounding up!)

★ ✮Tropes ✮★
💦 Love Triangle
💸 Friends to Lovers (Henry)
💦 ​Enemieish to Lovers (Theo)
💸 Competition for rich boy’s heart…(a.k.a. The selection on the ✨sea✨)
💦 Found Family

ᝰ🪶Notes and Highlights-

⋆˚✿˖° 𐙚 ₊ ⊹ ♡For, the girls who never got ball gowns. This one’s for us.⋆˚✿˖° 𐙚 ₊ ⊹ ♡

⋆ ˚｡⋆୨♡I Love you♡୧⋆ ˚｡⋆

✩₊˚.⋆☾⋆⁺₊✧I can’t show you where I go to dream.
I frown. ‘Why not?
Because it’s not in the Marshes. It’s not even one single place,’ she says.
‘Together we look out at the horizon. My favorite place to dream can be anywhere, as long as I’m with you✩₊˚.⋆☾⋆⁺₊✧

💭 Thoughts-

-ˋˏ✄┈┈I mean it’s a love triangle and I clearly loved one more than the other so need I say anything else?

-ˋˏ✄┈┈Honestly though this book was so cute, fun, and just such a wonderful experience! I loved reading it and experiencing the fun dystopian world that it built (that in my opinion was unique from what I’ve read) and just overall being able to go on this adventure with Eden!!

-I will say the love interest Henry was as bland as Peeta Malark most of the time so didn’t love that. But all in all an amazing book, and if you love the selection, you have to read this!!

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⊹ ࣪ ˖Complicated By Avril Lavigne˖࣪ ⊹
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Dystopian
Capitalism
Greed
Deceit
I devoured this! I was pulled in from the first few pages. I’d wake up and want to read this and I didn’t want to put it down. The eerie similarity to how the US is going, the elites running from what they caused, and the overall greed shown. I love it. The corporations have overthrown the government (incapacitated better word) and take advantage of those on land. Miami is flooded and has been for 9 years. They are the Marshers, the elites are Cruisers since they live on ocean liners. The hatred towards the Cruisers run deep especially the CEO, Matilde, who is in control of water. Yet when Eden gets on board for the competition, the decor includes running fountains!
Eden, by way of the Ringmaster, is brought into the love competition for Theo, the son of Matilde. Under a different name of course. What started as her wanting to break his heart instead… well other things happen. Not to mention, the confession back home in the Marshes. Between the humanity Eden starts seeing in the Cruiser teens but also out of touch, she starts to realize that there’s more to what’s going on. Trying not to spoil but I highly recommend this if you enjoyed The Hunger Games, any dystopian, and YA!

Jill Tew builds such interesting dystopian worlds that keep me thinking about them when I’m not reading her books! The banter between the main characters felt real (a major thing for me!) and I was laughing out loud at some of the FMC’s inner thoughts! The chemistry between the main characters 🥰🥰 I love a man who NOTICES things about our FMC! This author is about to be HUGE, so I’m putting it in writing here that I’ve been in the Tew-niverse since Dividing Sky 😎

There's a lot of good in this story. The world was intriguing, the reality show spin was entertaining, and the main characters were well-written and likable. But I wanted *more* of everything. More world-building, more time spent on the competition, and more time building personalities and relationships with the contestants. The pacing was quick, sometimes too quick - particularly the climax and resolution. Everything happened so quickly and there wasn't enough time to really digest and sit with the fallout of the central conflict. Definitely a lot of potential and it's an enjoyable story, but I don't know that it will be super memorable for me.

Love the title and cover 💛

I liked the writing style. I really enjoyed Henry and Eden and how they interacted. Was fun to see the story pan out 💛

This book had potential. There were things I liked about it and things I liked less about it but overall I enjoyed the reading experience. and would be willing to read some of Jill Tew's other works, even if I may not go out of my way to seek them out.

There are a shocking number of Young Adult Sci Fi novels out there these days that seem to forget that one of the main points of Sci Fi is allegory and theme. Why write a book that takes place in the future if not to make a statement or a point about our possible futures? I mean cool tech is fun, but even if you drift more towards the operatic and fantastical, there is still some kind of allegorical point to be had in the books of these genres that shine; the hero's journey maybe?

Anyway, I'm grateful that Jill Tew did not forget. This book somewhat blatantly points out that corporations involved in government are inherently a conflict of interest, which you'd think would be common sense 101 to any human above the age of 5 with a brain, but then you look at the current government of the US, as well as MANY other countries and its clear that there are plenty of people willing to overlook that.

