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Swansea Boy

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Pub Date Apr 01 2025 | Archive Date Not set

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Description

Swansea Boy is a coming-of-age play of deep humanity, gentle humour, and unwavering compassion. In 1980s Swansea, a young man discovers his sexuality and finds the courage to tell his parents that he is gay. While finding his way as an artist in London, he reconnects with a young man who becomes the love of his life, only to face heartbreak and loss when he discovers his partner has contracted AIDS.

REVIEWS

"Last evening I watched the play Swansea Boy. Wow! Absolutely fantastic. Beautifully written by Sean Mathias with an exceptional cast and housed at Volcano Theatre. Immersive theatre at it’s best. I laughed and I cried. A story of love and adversity set against the backdrop of Gower, London and Morocco. Engaging and alluring" ❤️ - Instagram review

"Last night, your intrepid SDWC reporter trooped along to Volcano Theatre on High Street to see the electrifying play that everybody's talking about, and he was not disappointed. Produced by our very own Mark Cainen, SWANSEA BOY drops you into the life of a young gay man in the 1980s as he struggles to negotiate a subculture ravaged by AIDS and prejudice. It's raw, funny and deeply moving. SWANSEA BOY is running until 29th March and this reporter urges you not to miss it." - Swansea Writers Circle on Instagram

REVIEWS OF PREVIOUS WORK

"This is a work with all the marks of a mature and major writer. Compassion, humour, wit and truth." – The Daily Mail

“A dark, glittering and malevolent piece of comedy...ornate, brutal and erotic.”– The Sunday Times

“Mathias’s characters are a brilliant combination of the bizarre and the banal... 'Infidelities' is an exquisite black comedy.”– Today

About the Author

Sean Mathias is an internationally acclaimed, award-winning director of theatre and film. He has worked extensively at the National Theatre, in the West End, and on Broadway, as well as in theatres across the United States, Australia, South Africa, the United Kingdom, Ireland, France, and New Zealand. Sean has directed two feature films, Bent and, more recently, Hamlet. He also directed two productions for NT Live, including Harold Pinter’s No Man’s Land. In addition to directing, Sean wrote the ground-breaking BBC film The Lost Language of Cranes and is the author of several plays, including his Swansea-based work A Prayer for Wings. His play Swansea Boy, which he first workshopped 35 years ago at the National Theatre Studio, is now receiving its long-awaited debut production. Sean lives on the Gower Coast with his partner, Paul, and their three dogs.

Swansea Boy is a coming-of-age play of deep humanity, gentle humour, and unwavering compassion. In 1980s Swansea, a young man discovers his sexuality and finds the courage to tell his parents that he...


Advance Praise

"Last evening I watched the play Swansea Boy. Wow! Absolutely fantastic. Beautifully written by Sean Mathias with an exceptional cast and housed at Volcano Theatre. Immersive theatre at it’s best. I laughed and I cried. A story of love and adversity set against the backdrop of Gower, London and Morocco. Engaging and alluring" ❤️ - Instagram review


"Last night, your intrepid SDWC reporter trooped along to Volcano Theatre on High Street to see the electrifying play that everybody's talking about, and he was not disappointed. Produced by our very own Mark Cainen, SWANSEA BOY drops you into the life of a young gay man in the 1980s as he struggles to negotiate a subculture ravaged by AIDS and prejudice. It's raw, funny and deeply moving. SWANSEA BOY is running until 29th March and this reporter urges you not to miss it." - Swansea Writers Circle on Instagram

"Last evening I watched the play Swansea Boy. Wow! Absolutely fantastic. Beautifully written by Sean Mathias with an exceptional cast and housed at Volcano Theatre. Immersive theatre at it’s best. I...


Marketing Plan

Production in Swansea, Wales at Volcano Theatre.

Reviews.

Social Media

Transfer of play to London venue.

Reviews.

Social Media

Production in Swansea, Wales at Volcano Theatre.

Reviews.

Social Media

Transfer of play to London venue.

Reviews.

Social Media


Available Editions

EDITION Paperback
ISBN 9781911501268
PRICE £10.99 (GBP)
PAGES 128

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Average rating from 6 members


Featured Reviews

A beautiful, rich, and meaningful story. The characters are so fleshed out and realized. The story is emotional, And the dialogue is very realistic. Colin is a very strong lead with an amazing character arc. I would love to see a recorded version of this play someday!

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This play was a moving and beautifully written journey through Colin’s young life — growing up gay in 80s Swansea, chasing art and freedom in London, and ultimately finding heartbreak in Morocco. The dialogue was sharp and emotionally rich, with a cast of characters that felt real and distinct. It hit me hard — especially Colin’s sense of isolation and ‘otherness’ as a young person. Like him, I grew up in a rural area some years ago, and his story made me remember my own longing to escape, run away, and find my place in the world. Touching and powerful, with moments of genuine human connection and comfort.

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Swansea Boy is a play set between the 1980's and 1990's and follows Colin, a young Welsh man who dreams of being a painter. Colin has repeated interactions with the other cast of characters, including his parents, his best friend, a man he met on holiday in Greece, and finally James, the young man he falls in love with. However, James discovers that he is now living with HIV and will eventually die from AIDS, so Colin has become his carer for his final years, with the other characters flitting in and out of their lives.

The play's themes of sex and love were overt from the very first word. It was very easy to follow the play, and there was just enough descriptions to make it easy in my head to see the scenes as though I were watching from the audience. This play is filled with reflections, humor and tragedy, and the life of Colin and those he loves makes it an emotional read.

I highly enjoyed this. The characters all felt real, and the author did an amazing job at balancing all the emotions to make sure none of them overpowered the others. I also personally enjoyed how each new act was set in a different country, and the way that different cultures interwove into the narrative. This is a play I'll definitely read again.

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