Sunset at Lion Rock
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Pub Date Sep 15 2026 | Archive Date Oct 15 2026
Description
Sunset at Lion Rock is a coming-of-age novel that begins in the Aughts of a post-Handover Hong Kong, after the British returned the city to China in 1997. The son of a British father and a Hong Kong Chinese mother, Eric teeters between cultures, faiths, and histories, confused about everything. His childhood, shaped by his devoutly Buddhist mother, aunt, and grandmother—who believe he’s the reincarnation of his dead uncle—haunts him at every turn.
Hong Kong is a place defined by collective amnesia about its own history and cultural significance. Amidst the chaos of his life in this fractured city, the one thing that Eric develops is his exquisite sense of poetry and pathos. When an unexpected relationship with a man at the mountain temple of Lion Rock Hill triggers in Eric a crisis of identity and faith, he begins to question his family, his beliefs, and, finally, the meaning of being a “Hong Konger.”
Like Ocean Vuong’s On Earth We’re Briefly Gorgeous and Hanya Yanagihara’s A Little Life, Sunset at Lion Rock is by turns lyrical, probing, tragic, and disturbing. Eric’s growing involvement in Hong Kong’s 2019 pro-democracy protests and his eventual disillusionment with the rigid, homogenizing expectations placed upon him seem destined to collapse, but his refusal to accept his fate as cyclical and preordained lead to a way out he never could have planned.
Advance Praise
“Matthew Wong Foreman's Sunset at Lion Rock is a virtuosic, kaleidoscopic insider's tale of Hong Kong--a Hong Kong of liminal spaces following the British handover and the city's uncertain future, a Hong Kong of both wildness and wilderness, a Hong Kong as seen through the eyes of a boy only the colonialism and multiculturalism of Hong Kong could create. It is also an account of family, of a boy raised by a matriarchy of heartbreaks, reckoning with one of the most raw and authentic coming-of-age experiences I have read in literature. This is a richly rewarding book I'd recommend to anyone seeking a contemporary voice from Hong Kong to better understand a city seemingly perpetually at the crossroads of history.”
--Aube Rey Lescure, author of River East, River West
“Writing is how we understand why we belong to the world in Matthew Wong Foreman’s debut novel. From a young age, Eric, a Eurasian boy growing up in Hong Kong in a Buddhist household with his single mother and grandmother, narrativizes his existence, believing himself to be the reincarnation of an uncle who died before his birth. Spanning from the eve of the 1997 Hong Kong handover to the Hong Kong protests, Sunset at Lion Rock captures the voices of a city whose rich history haunts its present—from days of glamour shaped by the lore of Bruce Lee and Leslie Cheung to the smoky snooker halls of Sham Shui Po. Multi-tonal and searching, this debut positions writing itself as ‘the language of salvation.’ This is a book that I wish, growing up here in Hong Kong, I’d had with me.”
—Sheung-King, Author of Batshit Seven, Winner of the 2024 Atwood Gibson Fiction Prize
“A novel so visceral and full-bodied that I half-expected the spine to bleed as I gripped its pages. Matthew Wong Foreman writes of Hong Kong like it’s a beloved, troubled family member: with a real urgency and learned patience, with the kind of fierce love that curls into hate around the edges. This is a novel about alienation that left me feeling utterly human.”
—Connie Wang, author of Oh My Mother!: A Memoir in Nine Adventures
“Lyrical, restrained and deeply felt, Sunset at Lion Rock explores identity and memory in the shadow of history. A striking debut of uncommon grace.”
—Emma Pei Yin, author of When Sleeping Women Wake
“With its stark and piercing prose, Matthew Wong Foreman’s debut novel rises far beyond the usual fare of a mixed-race memoir. It’s also a history of Hong Kong, and what it feels like to be a single family made and made bereft by the city’s changes. Foreman refuses to look away from the contradictions and pain of this family. The portrait he paints is complex, moving, and real.”
—Belinda Huijuan Tang, author of A Map for the Missing
Available Editions
| EDITION | Paperback |
| ISBN | 9798950348044 |
| PRICE | $21.99 (USD) |
| PAGES | 236 |
Available on NetGalley
Average rating from 3 members
Featured Reviews
Maria J, Reviewer
Sunset at Lion Rock is a coming-of-age novel set in post-Handover Hong Kong, in the years after Britain returned the city to China in 1997. Eric is the son of a Hong Kong Chinese mother and the British man who taught her English. He grows up mixed and illegitimate, raised by a devoutly Buddhist mother, aunt, and grandmother who believe he is the reincarnation of his dead uncle. He moves through a city that seems determined to forget its own history, and he never quite finds his place inside it. Foreman takes him from childhood into adulthood, through the faith he is handed, the schools he doesn't fit into, and eventually into Hong Kong at one of its most charged political moments.
Mixed white-and-Asian identity is having a cultural moment now, but that isn't the world Eric grows up in. The detail I keep coming back to is Eric at the wealthier school, surrounded by kids who belong there in a way he doesn't, drifting toward the ones on the outside and still not quite fitting with them either. Never enough of one thing or the other. The book is also deeply Buddhist. Eric's mother and grandmother live inside their faith, and the religious sections are long and fully committed. They are the place his family tries to save him, and the thing he eventually has to question.
By the end I wanted to reach through the page and tell Eric he was okay. He spends the book being told who he is by his family through their silence, his faith, his city, and his history, and you spend it wanting him to get to choose for himself. If you have ever stood between two cultures and felt the edges of both, you will understand this one at a different level. If you haven't, it gives you a real look at the kind of turmoil that can bring.
For readers of On Earth We're Briefly Gorgeous by Ocean Vuong, The Gangster We Are All Looking For by lê thi diem thúy, or Dust Child by Nguyễn Phan Quế Mai. Babel by R.F. Kuang is a looser fit, but the in-between identity and the cost of history are there too. Definitely worth the read.
Thank you to 7.13 Books and NetGalley for the advance copy. This review reflects my honest opinion.
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