Tew also makes a point of naming environmental devastation and hardship, though interestingly, I'm not sure we got to see too much of that first hand. We did however get a lot of page time with the classism and poverty the remains of humanity are subject to. The images and circumstances of the suffering of these humans and the destruction of modern day Miami are vivid and stark. Which is an excellent way to get to know the characters and invite us into the world you've built. Speaking of world-building. The world-building in this book had little touches of influence from Scott Westerfeld which makes me wonder if Tew has read his book about world-building in YA novels, or if Tew herself is just a fan.

Outside of some of the earlier scenes where we get to see the life and suffering of the poor and downtrodden, I was less impressed with the character development of the later, richer class. Perhaps this is in part because there are so many characters, but also because what we initially see if from the Eden's pre-judgmental perspective. Then as Eden starts to become more like a cruiser herself and relate more to the rest of the cast, these characters flip from being antagonists, rivals, and possible enemies, to being allies and friends. But that switch seemed much too fast to me. There was one or two superficial backstories that earned a side character or two a little bit of sympathy, but a tidbit per person doesn't feel like enough. But too much backstory for each character would have likely started to drag the story down also. I think Tew suffered from too-many-characters-syndrome. And/or wanted to give too many of them redemption arcs. Overall, the pacing of the character development felt off. It was not enough or too much or too fast or too slow and in general never seemed to hit quite the right note. This is most egregious in the main character who starts out a died-in-the-wool marsher and after just a few days on the ship goes from struggling to blend in to sympathizing too much with the cruisers, seeing their humanity, and seemingly wanting to be friends with many of them. Only Tew attempts to make this shift feel slower by giving Eden internal dialog about feeling bad about it. But feeling bad that you've changed does not mean that change is gradual.

My biggest complaint about this book though is the prose. This book is definitely Young Adult. The characters are teens, the levels of romance and adventure are teen appropriate, but unfortunately, the prose feels much more like middle grade to me. I feel like the reading level is more for say 10-13 year olds but the content is more for 14-16 year olds. It does make me think that if Tew does ever choose to write middle grade, it would probably be really good and I'd love to read it.

One of the reasons I think the prose felt more for a younger audience to me is something I've already alluded to: this book seems to lack subtlety. Tew doesn't seem to want to make anyone read between the lines and seems happy to spell everything out for us from breaking down the world-building with exposition, having the character's directly explain their motivations, to telling us Eden's exact thoughts and feelings at all times. Even when she tries to include somewhat metaphorical or representational aspects, its heavy handed if not outright explained. Cruisers who have caused the destruction of the world's ecosystems pick nature themes for the fashion at all their events. But rather than letting the reader notice the hypocrisy and juxtaposition on their own, Eden has to comment on it. As someone who struggles with autism, I often hate overly literary books that seem to mostly only being employing metaphor and subtext and leave me lost. I also think that YA books should really limit it. But I think teachers start introducing metaphors (a la the simile) in like 3rd grade. So you really don't have to avoid it so stringently in a YA book. Your readers will get it even if only in "vibes"; most of them are smarter than they seem.

Another small comment about this book that really wasn't my cup of tea is the fact this is essentially a Billionaire romance for teens. I'm not really a reality TV show lover either but I can overlook that aspect of the book pretty easily, just like I can find myself still enjoying a book about race car drivers despite not caring about that one iota. But I was disappointed with the fact that income inequality and classism that were established early in the book were kind of glossed over in the end. Eden starts out the book wanting to take down the man and redistribute some wealth from the elite, but by the end of the book, it seems like she's forgotten a lot of that. Tew throws us a little bone in the epilogue that shows at least some of these elite suddenly developing some morals or using some of their power and money for good instead of just for greed and evil, but by the end, nearly all the rich characters in this book are still living it up while the former poor are just so thrilled to have water, food and medicine.

As far as the romance/relationships go, there were definitely some tropes in this, but Tew also didn't write them in an expected way. Like, there was kind of cheating, but also not really because the first couple in the book planned to have one party seduce someone so there was no "lying" or "sneaking" aspects. But also, she was kind of immorally with two people at once anyway. And there was thankfully no out-right miscommunication trope, particularly the dumb kind that leads to a third-act-break-up, but Theo and Skye's relationship is entirely based on Eden's false identity so she's miscommunicating in the sense that she's lying from the get go. And once caught in her lies, Theo essentially implies that he's done with her, without actually saying that exactly and leaving room to imply that he didn't actually break up with her, he just needed to process his upset feelings. and there's a little merit to that because what really interferes with the romance most of all in that section of the story are the outside forces and antagonists that are literally keeping them apart of their own gain.

