“Bernard Farai Matambo casts images that quiver with terror and desire. These images root within us as if we were the very landscape the poet renders spectral with the residue of human passions: cities of ruined arches and potshards underfoot, the human cost of conflict, populations bowed in reverence and fear. Matambo is an archer of lyric poetry. His words are ‘drawn out and taut, anxious as catapults.’”—Gregory Pardlo, author of the Pulitzer Prize–winning Digest

“Stray is a work of great sensual intelligence and evocative urgency, consistently intimate and political. With painstaking concentration and dazzling lyricism, Matambo dismembers the cult of pitiless masculine strength and paints a portrait of a ‘half man, half anger’ in the ‘empire of the zoo.’ Then he puts this ‘man with an ape inside him’ through the meat mincer of African and American histories. Matambo’s short prose poems are gulped down like bitter pills of remembrance and forgetting.”—Valzhyna Mort, author of Collected Body

“Bernard Farai Matambo debuts a collection that’s lush, yet urgent, determined to design a language that can feed the hunger for truth. The poems are filled with strays: people who have chosen the solitude and danger of separation—or had it thrust upon them. Though they gesture and reach toward some sense of belonging that blood, race, proximity, or shared experience might seem to guarantee, these wanderers are never more alone than when they are with each other. Follow Matambo’s poems as they stray from Zimbabwe to the U.S.A. and back, through landscapes haunted and illuminated by unforgettable images: ‘Once I caught a bough leaping into the air, a thicket of birds lifting off of it, dissolving among the stars.’”—Evie Shockley, author of semiautomatic