The Soldier's House
A Novel
by Helen Benedict
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Pub Date Apr 21 2026 | Archive Date May 21 2026
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Description
“An unprecedented breakthrough novel about life after war.”—Cara Hoffman, author of Running, Be Safe, I Love You and So Much Pretty
“This is not only a massively good book, it is absolutely necessary.”—Joydeep Roy-Bhattacharya, author of The Storyteller of Marrakesh and The Watch
A bold and compassionate novel about war’s aftermath, The Soldier’s House confronts the uneasy truths of rescue, redemption, and what it means to share a home and future with a former enemy.
In The Soldier’s House, Helen Benedict tells the story of an Iraq War veteran who saves the lives of his assassinated Iraqi interpreter’s widow, child, and mother by bringing them to his upstate New York home. For the soldier, this is a way of making amends, but the widow finds being rescued by the enemy both humiliating and compromising. This is a compassionate tale that examines whether redemption and forgiveness are even possible in the wake of war. In light of the increasing displacement of people all over the world, The Soldier’s House is particularly timely and poignant.
Advance Praise
“Keen-eyed and warm-hearted, The Soldier’s House is a page-turning story of both American and Iraqi lives shattered by America’s Iraq War, and the long struggle to rebuild a safe place to call home. Helen Benedict’s moving novel is an important work for our time, adding crucial depth of compassion and complexity to our understanding of war’s trauma and the importance of forgiveness and healing.”
—Kate Manning, author of My Notorious Life and Gilded Mountain
“An unprecedented breakthrough novel about life after war. Once again Helen Benedict has blazed a trail in this brutal yet compassionate story of deep human perseverance. Compelling and beautifully written, it is one of the most important books Americans could read, not just about the war in Iraq, but about war in general.”
—Cara Hoffman, author of Running, Be Safe, I Love You and So Much Pretty
“Writing with rare passion and integrity, Helen Benedict brings to light— and life—the wreckage of the American misadventure in Iraq. This is not only a massively good book, it is absolutely necessary.”
—Joydeep Roy-Bhattacharya, author of The Storyteller of Marrakesh and The Watch
Available Editions
| EDITION | Other Format |
| ISBN | 9781636282787 |
| PRICE | $18.95 (USD) |
| PAGES | 224 |
Links
Available on NetGalley
Average rating from 1 member
Featured Reviews
Paul W, Reviewer
The awful toll of the Iraq war on both the American side (an estimated 4,400 dead by war’s end in 2011) and, still more sizeable on the Iraqi side (an estimated million dead and two million widowed), is given stark individual focus in Helen Benedict’s “The Soldier’s House” through its two protagonists, American Army Sergeant Jimmy Donnell, who returns from the war both physically and psychologically injured, and Iraqi pediatrician Naema Al-Jassi, for whom the war has claimed the lives of her father and her brother as well as crippled her young son and killed her husband, Khalil, whose death is the occasion for Donnell’s psychic trauma, with how Khalil was his interpreter and good friend.
So devastating, indeed, was Khalil’s death for Donnell that he arranged to get Naema and her son and mother-in-law out of Iraq and transported to the United States, where she suffers an anxious moment or two at the airport when he isn’t immediately present – as isn’t his wife, Kate, who served with Donnell in Iraq and whom Naema had also been expecting at the airport.
But in a mystery whose resolution won’t be revealed until the novel’s very end, Kate has left Jimmy for destination unknown, leaving Naema in the care solely of Jimmy, with whom she has a strained relationship with how she blames him in good part for the death of Khalil.
Further complicating the situation for her with Jimmy is the presence of his two brothers, Patrick, whose girlfriend, Lisa, is perhaps the most engaging character in the novel, and a younger sibling, Rory, who will make for a distressing development later in the novel with his involvement with drugs.
Not nearly so compelling, though, that story line for me as the considerably more absorbing one in which Naema is trying to become assimilated in America and trying to find a job as well as get her son a prosthesis.
Especially engrossing, that story line, in a novel which delivers with considerable force the individual impact of a war which, as author Benedict notes in an afterword, “is almost forgotten today, even though it is now widely recognized as having been unnecessary and unjustified in any way,” something that could be said as well of Trump’s unauthorized war with Iran, which, with its growing escalation, puts me in mind less of the Iraq war than of the Vietnam war, which also started with minimal American involvement and fast escalated into the full-blown quagmire it was to become and which Iran may well end up becoming as well.