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Monograph

Poems

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Pub Date Sep 15 2015 | Archive Date Sep 17 2015

Description

Written in narrow sections that blur the distinction between flash fiction and prose poetry, between memoir and meditation, Monograph veers from the elliptical to the explosive as it dissects the Gordian knot of a marriage’s intellectual, sexual, and domestic lives. Invoking Raymond Chandler, Pythagoras, Joan Didion, and Virginia Woolf as presiding spirits, Simeon Berry curates the negative space of each wry tableau, destabilizing the high seriousness of every lyric aside and slipping quantum uncertainty into the stark lineaments of loss.

Written in narrow sections that blur the distinction between flash fiction and prose poetry, between memoir and meditation, Monograph veers from the elliptical to the explosive as it dissects the...


A Note From the Publisher

The 2014 National Poetry Series selection, chosen by Denise Duhamel

The 2014 National Poetry Series selection, chosen by Denise Duhamel


Advance Praise

“If you enjoyed Maggie Nelson’s Bluets and Eula Biss’s The Balloonists, you will love Berry’s Monograph—obsessive, prismed, wise, shameless—a whole treatise of desire formatted into tiny succulent prose poems or lyrical fictions or bites or bits or installments or glances or confessions: a collage of lovely and disturbing threads. I simply could not put it down.”
—Maureen Seaton, author of Fibonacci Batman: New and Selected Poems, 1991–2011

“With Monograph, Simeon Berry has found a new and compelling way of doing what presents, rather slyly, as autobiography. By turns acerbic, self-mocking, and gently witty, this book is made of lucid, startling sequences of squibs, or tabs, of narrative fragments about sex, love, family, books, and writing. Mostly what I wanted to do in this blurb was quote my favorite bits—look at this, look at this—but there are too many of them. Smart detail, sudden skids, Big Questions, casual idiomatic precision: Monograph has all of these, but I think it’s the quality of Berry’s attention that is most arresting of all. A book of wit and heart.”
—Daisy Fried, author of My Brother Is Getting Arrested Again


"Monograph is one poet's primary research on all things love--the erotic, the domestic, love's glory, and its accompanying rage. Simeon Berry's voice is irresistibly authentic, even at its most crafty. . . . 'There are things I've done to make the story better . . . the girl with the skull and crossbones hearing aid. . . .' This poet writes what everyone else (or, at least, many of us) are thinking regarding the morality of memoir. 'Everything you are talking about are open secrets. She wants you to feel like you're handing over the nuclear launch codes or something.' Smart and also wise, Berry's poems are stripped bare of ornamentation and read like columns of pure light."
—Denise Duhamel

"Do you enjoy the idea of New England fishermen who cannot swim? I do very much. 'These are the people I come from,' Simeon Berry writes early on, and proceeds to show us a man whose intelligence is the raft he clings to as his relationship falls apart. I like this too – 'my brain is my business' – because it’s so simply and oddly true: whatever a poet writes about, the real subject is the poet’s mind. And I'm surprised and entertained by the mind that shows up on these pages. There’s a quality of invention here I love, the feeling of wonderful traffic between what’s real and what’s made up, from a poet who understands that the self is, in large part, a mythology we create. This is a fun, weird, and quietly harrowing book. I hope one of many to come."
—Bob Hicok

"By turns hardcore and hilarious, reading Monograph is like experiencing the minutiae and mythology of a long-term relationship through the slits of a zoetrope: the inside jokes, the ghosts, the tics and tantrums that make us fall in and out of love. A sly treatise on gender relationships and literary disclosure, this book will slap you, pet you, tell you it’s sorry, it will never do it again, but it will. I never wanted it to stop."
—Karyna McGlynn

“If you enjoyed Maggie Nelson’s Bluets and Eula Biss’s The Balloonists, you will love Berry’s Monograph—obsessive, prismed, wise, shameless—a whole treatise of desire formatted into tiny succulent...


Available Editions

EDITION Other Format
ISBN 9780820348452
PRICE $16.95 (USD)

Average rating from 2 members


Featured Reviews

Monograph by Simeon Berry was chosen as a winner The National Poetry Series 2014 Open Competition. Berry has been an Associate Editor for Ploughshares and received a Massachusetts Cultural Council Individual Artist Grant. His first book, Ampersand Revisited, won the 2013 National Poetry Series.

The first question one would ask when starting this collection is "Is this really poetry?" Berry makes it clear in his work he prefers poetry over prose. He notes that it took Raymond Chandler years before he could write a character gracefully leaving a room. In verse Berry says:

This is why I don't write Prose.
I hate Choreography. Just fill up the bong with Delphic smoke, please, and I'll find a way to get out of the stanza.
See? Like that.

Berry does not title his work, but rather puts them in labeled sections that have something to do with at least one of the poems. Some of the work is informative, like the meaning of human from ancient Hebrew. Sometimes the topic is the writer almost dying as an infant, but mostly the poems center on "N" Berry's girlfriend, and former lesbian. He describes their friends and family too. Some of this may seem a bit mundane, but there are brilliant bits interlaced through the collection:

Fog ate the tops of the buildings and made the park smell like an iron works.

The writing has a particular quality that draws the reader into Berry's life. I am sure many readers think they have led fairly exciting lives. I think we all do to some extent. Try this experiment. Sit down and write a short story length work on one of you most exciting life events. No matter how fond we are of memories, they never seem to work their way into exciting written stories. Berry takes a rather routine life and interjects bits and pieces of uncommon information turning his writing into something that is difficult to put down and occupies your complete attention.

Opening Monograph is like cracking open a common grey stone and finding that it is marbled with brilliant crystals, not a solid core of crystals, but patterns interlaced throughout the rock's structure like stars in the sky. Berry takes life and unstructured poetry and creates a radiance that shines through the cracks of ordinary.

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