And to leave things on a positive note, I will say the plotting in this book is really good. The plot is well-paced and well-structured. There is tension in the right times and in the right places. The plot is neither too predictable nor is it too unexpected. This is one reason why I would definitely be willing to read another book by this author again. She clearly posses a talent for writing despite the fact that I felt like there were things in the book that could have been improved.

I'd recommend this book for younger teens maybe 13-15, particularly those who like a dystopian backdrop and the drama of reality TV and not having to read too deeply between the lines.

I’ve been thinking about An Ocean Apart for days now, trying to articulate what Jill Tew has accomplished with this ambitious blend of environmental dystopia and reality television satire. What strikes me most is how she’s managed to create something that functions simultaneously as entertainment and indictment—a novel that delivers all the guilty pleasures of a dating competition while never letting us forget the real-world systems of exploitation that make such spectacles possible.

From the opening chapters, I found myself completely transported to Tew’s waterlogged world, where rising seas have reshaped not just geography but entire social structures. Her descriptive powers are formidable—she writes landscape with the precision of someone who understands that environment shapes psychology as much as it shapes plot. The Florida marshlands feel alive under her pen, transformed from mere setting into something approaching character. There’s a sensuous quality to her prose when describing the natural world that makes the corporate destruction of these spaces feel like genuine violation rather than abstract political concern.

The premise itself is deliciously audacious: what if The Bachelor existed in a world where water scarcity made marriage literally a matter of life and death? Tew uses this framework to examine how capitalism commodifies not just resources but human relationships themselves. Eden’s participation in the competition becomes a brilliant metaphor for the impossible choices facing anyone trying to survive within systems designed to extract maximum value from their desperation. The dating show format allows Tew to explore themes of performance, authenticity, and exploitation in ways that feel both immediate and allegorical.

What impressed me most about the romantic elements was how Tew avoids the typical pitfalls of love triangle narratives. Rather than creating artificial tension through misunderstanding or contrived obstacles, she develops two genuinely compelling romantic options that represent different approaches to resistance and survival. The chemistry between Eden and her various potential partners feels earned rather than manufactured, rooted in shared values and mutual respect rather than mere physical attraction. I found myself genuinely uncertain about the romantic resolution until quite late in the narrative, which speaks to Tew’s skill in developing relationships that feel organic rather than predetermined.

Eden herself emerges as a protagonist worthy of the complex world Tew has created around her. She’s neither the passive victim nor the effortlessly competent heroine that populate so much YA fiction, but something more interesting—a young woman learning to navigate systems of power while maintaining her moral center. Her evolution throughout the novel feels authentic, driven by circumstances that force genuine growth rather than convenient plot revelations. The way she balances personal desires with broader social responsibility creates internal tension that makes her choices feel consequential.

The political commentary runs deeper than I initially expected from what could have been a straightforward dystopian romance. Tew demonstrates a sophisticated understanding of how environmental collapse intersects with economic inequality, how corporate power structures exploit both natural resources and human vulnerability. Her critique of capitalism feels grounded in specific policy failures rather than vague anti-establishment sentiment, which gives the political elements genuine weight. The way she shows how environmental degradation disproportionately affects marginalized communities feels particularly relevant to our current moment.

The world-building deserves special recognition for its internal consistency and attention to detail. Tew has thought through not just the broad strokes of her dystopia but the small, daily realities of life in a world where fresh water has become a luxury commodity. The technology feels plausible rather than fantastical, the social hierarchies feel like natural extensions of existing inequalities rather than arbitrary dystopian structures. This attention to realistic detail makes the more outlandish elements—the televised competition, the corporate governance—feel disturbingly plausible.

The pacing maintains excellent momentum throughout, balancing the intimate character work with broader political intrigue in ways that serve both elements. Tew understands that effective dystopian fiction needs to work on multiple levels simultaneously—as personal story, social commentary, and entertainment. She never lets any single element overwhelm the others, creating a reading experience that satisfies on multiple fronts without feeling scattered or unfocused.

