Snakes! Guillotines! Electric Chairs!

My Adventures in the Alice Cooper Group

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Pub Date 14 Aug 2018 | Archive Date 14 Aug 2018
St. Martin's Press | A Thomas Dunne Book for St. Martin's Griffin

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Description

A hair-raising backstage memoir of the Alice Cooper Group, from the bassist and co-songwriter, co-written by the journalist who first covered the band for Rolling Stone, with an all new introduction by Alice Cooper.

"Before the world heard of KISS, the New York Dolls, Marilyn Manson, or Ozzy Osbourne, there was Alice Cooper, the original shock-rock band." -Rock and Roll Hall of Fame

As teenagers in Phoenix, Dennis Dunaway, bassist and co-songwriter for the Alice Cooper group, and lead singer Vince Furnier (who would later change his name to Alice Cooper) formed a hard-knuckles band that played prisons, cowboy bars, and teens clubs. Their wild, impossible journey took them from Hollywood to the ferocious Detroit music scene, and along the way they discovered the utterly original performance style and look that would make them the stuff of legend.

Speaking out for the first time about his adventures in the Alice Cooper group, Dunaway reveals a band that was obsessed with topping themselves, with their increasingly outlandish shows and ever-blackening reputation. Dunaway takes readers into back rooms, behind brainstorming sessions, and into the most exclusive parties of the 1970s, revealing the talent, drama, and characters that drove two teenagers to create what would become America's highest-grossing act.

From struggling for recognition to topping the charts with a string of hits including "I'm Eighteen," "School's Out," and "No More Mr. Nice Guy," the Alice Cooper group was entertaining, outrageous, and one of a kind.
Snakes! Guillotines! Electric Chairs! is a riveting account of the band's creation in the '60s, their strange glory in the '70s, and the legendary characters they met along the way.

A hair-raising backstage memoir of the Alice Cooper Group, from the bassist and co-songwriter, co-written by the journalist who first covered the band for Rolling Stone, with an all new introduction...


Available Editions

EDITION Other Format
ISBN 9781250181725
PRICE $18.99 (USD)
PAGES 320

Average rating from 17 members


Featured Reviews

Not long ago, when I was trying to explain to my thirty-something daughter how utterly mesmerizing the Beatles’ sound was . . . how do you characterize how something so familiar could sound new? My kids grew up with the Beatles being part of what is now called Classic Rock. Classic Rock! I can imagine the jaw-dropped horror of my shaggy-haired peers back in the sixties.

When I saw that one of the Alice Cooper band’s members had written a memoir I had to read it. Though I’d never liked their music—it was way too crazy male-gaze for me as a teen and young adult—I knew the names, and the look, and I also was aware of how their intense theatricality changed the look of rock music, and formed punk, especially the LA Punk scene, which I was a part of in the late seventies and early eighties.

It surprised me to discover that the germinating idea behind Alice Cooper was an experience similar to one I’d shared: a talent show for kids. Dennis and his friend Vince did what I and three girls did: borrow guitars, make up silly songs to Beatles tunes, and pretend to be The Beatles.

In my situation, we four twelve year olds combed our hair in front of our faces, strummed the single chord we’d been taught, and started singing our (kaff) clever parody, “She was just 94, and shaped like a door. . .” and the rest of our amazing lyrics were lost because the entire audience erupted into frenzied screaming.

They shouted and shrieked until to the end. Even months later, kids I’d never spoken to before came up and said, “Weren’t you one of the Beatles in the talent show?” For one day I was famous, and it felt . . . unreal.

Well, the same thing happened to Dennis and Vince, inspiring them to go on to become musicians. The jet-force exhilaration of your music gripping thousands—millions—of close packed humans by flesh and spirit . . . what incredible power, what a rush!

And what a cost to keep fueling it?

Dennis talks engagingly, and with the resonant note of experience, about the pure white fire of creative flow—when it’s flowing, it’s a nerve-jolting, heart-hammering, brain-frying lightning strike. Few can control it, sparking emotional roller coasters accelerated by that step into unreality that fame causes, which can trick the unwary into thinking that the rules no long apply. It’s because that white fire is not controllable any more than lightning is, and so the young musicians would try anything—anything—to get it back.

Here’s the dangerous thing about the white fire, whether you’re high on drugs or not, you believe your every utterance is art, every movement freighted with meaning. It’s only when you’re stone cold sober that you realize that the Magical Mystery Tour Bus— if you are not in control, the drugs are—looks to everyone else like a bunch of loud, smelly, drooling louts hooting like apes.

Jimi Hendrix . . . Jim Morrison . . Janis Joplin . . . they all sought any method or means they could to tame that fire. They were surrounded by smiling hipsters cooing admiration and handing out street stuff like candy—very expensive candy, but money became one of those unreal things—and they dropped, or rushed, or sped, or mainlined, or whatever it took, to find what they thought was the fire, the attempts intensified into semblance of meaning, perceptions that exalted trivia into a tapestry of gravitas that unraveled with the bleak dawn.

Written with the aid of Rolling Stone writer Chris Hodenfield, Dennis Dunaway tells a vividly engaging, often pungent and irreverent, but at heart human and humane story of a bunch of nerdy guys in Phoenix AZ during the early sixties who made it to the top—and then, at the apex of their career, crashed and burned.

Many of the Alice Cooper myths are exploded (like the so-called chicken) as Dunaway looks honestly at the toll the rock and roll lifestyle took on them, made exponentially tougher by the fallout of fame.

As soon as the actual hardcover comes out I’m buying a copy for my drummer son, whose band is just getting going. I’ll bet he’ll enjoy it as much as I did.

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