
It Is Always Summer
by David Helwig
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Pub Date Oct 04 2017 | Archive Date Oct 31 2017
Bunim & Bannigan, Ltd. | Bunim & Bannigan
Description
A Note From the Publisher
Advance Praise
“Helwig tells his story through his six elegantly drawn major characters—perceptive individuals all, whose pains and pleasures we feel acutely.” —Publishers’ Weekly
“Lurking beneath the languor of palmy summer days, there is a continuing sense of menace…. This is a novel of many textures and contrasting themes…adroitly woven together by Helwig’s wonderful imagery—birds, water, fire, food, earth, even the island itself.” —The Toronto Star
“I…enjoyed it immensely. The combination of innocence, lushness and menace held me right through it. It is a fine, true, disturbing book.” —Marian Engel
“A fine, complex fictional offering.” —Maclean’s
“David Helwig has done that rare thing: written a novel about men and women that describes all characters with equal detail, sensitivity and depth in poetic, sensual language.” —Montreal Gazette.
“Helwig hits the top…It Is Always Summer is the work of a writer who has harnessed his literary effects and made them enhance his keen powers of observation and his good sense of drama… it deserves a place with the best in Canadian fiction.” —The Winnipeg Free Press
“A novel of relentless sensuality…Helwig transforms Kingston into an exotic Venice of the north.” —Matt Cohen
“There is a remarkable freshness of feeling about It Is Always
Summer. One sees–and also smells and feels–the summer of the
title with an extraordinary vividness. Love and death, sensual
satisfaction and deprivation, the play of the senses on the mind,
are all offered in the supple prose of an accomplished writer.”
—George Woodcock
Available Editions
EDITION | Other Format |
ISBN | 9781933480435 |
PRICE | CA$6.95 (CAD) |
Featured Reviews

Reading this story was like spending a summer at Wolfe Island, outside Kingston Ontario. We meet the cottage residents, witness their social gatherings, and them swimming, gossiping and flirting. Throughout it all we are conscious of an undercurrent of tension, of sexuality and violence, between men and women, children and parents, friends and lovers. This profound yet breezy novel consumed me, it sucked me right in and wouldn't let me put it down. Though I was confused by the rapid and constant introduction of new names and figures, the author uses unifying structures like hooks to keep all the characters sorted. For example, with the introduction of Jane the word "lazy" is repeated, then with Cindy it's "underwater" and with Elizabeth "flesh"; and interestingly each of these words implies a transformation of the woman to come, rather than merely labeling her. The characters are complex, the writing is smart, and the action is gripping.

"Marriage was so ugly. They pecked each other, peck, peck, peck, then at the sight of blood began to tear at the wounded flesh. Marriage was a kind of cannibalism, two people who had bought the right to live on each other’s blood and bones. She looked down at the table and saw the mouths moving, the tongues that slipped out to get the last savour from the lips. The first years of marriage were a kind of dance as the partners tried out roles. Who would be the eater, who the meal?"
In the novella, It is Always Summer, we are introduced to a range of characters who come together on an island outside Kingston, during a few days of one summer. There is Jane, mother to Tod, her boy toddler, and married to a lawyer, Wayne, who despite the summer days must still take the ferry into work.
Elizabeth, a tall, starving poet, who has shorn herself of her female lover in England, is also on the island, living in the nearby cottage, which also belongs to Jane and Wayne. Her presence is disturbing – Wayne is obsessed by her, and Jane senses the danger. The character of the poet Elizabeth is tart and well fleshed, an interesting mix of revulsion at ordinary life – and yet a woman who is intriguing to all who encounter her.
Also part of the story is Robert, failed in marriage, and he feels in life – and his daughter, Cindy, who becomes involved with the rather daring Paul. They come together for a dinner party with other friends one night – a dinner party Jane painstakingly prepares for. There is another dinner party on another part of the island a little further in the story. This is a novella about relationships, threats to relationships, the progression of everyday life and the dance of connection and disconnection that we all take part in. there is also the very real threat from a man named Carl, whose wife has hired Wayne to steer her through her divorce and has enacted a restraining order against Carl. And naturally the rather oafish Carl blames Wayne for this.
There are sometimes a bit too many characters to take note of – and Wayne, the husband seems rather shadowy at times, while Jane, his “lazy, fat” wife doesn’t inspire much enthusiasm. Elizabeth is the real heart of the story and the action – and more might have been made of her. A novella shot through with truths about life, and coupling, about the long shadow of the past, and about the effects we have on each other. An interesting story, although, in parts, it lagged a little.