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Description
Sterling A. Brown was renowned for his trenchant poetry and scholarship on African American folklife. A contemporary of Langston Hughes, Claude McKay, and Jean Toomer, Brown became the first poet laureate of the District of Columbia. His celebrated works, including Southern Road, address issues of race through collages of narrative and dialect unique to Brown’s unflinching poetic voice.
Edited by the late distinguished poet Michael S. Harper, this classic collection includes a new foreword by award-winning poet Cornelius Eady and the original introduction by Michael S. Harper, as well as introductions to Southern Road by James Weldon Johnson and Sterling Stuckey. The result is a tour de force by one of the most distinctive poets in American letters.
Sterling A. Brown was renowned for his trenchant poetry and scholarship on African American folklife. A contemporary of Langston Hughes, Claude McKay, and Jean Toomer, Brown became the first poet...
Sterling A. Brown was renowned for his trenchant poetry and scholarship on African American folklife. A contemporary of Langston Hughes, Claude McKay, and Jean Toomer, Brown became the first poet laureate of the District of Columbia. His celebrated works, including Southern Road, address issues of race through collages of narrative and dialect unique to Brown’s unflinching poetic voice.
Edited by the late distinguished poet Michael S. Harper, this classic collection includes a new foreword by award-winning poet Cornelius Eady and the original introduction by Michael S. Harper, as well as introductions to Southern Road by James Weldon Johnson and Sterling Stuckey. The result is a tour de force by one of the most distinctive poets in American letters.
Advance Praise
“Sterling Brown’s poetry should be in print in perpetuity. Its meanings, legends, melodies, and mythologies could only have been shaped by a Black American throat. Sterling Brown's poems have the power of revival music, the declaration of great oratory, and the sonorous crooning of a young man in love.” —Maya Angelou
“Sterling Brown’s poetry should be in print in perpetuity. Its meanings, legends, melodies, and mythologies could only have been shaped by a Black American throat. Sterling Brown's poems have the...
“Sterling Brown’s poetry should be in print in perpetuity. Its meanings, legends, melodies, and mythologies could only have been shaped by a Black American throat. Sterling Brown's poems have the power of revival music, the declaration of great oratory, and the sonorous crooning of a young man in love.” —Maya Angelou
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