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Hail Mary

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Pub Date Sep 22 2026 | Archive Date Sep 11 2026


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Description

For fans of Simone St. James and Jennifer McMahon, Hail Mary is a thriller about a woman returning to her small hometown and a haunted family business, where generational secrets and cold cases refuse to stay buried.

Welcome to North Shore Township.

Where you can never dig a grave too deep, and you can never keep a secret for too long.

The Foreman family has made their fortune burying the dead (and not just funeral services, allegedly). Mary Foreman fled North Shore Township years ago to escape her family’s legacy. But when her estranged mother reappears during a local election, reigniting rumors of corporate corruption and criminal activity, Mary’s uncle summons her to help with his campaign.

Mary leaves Toronto and takes up residence in Foreman House—the now-vacant gothic mansion once home to the Foremans and their infamous funeral business. She also secures a teaching job at her alma mater, St. Joseph’s School for Girls, set to unearth the time capsule her great-grandmother helped mastermind. But when the time capsule is opened, the family’s legacy rears its ugly head once again.

Embroiled in a criminal investigation—one with eerie parallels to several cold cases—Mary begins to unravel a truth rooted in her cursed matrilineal line, the haunted funeral home she grew up in, and the crime her mother stood trial for decades earlier. Crushed by the weight of the township’s suspicion, Mary must fight to prove her own innocence. Not only of recent crimes, but past ones, too. For this is the North Shore of Lake Huron, and the past is always present where the dead don’t die.
For fans of Simone St. James and Jennifer McMahon, Hail Mary is a thriller about a woman returning to her small hometown and a haunted family business, where generational secrets and cold cases...

Advance Praise

“Gripping and deeply atmospheric, Elizabeth Urso's debut HAIL MARY, follows Mary Foreman, as she's dragged back to her small hometown to face the plague of long-standing rumours, deeply-buried family secrets, and the burden of generational trauma (plus a few vengeful nuns, and a ghost or two haunting her family's ancient funeral home). This rhythmic, mystery-filled gothic horror, is engaging, witty, and oh-so-perfectly gruesome.” —Ashley Tate, bestselling author of Twenty-Seven Minutes

"A bloody portrait of generational female rage and revenge. With snappy dialogue and elegant prose, Urso has created a propulsive thriller that's as haunting as it is suspenseful, and will linger like a ghost long after you finish the final page." —De Elizabeth, author of She Haunts Me Still

“Prepare to be enraptured by a compelling mystery and the macabre. This is a story that’ll keep you up late into the night wondering if ghosts have the ability to leap from the page.” —Elora Cook, author of In the Company of Killers

“Gripping and deeply atmospheric, Elizabeth Urso's debut HAIL MARY, follows Mary Foreman, as she's dragged back to her small hometown to face the plague of long-standing rumours, deeply-buried family...


Available Editions

EDITION Paperback
ISBN 9781998672493
PRICE $17.99 (USD)
PAGES 364

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Average rating from 22 members


Featured Reviews

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What makes Hail Mary effective is not simply its use of gothic atmosphere, but the way atmosphere becomes a form of pressure. The setting is not decorative; it behaves like an inherited condition, shaping how every character moves through suspicion, memory, and institutional silence.

The novel is most compelling when it treats the Foreman legacy not as backstory but as an active force — something that structures relationships, distorts perception, and determines what can and cannot be believed. The sense of inevitability that builds throughout is carefully controlled, never relying on spectacle but instead on accumulation: of rumor, of historical weight, of small distortions that begin to feel inescapable.

What stood out most was the novel’s understanding of return as a destabilizing act. Mary’s homecoming does not function as resolution or confrontation in a straightforward sense; instead, it exposes how little distance time actually creates from formative environments. The past is not revisited so much as reactivated, as though it has been waiting to resume its influence.

The writing sustains a steady tension between psychological realism and the uncanny. Even when events remain grounded, there is a persistent sense that the town itself is withholding information — not in an overtly supernatural way, but in the quieter logic of communities built on omission. That ambiguity is where the novel is strongest.

Structurally, the narrative is confident in its pacing. Revelations are not deployed for shock so much as for recontextualization, each one shifting the reader’s understanding of what has already occurred rather than simply advancing the plot forward. This gives the story a layered quality that rewards attention to detail.

What lingers most is not a single twist, but the cumulative impression of a place where history is never resolved, only repackaged. The novel understands that some environments do not simply conceal secrets — they sustain them.

Readers drawn to literary-leaning gothic thrillers, slow-burn suspense, and narratives where family and place function as co-conspirators will find much to appreciate here.

Hail Mary is ultimately less about uncovering what happened than about recognizing how long a place can remain complicit in its own silence.

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Hail Mary by Elizabeth Urso is a thoughtful and engaging novel that blends emotional depth with sharp, compelling storytelling. Urso creates characters that feel vivid and authentic, drawing you into their world with ease. The writing is immersive and layered, balancing introspective moments with steady narrative momentum. A memorable and beautifully crafted read that stays with you long after finishing.

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