Gravitation
Selected Poems
by Milan Děžinský; translated by Nathan Fields
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Pub Date Mar 03 2026 | Archive Date Mar 03 2026
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Description
The selected poetry of Milan Děžinský, translated by Nathan Fields, including many poems previously not published in English by the celebrated Czech poet.
Gravitation is a collection of poems that take the ordinary details of everyday living—things like breakfast cereal, household chores, or the scenery outside a window—and reveals the strange, hidden depths behind them. The poems are quiet and precise, often starting in a familiar place but then shifting toward the uncanny or unsettling, as if there’s always another layer of meaning beneath the surface. The tone is thoughtful, sometimes tinged with melancholy or unease, but never heavy-handed; instead, Děžinský writes with restraint and sharp observation, letting small images carry big emotional or philosophical weight. His voice balances intimacy and detachment, giving readers space to reflect on the secret, often overlooked lives of objects, places, and inner emotions.
A Note From the Publisher
Advance Praise
"Milan Děžinský’s poems probe what lives in the shadows. They’re alert to the echoes and whispers of history, to what’s heard through walls, and to secrets forests keep. They speculate about the wonder of a woman’s tongue, peer into the composition of matter, question who is prey and who is predator. And perhaps most importantly, these poems are attentive to every kind of messenger: injured animals, apparitions, ‘the mathematical beauty of frost,’ a wall containing a still-trembling ‘tear of builder’s sweat.’ Deep and dark as chasms, sometimes wry, sometimes chilling, they demand repeated readings. Dear translator, can we please have some more?"
-Amy Gerstler, author of Is This My Final Form?
"Milan Děžinský’s poems embrace immediacy. They arrive on the page as if from a vast silence. Aware of the cost of history, claiming no place in the world, Děžinský inhabits contingency: ‘I gaze into the sun and I’m already someone else.’ Then a poem will slip, who-me, into the infinite, without a trace of rhetoric, with no comment on the distance traveled: ‘We look into the fire / as if again witnessing / the creation of the world.’ Searching for a language freed of hierarchies, intimacy without a template, Děžinský’s vision is radically open. You might think of James Baldwin’s insight that ‘The purpose of art is to lay bare the questions hidden by the answers.’ In an age that bows to absolutes, Gravitation is beautifully autonomous, intuitive, human."
-D. Nurkse, author of A Country of Strangers: New and Selected Poems
Marketing Plan
- National print and online review attention
- Print and online features
- Social media outreach
- Online promotion
- Feature at AWP 2026
- National print and online review attention
- Print and online features
- Social media outreach
- Online promotion
- Feature at AWP 2026
Available Editions
| EDITION | Paperback |
| ISBN | 9780822967699 |
| PRICE | $20.00 (USD) |
| PAGES | 80 |
Links
Available on NetGalley
Average rating from 6 members
Featured Reviews
I don't think I've read something that can crescendo like each of these poems do. How can we start with atoms and end up in a different time and place? Magic. Very magical stuff.
Autumn K, Reviewer
Thanks to NetGalley and the publishers for an ARC.
I requested this as a one-off, mostly because it's been a bit since I've read poetry. I didn't expect to like it as much as I did.
I keep a collection of poems that hit me, and a few from this book have definitely made the list. A great example of writing that is powerful via simplicity.
Seth G, Librarian
I enjoyed very much reading the work Gravitation by Dezinsky and Fields. Much of the modern, free verse poetry I read todays feels mostly unintentional and rushed -- somewhere there's an overcaffeinated poet writing down every quick phrase that pops into their head, whether it makes any sense or not. While this approach can be fun and interesting to write, sometimes it can produce poems that feel like word salad. This poetry collection does NOT fall into this category. It is clear after reading this book that Dezinsky is a master of language, and can create powerfully sounding poems that also are rich with meaning. Intentional. Good stuff seems like.
Bookseller 1906285
This is a collection of beautiful poems, and all of them beautifully translated. Nathan Fields did a wonderful job getting Milan's words across the language barrier. I always love poems that make you think, that you need to read over a few times and even take notes on - even moreso when the collection itself has notes in the back for that very purpose! All over, this is a beautiful collection, and the translation holds up the impact of each poem. I even wrote a few quotes down, but this one was my favorite: "I'm not alone, there are many whose breathing is synchronized with mine at this moment." If that doesn't make you want to read this, I'll be surprised.
Poetry in translation is an endless tension. The miracle of cross-cultural communication turns to look back and sighs at what is lost, diminished, violenced as meaning is torn from its mother tongue. Whether by love or survival it walks on, across the bridge. Collections like Milan Děžinský's Gravitation remind me why we humans will always search for a way across.
Děžinský captures life in vivid concrete details. His Imagist sensibilities draw the reader into the strange and unnerving moments of peace we encounter everyday. Intense relief, joy, discomfort, and fear mingle with the leaves outside his window. He chews on death and yearns for connection from the kitchen table. Existential anxieties saturate and enliven even the most mundane moments, Děžinský tells us. I'll be spending the immediate future wondering at the symbolism of foxes and deer in Czech tradition.
While the collection's best experienced as just that, a few poems especially stood out to me for their powerful themes or clever turns of phrase: "November", "Into the Darkness", "Among Debris", "Tuareg", "Dots", "We're Together Again"...You have my heart and mind.
Strongly recommend to anyone interested in modern Imagist poetry or simply in introspection.
[Thank you, University of Pittsburgh Press and NetGalley, for providing this eARC in exchange for my honest review.]
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