What sets this apart from other YA dystopian novels is Tew’s commitment to complexity over simplicity. Her villains aren’t cartoonishly evil but represent logical extensions of current power structures; her heroes aren’t morally pure but must make genuine compromises to achieve their goals. This moral ambiguity makes the stakes feel real rather than abstract, the choices feel consequential rather than predetermined. The book trusts its young adult audience to engage with sophisticated themes without providing easy answers.

The representation throughout the novel feels natural and well-integrated rather than performative. Tew has created a diverse cast that reflects the reality of environmental justice issues while avoiding tokenism or stereotype. The characters’ various identities inform their perspectives and experiences in ways that feel authentic rather than didactic, contributing to the story’s themes without overwhelming them.

The conclusion manages to provide satisfaction while acknowledging that real change requires ongoing effort rather than single dramatic gestures. This feels particularly mature for YA fiction, which often resolves complex social problems through individual heroism. Tew suggests that systemic problems require systemic solutions, even as she celebrates the power of individual resistance to inspire broader movement.

I found myself repeatedly impressed by how Tew balances accessibility with sophistication. The prose is clear and engaging without being simplistic; the themes are serious without being heavy-handed; the romance provides emotional satisfaction without undercutting the political elements. This is the kind of YA fiction that respects its audience’s intelligence while still delivering the emotional payoffs that make the genre so compelling.

For readers who like:
-Dystopian fiction
-YA romance
-Political commentary

Final Verdict
An Ocean Apart represents YA dystopian fiction at its most thoughtful and engaging, proving that the genre still has plenty to offer readers seeking both entertainment and insight. Jill Tew has created something genuinely special—a novel that works as romance, political commentary, and environmental wake-up call without sacrificing any element for the others. This is smart, engaging fiction that trusts its audience while delivering genuine emotional and intellectual satisfaction.

Grateful to NetGalley, Random House Children’s Books, and Jill Tew for the opportunity to read an advance copy of this story in exchange for an honest review.

4⭐

Thank you to the Ballgowns & Betrayal STREET Team, Jill Tew and Joy Revolution for the ARC.

𝐀𝐧 𝐎𝐜𝐞𝐚𝐧 𝐀𝐩𝐚𝐫𝐭 is an electrifying dystopian novel packed with a tantalizing love triangle, gripping political intrigue, and a Bachelor-style competition from the critically acclaimed author of The Dividing Sky, Jill Tew.

What caught my eye that made me want to read this book? Written by a BIPOC author, a dystopian science fiction novel, diverse cast of characters and Never After on a dystopian cruise.

To say I was blown away from this book is an understatement. From the very first page, the intentions of this book was clear. They're in a dystopian world and they want change. When they're not getting the change, they're willing to spark the fire to make the change themselves.

The gorgeous and stunning prose was perfect. I was easily able to read with flow of the narrative without feeling lost or overly descriptive. The vivid descriptions at the right scenes made the chapters easy to animate in my mind.

The water themed setting was just perfect. There's an overall nature setting throughout the book from the waterways, marshes and abandoned islands.

The transportation to most places throughout the book is through water and without a boat, it's quite difficult to travel. This particular sentiment was extremely impactful because it proved that the rich only kept getting richer and didn't care about the poor and their living standards — when the government was practically owned by private corporations.

The Bachelor-style competition to win the hand of the heir to the corporation-government that controls the supply of fresh water was something that was done well. I loved the tension and banter between Theo and Eden — even the ones through texts. They had so much chemistry throughout the book and their dynamic was perfect.

Eden is fiercely protective of the people she cares about. She would do anything for them. She's clever — with quick thinking that is always helpful in the situations she's involved in. She wants to bring forth changes — to improve the life of the people who aren't Cruisers.

The political intrigue is tense throughout the book. This novel is a dystopian science fiction and politics plays the core role of this book. There's a realistic portrayal of Capitalism and how it's affecting the lives of people when profit is a higher priority than nature and people, how they would destroy the planet and leave the people destroyed if it meant that they would get more money and assets. The social commentary throughout the book is strong and has a powerful impact.

For fans of The Selection and The Hunger Games, this is the perfect read if you're looking for if you want romance, tension, banter, social commentary and political intrigue!

