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Cast Away

or, the Surprising Adventures of Alexander Selkirk

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Pub Date Apr 28 2026 | Archive Date Apr 27 2026

Bloomsbury ANZ | Bloomsbury Circus


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Description

From the author of Saltblood (winner of the Wilbur Smith Adventure Writing Prize) comes the true-life story of Alexander Selkirk, a sweeping tale of isolation and tenacity, asking: Who is a man, when everything is stripped away?

1704: Scottish sailor Alexander Selkirk has been abandoned by his own shipmates on a remote, uninhabited island. With little hope of rescue, and wild goats and cats as his only companions, he is forced to confront not only the urgent challenges of survival, but also the troubled, unsavoury past that has brought him here. What kind of man is deliberately stranded by his crew, to face near-certain death?

On the island, he must use his grit, tenacity and ingenuity to survive. As his isolation deepens, Selkirk's experience takes an extraordinary and often blackly comic turn, for the island's consolations prove as unexpected as its trials. The longer he is stranded, the more Selkirk wonders if he will ever escape the island, and in what ways he will be changed if he does.

A tale of adventure and endurance, isolation and friendship, despair and hope, this gripping, singular novel asks who we are – and who we become – when everything else is stripped away.

In Cast Away, award-winning author Francesca de Tores boldly reimagines the real-life story of Alexander Selkirk, the inspiration for the classic novel Robinson Crusoe. The world knows Crusoe's story – yet what unfolds on Selkirk's island is stranger by far . . .

From the author of Saltblood (winner of the Wilbur Smith Adventure Writing Prize) comes the true-life story of Alexander Selkirk, a sweeping tale of isolation and tenacity, asking: Who is a man, when...


Available Editions

EDITION Paperback
ISBN 9781526661449
PRICE A$32.99 (AUD)
PAGES 352

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Featured Reviews

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Francesca de Tores’ Cast Away: The Surprising Adventures of Alexander Selkirk is a strikingly original and deeply immersive reimagining of Robinson Crusoe. Fair warning, though: readers expecting a familiar tale of survival will find something far more nuanced and intellectually rich.

The novel follows Alexander Selkirk, the real-life mariner whose story inspired Daniel Defoe’s classic, from his impulsive decision to be marooned on a remote island through the long, disorienting years of solitude that follow. Rather than centring on adventure alone, de Tores turns her focus inward, tracing Selkirk’s psychological and moral journey as he confronts the consequences of his past and the realities of his own character.

What sets this novel apart is its refusal to romanticise its subject. Selkirk is not portrayed as a conventional hero, but as a deeply flawed, often unlikeable man—capable and resilient, yet also selfish and morally compromised. His isolation becomes not just a physical ordeal, but a reckoning. As the narrative unfolds, his descent into semi-madness is rendered with remarkable clarity and control, each turning point feeling both inevitable and profoundly unsettling.

De Tores’ command of voice is exceptional. She captures the cadence and consciousness of an early eighteenth-century sailor with striking authenticity. The writing is, without question, the novel’s greatest strength.

In its second part, the novel takes on a more philosophical dimension, engaging with questions of religion, morality, and the meaning of existence. These passages are handled with intelligence and restraint, reinforcing the novel’s central concern: not what happened to Selkirk, but who he was—and what solitude revealed.

Cast Away is not simply a story of survival—it is a profound character study, elevated by extraordinary prose and psychological insight. De Tores has crafted a work that is both historically grounded and refreshingly modern in its sensibilities: a compelling and memorable novel that lingers well beyond the final page.

Thank you to the publisher and NetGalley for providing an advance copy in exchange for an honest review.

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