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retrovirology

poems

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Pub Date Sep 15 2026 | Archive Date Jul 15 2026


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Description

Winner of the 2025 Donald Hall Prize for Poetry

Conversing across generations, retrovirology draws from Queer lineage to unleash the wisdom of AIDS activism into our current political moment. 

retrovirology oscillates between Queer childhood erasure and the AIDS epidemic, pulling from the ACT UP oral history project, informal interviews with survivors, and AIDS historians Sarah Schulman and David France. While some poems elegize key figures of AIDS history such as Larry Kramer and Gaëton Dugas, others operate as ekphrasis against the creative artwork of ACT UP’s direct actions.

Combining reinterpretations of formal elements such as the concrete poem, the abecedarian, and the villanelle, post-confessional poems converse with a docupoetic history through an arc that examines what it meant to grow up Queer as a child in rural Pennsylvania in the late ’80s and early ’90s, surrounded by messages of gay disease and the violence of its silences. retrovirology, then, resurrects Queer elders to allow memory to “rise from its subjugated state” (Jung) and to carry with it, into our futures, all of its wisdom and fire.

 Readers will come away with a deeper understanding of AIDS Activism and History. 

Winner of the 2025 Donald Hall Prize for Poetry

Conversing across generations, retrovirology draws from Queer lineage to unleash the wisdom of AIDS activism into our current political moment. 

...


A Note From the Publisher

John Bonanni founded and edits the Cape Cod Review. His poems have appeared in North American Review, Foglifter, Black Warrior Review, Washington Square Review, Florida Review, and Gulf Coast, and his literary criticism has been featured in DIAGRAM, Denver Quarterly, The Rumpus, and The Kenyon Review. He teaches on Cape Cod.

John Bonanni founded and edits the Cape Cod Review. His poems have appeared in North American Review, Foglifter, Black Warrior Review, Washington Square Review, Florida Review, and Gulf Coast, and...


Advance Praise

"retrovirology captures the urgency that few books contain: This book is a remembrance of those who passed away during the AIDS epidemic, but equally, it is an altar built to honor those Ancestors of that mournful time. And I say, now in this new year, in this new place—where some are trying to take us back to an old place—now is the time for urgency. Now is the time for those Ancestors’ wisdom. Now is the time to call their names: Larry Kramer and Gaëton Dugas. Now is the time to speak back against erasure. To reclaim this history. This crucial fierceness. Now: This remembrance that is painful but also beautiful. Now: A taking up space on the page and within the spirit. And I’m so grateful to have read this book—I’m so grateful that it chose me in this time."

-Honorée Fanonne Jeffers, author of Misbehaving at the Crossroads: Essays and Writings and judge of the 2025 Donald Hall Prize for Poetry

"Committed to ‘remember what everyone wants to forget,’ retrovirology is stirring, persuasive proof that courage and outrage have mattered, and still can. The subjects here: intimacy and revolution, history and our rights, and equally, the slow burn of queer joy, the unstoppable fire of queer visibility. John Bonanni makes from that fire an essential music."

-Carl Phillips, author of Scattered Snows, to the North

"retrovirology captures the urgency that few books contain: This book is a remembrance of those who passed away during the AIDS epidemic, but equally, it is an altar built to honor those Ancestors of...


Marketing Plan

Marketing Plans 

  • Galley mailing 
  • National print and online reviews and features 
  • Regional print and online reviews and features 
  • Select author appearances 
  • Online and social media promotion 
  • Feature at AWP 2027

Marketing Plans 

  • Galley mailing 
  • National print and online reviews and features 
  • Regional print and online reviews and features 
  • Select author appearances 
  • Online and social media promotion 
  • Feature at AWP...

Available Editions

EDITION Paperback
ISBN 9780822968351
PRICE $20.00 (USD)
PAGES 112

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Average rating from 4 members


Featured Reviews

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This collection of poetry engages deeply with the archive of HIV-AIDS, responding directly to the work of gay men who passed away or lived with HIV-AIDS, as a collective mourning. John Boannani's poetry mingles joy, sex, eroticism, mouths, and Provincetown's gay beaches in a lived remembrance of the ACT-UP archive, thwarted abecedarians and villanelles mingling with ekphrasitic writing at its best. Read this. Feel this. Know this. In your body. The shape of a history where people loved, despite, despite, despite.

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I got this as an arc on Netgalley and it will come out in September. Beautiful poetry, both flowy and experimental and at times harsh. As a queer, I cannot stress the importance of this subject.

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"retorovirology" is a chronicle and an elegiac-epic oral history of the AIDS pandemic and its memory. Bonanni's poems are polyphonic, diachronic, on (/for an) occasion form-breaking—lines that you can tumble down from like a flight of stairs, eyeballs making weak-kneed legs—and, occasionally, funny.
   I liked the joyous perversity of 'Bowers vs. Hardwick'; the poignaint pained reflection on (watching? listening to? consuming? being consumed in?) Derek Jarman's 1993 Blue, in 'Variations on a Theme in Blue: is it right, does it do art justice to be able to look away, to have vision at all, with anything but a wall-full of #1E2E8E.

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This was both incredible and haunting, and each line feels like it echoes with the weight of the past, with the reminder that HIV/AIDS wasn't even that long ago but yet an entire generation was lost, and the reverbations of its effects today. There is such a deep, deep unfairness. I loved how the poet was able to capture so many different poetic forms, starting us out with a sonnet, playing around with the abecedarian, et cetera. The way that italicised lines offer a back and forth. How some poems are dedicated to a specific person in history, or to a moment, how all it built into the zeitgeist of that time. Really glad that it won the prize that it did and that this work can be recognised and that I can be sitting down to read it.

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