House of Trelawney
by Hannah Rothschild
Pub Date 06 Feb 2020
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A dazzling comedy of manners about old money, new money and no money by the bestselling, Baileys Prize-shortlisted Hannah Rothschild.
The seat of the Trelawney family for over 700 years, Trelawney Castle was once the jewel of the Cornish coast. Each successive Earl spent with abandon, turning the house and grounds into a sprawling, extravagant palimpsest of wings, turrets and follies. But as the centuries passed the Earls of Trelawney, their ambition dulled by generations of pampered living, failed to develop other skills. Now in 2008 the house – its paintings and furniture sold off to pay death duties, its grounds diminished, the gardens choked with weeds – has begun to resemble its owners: faded, crumbling, and out-of-date.
Jane, the put-upon wife of the current Earl, Kitto, scraping a life for her children and in-laws in a few draughty rooms of the big house, is trapped by Trelawney Castle; while Blaze, Kitto’s sister, has made a killing in the City – and a complete turkey of her personal life. Long-estranged, the two women are brought back together when a letter arrives; and soon after it, an unwelcome young guest. Grudgingly reunited, Blaze and Jane must band together to take charge of their new charge – and save the house of Trelawney.
With formidable sharpness, delicious irreverence and a very wicked wit, House of Trelawney is a glorious send-up of recession Britain and its carnival of bastard bankers and down-at-heel toffs. An eccentric gem of a satire, and an unexpected romance, it asks how we are connected, what we owe to one another, and how to carry on existing in a world which has outgrown us.
Praise for The Improbability of Love:
'A deliciously wicked satire ... It’s exquisitely written, shimmering with eye-catching detail ... A masterpiece' Daily Mail
'Like a Rococo painting, this clever, funny, beguiling and wholly humane romance is a treat worthy of its subject' Independent
'Novel of the week … Ingenious' Mail on Sunday
'Though this novel goes into the darkest of dark places, the overall tone is totally delicious; conspicuous consumption on this scale hasn’t been seen since the Eighties' The Times
'Her writing shows brain as well as heart' Economist
'A romp, a joy, and an inspired feast of clever delights. Reading this book is like a raid on a high-end pastry shop – you marvel at the expertise and cunning of the creations, while never wanting the deliciousness to end' Elizabeth Gilbert