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Crescendo

Chronicles of an Adventurous Violinist

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Pub Date Oct 27 2026 | Archive Date Dec 15 2026


Description

A funny and fierce memoir of a classical performer’s struggles, tragedies, and triumphs

“This tale sparkles.”
―Blair Tindall, author of Mozart in the Jungle

“Crescendo is a searingly honest look at the classical music world from within and manages to be as funny and uplifting as it is devastating.”
—Ling Ling Huang, author of
Immaculate Conception and Natural Beauty

When American violinist Anthea Kreston is selected as the fourth member of Germany’s Artemis Quartet, it is the culmination of decades of dedication. In Crescendo, her enchanting and deeply personal memoir, Kreston writes about growing up in a well-to-do but difficult family in Chicago, leaving home at age sixteen, studying at the ultracompetitive Curtis Institute of Music in Philadelphia (Hilary Hahn was a classmate), then burning out and leaving it all behind for a commune in Oregon.

All the while, Kreston never stops playing her beloved violin, and, in time, she finds her way back, making it to the top of the classical music world. She writes candidly about struggling with years of infertility and the challenges of being a mother with a performance career. When she moves her young family to Germany, she fights to stay true to herself, and maintain her marriage, amid the never-ending pressure of the string quartet. Told with warmth and wit (Kreston once gets out of a traffic ticket by playing "Danny Boy" for the Irish cop), Crescendo is an honest, and ultimately celebratory, reflection on art, ambition, and the choices that compose a life.

A funny and fierce memoir of a classical performer’s struggles, tragedies, and triumphs

“This tale sparkles.”
―Blair Tindall, author of Mozart in the Jungle

“Crescendo is a searingly honest look at the...


Advance Praise

“A singular voice in music, and now in words. Crescendo is a searingly honest look at the classical music world from within and manages to be as funny and uplifting as it is devastating. The same vulnerability and power that makes Kreston such a compelling instrumentalist is equally commanding in her prose. This memoir is a necessary and insightful look at what makes being an artist, a woman, a mother, and all three at the same time so incredibly challenging, but worthwhile.”
—Ling Ling Huang, author of Immaculate Conception and Natural Beauty

“Anthea Kreston is a world-renowned violinist and an intense, endearing mess. She opens her life to us so vividly that we are actually with her, whirling through concerts, crises, and the seeming impossibility of working parenthood, loving life and finding it hard to breathe all at the same time. A lively and refreshing read.”
—Anne-Marie Slaughter, CEO of New America, author of Unfinished Business

“Anthea Kreston writes with passion and an insider’s authority about life in a world-class string quartet. In prose that sometimes jumps off the page, she gives us detailed descriptions of her family life, her colleagues, her individual working process, the interactions of four distinct personalities and the music that binds them onstage and off in a never-ending quest for transcendence.”
—Eugene Drucker, Emerson String Quartet, author of The Savior

“Kreston—who demystifies the process of classical music through her popular blog—details the real lives of performers behind the scenes. This tale sparkles through hilarious exchanges, always taken with a light heart by the author.”
―Blair Tindall, author of Mozart in the Jungle: Sex, Drugs, and Classical Music

“I had only known Anthea as a superstar violinist with a dreamy career traveling the world with one of the most celebrated string quartets until I read Crescendo and felt like we were best friends, two cocktails in, catching up after years apart. She trusts us readers with the hardest and most meaningful parts of her life in stories that make me want to be a better musician, friend, and lover. What a badass!"
—Hunter Noack, pianist and founder of In a Landscape: Classical Music in the Wild

“A singular voice in music, and now in words. Crescendo is a searingly honest look at the classical music world from within and manages to be as funny and uplifting as it is devastating. The same...


Available Editions

EDITION Other Format
ISBN 9781589882171
PRICE $19.95 (USD)
PAGES 192

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Average rating from 3 members


Featured Reviews

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Fabulous, fascinating read. I had no idea there was such a world and I was completely absorbed. Wonderful writing. I read this one fast and hope someone makes it into a movie. Kreston is obviously a woman of many talents. I really enjoyed this peek into the world of high-level musicians. When I think back over the story, I'm impressed at how I never felt alienated by a world I could never know, just captivated by a character and a story. Bravo.

Thanks to NEt Galley and the publisher for the opportunity to read and review.

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This has been one of the most riveting memoirs I have ever read – I finished it in three busy days.
Anthea Kreston takes us though her adventurous life in non-linear movements, sometimes sparkling, sometimes biting, always driven. I grew up surrounded by classical music in Berlin where the highest stage of her career would take Kreston, and until reading this book I thought it impossible to leave the path of highest level classical music to, say, play in a punk rock band or get a women's studies degree, but Kreston did it; letting us meet with her fascinating people and places, from her Chicago world fair inventor grandfather who gifts her an American violin that will play on stages with the likes of a Stradivarius, the famous Home Alone house so many associate with Holiday joy where she hid in terror of her abusive father, to Hilary Hahn as an eleven-year-old starting her earth-shattering career with no one but a guinea pig by her side and Yo-Yo Ma rediscovering the silk road with her.

In between she candidly both adores and criticizes the rigorous world of classical music and especially the strange sub scene of chamber music. It is utterly impressive how unapologetically she forged her own path as an unconventional violinist who also is a working mother, something many people still consider to be a professional death sentence. I especially appreciated how she highlights the persisting misogyny in the scene.

Crescendo is 4 and ½ stars for me for two reasons: one, as so many people she paints Germany in very broad and strangely critical brushes she applies to no other culture she encounters in her international life – that I found off-putting. And two, while the first 75% of the book flow beautifully together even through and because of the sudden jumps between her life stages, the last 15% feel rushed, a bit unformed. For example for all the build up on how she reaches the highest stages of her profession in playing with the Artemis quartet, there is very little on her actual time with them and nothing on why she decided to leave them.

If the last 25% had been worked on a bit more I think this would have been a perfect book – but as the rest is so wonderful I still give it a glowing 5 stars overall here, for her lively and rebellious tales and life in the strict world of classical music. One thing is for certain: if you are unsure whether to pick up this biography because classical music isn't really your thing: do yourself a big favor and pick it up because of that. You will rarely discover this fascinating world with such a colorful light on it as in this delightful book!

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‘Crescendo’ is a very engaging memoir about one classical musician’s turbulent life and dazzling career; it is at once deeply personal but also self-aware, sometimes in a self-deprecating way. There are times where the author’s wit leads the book in a direction that feels like it uses humour as armour, which is a natural reaction given the sometimes overwhelmingly bleak reality of her health and trauma. As a musician, this memoir reads like looking into your own practice history; Anthea Kreston accurately writes the sheer dedication necessary to feel even half competent at your instrument.
The author places a lot of emphasis on her experiences living a quirky and unconventional lifestyle for a classical musician in Oregon and elsewhere in her 20’s, gliding over her familial legacy in classical music and society, not to mention her access to incredible resources in teachers, schools and instruments from very early on in life.
Overall, this was a very enjoyable reading experience and I would certainly recommend it!
Thank you to Netgalley and the publisher for the advanced copy.

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