⭐⭐⭐⭐💫

AN OCEAN APART by Jill Tew (Oct 14)

Thank you Netgalley, RHC (Joy Revolution), and GetUnderlined for the earc

Living in the Marshes (formerly Miami) Eden Lowell is frustrated with the lack of water, food, etc. The Cruisers (families responsible for Eden's feelings), live on the water, not facing what they've done. When Eden learns the family is hosting a dating competition for their heir, Theo, Eden hatches the perfect plan: infiltrate the competition, get Theo to fall in love, and break his heart. This proves harder than she thought as she begins to get to know Theo.
AN OCEAN APART is a YA dystopian/romance. From the cover to the premise, this book pulled me in and kept me intrigued throughout its entirety. I saw this described in a Goodreads review (A's reviews) as The Selection, which I agree with one thousand percent.
I really loved the idea and how it played out. The future setting was almost terrifying because of climate change, the politics, etc...but there was a beauty with the ships, the descriptions, Eden's reasons for wanting to be a part of the competition, etc.
I read this rather quick, especially after I was able to actually sit down and just read. It fast-paced and seemed like the competition played out really fast---I do wish this was a bit slower. I was hooked, though, and I needed to know what was going to happen to the Marshes, to Eden, Henry and his family, Theo, and everyone else. These characters were likeable despite the "rivalry" between the other girls vying for Theo's heart.
AN OCEAN APART left me surprised: the ending, the environment, and everything that happened because of Eden getting into the competition. Plus that final reveal...shocking.
AN OCEAN APART is a must-read for those who love these types of books.

Love to see this new wave of dystopians!
Eden lives in Florida which is essentially a swampier swamp. Life is hard and expensive and survival is the only thing on anyone’s mind. But Eden hates the monopolies on supplies, especially water, and decides to do something about it. Winning the water prince’s heart and stealing his fortune sounds like the perfect solution to her community’s ongoing troubles.
I’m here for it. Gimme all the world is over, survival, love triangles. But the twist! Our heroine is morally grey within the bounds of a bachelor style competition. Jill’s pull on Eden’s emotions, eagerness to do the right thing knowing she has to misstep for the greater good, and her willingness to constantly reassess was relatably appealing. I enjoyed her voice throughout and think this book will land so well with teens. I will note that timeline questions need to be ignored - don’t think too hard! - and just embrace the vibes. This is going to make you think of decisions we make that impact the future but in a fun and entertaining way.
Thank you Get Underlined for the advanced copy! All thoughts are my own.

This was an interesting dystopian take on a romance competition (think The Selection, The Bachelor, etc). Though the competition part was interesting, I found I most enjoyed the worldbuilding. The capitalism/politics mix, as well as what became of the world due to natural disasters, all with a very defined date in the future (that absolutely could come true with just the wrong combination of factors).

The world is flooding and the corporate elite live on luxury cruise liners while the rest of the world suffers. Eden is slowly watching her world crumble. When one of the eligible bachelors, Theo, announces a dating contest, she sees not only a chance to get money to save her home, but also a way to help the infamous “Ringmaster” put the cruisers in the hot seat and reveal their heartlessness toward the rest of the world.
Her long-time crush, Henry helps her prepare and serves as her motivation to return successfully. Yet when Theo proves to be much different than Eden imagined, she starts to see a new solution. But what will it mean the people, and the love, she left behind?

Y’all, if you love The Bachelor, Ever After, dystopian romance with some Hunger Games flair, and stories of people finding common ground despite everything between them… then you need to have this book ready to go on release day because it does all that and so much more.
An Ocean Apart successfully tackles all sorts of things from love triangles to water conservation and so much more! This story is packed with romance and longing, luxurious ballgowns and drama, and big world problems that are oh-so-relevant today. I was on the edge of my seat wondering what would be happening next, subterfuge or swoon—often both at the same time! This perfectly balanced story fits in all the action, personal growth, and angst and makes you wonder how it’s only 350 pages.
It’s official, if Jill Tew writes it. I’m reading it.

This book is a must read if you enjoy dystopian novels! I loved every bit of it. Set in the future where hurricanes and climate change have upended Florida life as we know, people who live on land deal with many struggles while people who live on ships at sea have many luxuries.
Eden is a fantastic main character and I loved her growth throughout. The love triangle is so well done. I absolutely loved the vibes- Hunger Games meets The Bachelor/The Selection. Five amazing stars!!

I enjoy dystopian novels with an underdog struggling to overcome his/her position. This book is definitely an engrossing read with the danger, intrigue and love triangle. I unfortunately found many parallels to Hunger Games, and this kept me from enjoying the tale as much as it deserved. Regardless, I was captivated by the oppression, the competition, the location and imagery. Eden's commitment to the family that adopted her and the community that raised her was compelling. And the love triangle between her, Henry and Theo pulled at the heartstrings. As long as I set the similarities aside, this tale is stimulating with a fresh setting! Thank you to NetGalley and Random House Children's Books for the ARC of this exciting first book in a new series. The book targets a teen audience, but is enjoyable for adults as well.

An enjoyable read! The flooded Marshes setting was immersive, and the Bachelor-style competition was an interesting addition to a dystopian world. While I didn't care for the love triangle, it was a solid YA dystopian romance. Highly recommend.

I truly had so much fun reading this book - I read it in two days because I couldn't put it down. I forgot how much I love a good dystopian novel and this really hit the spot.

I was very intrigued by the blurb (yes I'm trying to read those more often lol) except I felt a little skeptical because I dont like love triangles very often. But I loved it in this one - it worked really well (and made me remember other dystopians from my teen years that also relied on love triangles lol). I really liked our FMC, Eden, and the two MMCs, Henry and Theo. And then we had the bachelor-esque dating show and a case of hidden identity....honestly couldn't get enough. Haha

This book isn't anything groundbreaking, but it was immensely enjoyable. If I had to pick one thing it's that I would've like a touch more depth in the romance. The book isn't overly long so there was room to include a bit more!

This book gave me all the warm fuzzies in the world. Sigh... it was a wonderful read. A solid 4.5 Stars!

I went in expecting a dystopian novel and came out with a sense of hope for humanity. It feels like I was blessed with a gift of joyful perspective. This is thanks to the FMC, Eden. Her sense of wonder, even after so much skepticism and personal pain, was refreshing. The author wrote her in such a way that, as a reader, you are able to flow through her emotions right alongside her. And we go through the gamut! It is quite enjoyable though and was probably my favorite part of the book. Just being there with Eden, every step of the way.

Now that is not to say we do not have a lovely pair of MMCs. Because lol we do! They both appealed to me for very different reasons. Henry was a constant friend and support, while Theo... oh Theo. He was a lot more than he initially seemed, and discovering all that he was… was sublime.

The side characters also add a lot to this story. There are pranks, there are ulterior motives, and hilarious scenes as the competitors figure out their way through this Bachelorette competition. So. Much. Fun.

I feel confident recommending this one to anyone who enjoys gasping at 2 AM when a twist hits. Or anyone who loves to see true love win. In fact, anyone who loves a well-written story, because that is exactly what this is.

Well done, Jill Tew! Well done!
https://www.goodreads.com/book/show/213897783-an-ocean-apart
https://www.instagram.com/p/DKudJGWs7Cv/?igsh=MTRmNDN2MG9xbDJrNw==
https://app.thestorygraph.com/reviews/91751f02-8001-4ebc-811b-7944a2cd30e2

If you're a fan of the Hunger Games, this book is going to be right up your alley. I absolutely flew through it and I didn't predict the ending at all. Set in a dystopian future, there were so many parts of this book that had me hooked from the beginning, even though that wouldn't be the first genre I would pick up. The love story has a great amount of tension in it and felt really natural in the story. This was such a great read!

The writing 5/5, I couldn’t put this down once I started. I even stayed up late to read as much as I could and had to fight myself to finally go to sleep. I am truly a sucker for a good romance competition. Especially when he is immediately in love.

However, I do feel like I need to knock a star off only because in order for me to get into this book I had to suspend a certain level of knowledge that our main character takes a cruisers spot in this completion and we’re supposed to just assume that the girl she’s taking over for isn’t watching the completion, all the people watching live and voting all over social media, don’t recognize this isn’t the right girl (esp. when social media is mostly used by the cruisers), and this NO ONE, including all of these other leaders of huge corps have ever met this girls family or girl before to point out she isn’t real. It makes it hard to believe since they couldn’t even just forge a new contestant spot since they already knew who was coming in. I say that all to say that even if I have to suspend those thoughts I still throughly enjoyed every minute of this book and I can’t wait to get my hands on a physical copy.

This was a perfectly fine dystopian book, I was super excited when I read the summary but for some reason I’m struggling with the dystopian genre this year. I do think this book will be widely loved, it just wanted for me specifically at this moment.