The Diary of a Has-been

The intimate chronicle of Arnold Appleforth - legendary journalist, idealist and sponger

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Pub Date Nov 03 2016 | Archive Date Nov 18 2016

Description

Arnold Appleforth claims getting old is all about attitude. And if that's the case he needs all the attitude he can get, because his journalistic career is on life support, his sex life non-existent (except for a recent regrettable incident at a well-known chain restaurant), his financial position precarious and his alcohol consumption prodigious. Add to that his abysmal parenting of his three (or is it four?) children and the biohazard status of his flat, and life isn't a bed of roses. So Arnold decides to keep a diary, a daily dose of inspiration to keep his blood pumping. It'll deal with his own life with intimate, eye-watering honesty and also include pungent political comment on the disgraceful state of contemporary Britain. With a view to publication of course - who wouldn't want to enjoy his wit and wisdom? Join Arnold as he drops pearly bon mots before swine and makes one last grab for literary immortality. And struggles to survive in a sadly unappreciative world...

Arnold Appleforth claims getting old is all about attitude. And if that's the case he needs all the attitude he can get, because his journalistic career is on life support, his sex life non-existent...


A Note From the Publisher

William Humble has written a number of highly-acclaimed films for BBC TV, including the Emmy award-winning On Giant's Shoulders starring Judi Dench, and the BAFTA-nominated Hancock, with Alfred Molina as Tony Hancock. He wrote Virtuoso about the concert pianist John Ogdon, also with Alfred Molina, as well as Alison Steadman. Other BBC films include Ex, a comedy starring Griff Rhys Jones; and another comedy, Royal Celebration, with Leslie Phillips, Minnie Driver and Rupert Graves. Also Poppyland directed by John Madden, and Talk To Me, both starring Alan Howard. For ITV, he wrote the film Whatever Love Means, with Laurence Fox, and Too Good To Be True, a psychological thriller with Peter Davison and Niamh Cusack. He dramatised Every Woman Knows A Secret from the novel by Rosie Thomas, and wrote the six-part series An Unsuitable Job For A Woman - half based on the novel by P.D.James, half an original story. He also dramatised another P.D.James novel, The Black Tower, as a series with Roy Marsden and Pauline Collins; and Mary Wesley's The Vacillations of Poppy Carew as a film with Tara Fitzgerald. He has also written for Churchill - the Wilderness Years, Poirot, Granada TV's Maigret starring Michael Gambon, Flambards, All Creatures Great and Small and Juliet Bravo. His stage plays include: What a Performance, starring David Suchet as comedian Sid Field, on tour and in the West End. Facades, with Frances de la Tour as Edith Sitwell, directed by Simon Callow. Fly Away Home, with Hywel Bennett and Diana Quick. Talk To Me with Alan Dobie and Robert Daws. And Virtuoso, with Oliver Ford Davies. He has also written several radio plays and - a million years ago - a novel.

William Humble has written a number of highly-acclaimed films for BBC TV, including the Emmy award-winning On Giant's Shoulders starring Judi Dench, and the BAFTA-nominated Hancock, with Alfred...


Available Editions

EDITION Other Format
ISBN 9781911129608
PRICE £12.99 (GBP)

Average rating from 13 members


Featured Reviews

Do Go Ironically Into That Good Night

At the very outset of this book I "got" and quickly tired of our blustering and oblivious diarist/narrator, with his poses, gripes, self-deception and almost complete lack of self-awareness. But you know what? Arnold Appleforth begins to grow on you in short order and the more you read the more you begin to root for this delusional basket of bombast, good intentions, self-justification, delusion, and vinegar.

Half the fun is in Arnold's endless capacity to misinterpret the world around him and his place in it. The other half is in Arnold's occasionally apt and penetrating comments about that same world. The entire book becomes an entertaining exercise in figuring out what's ironic, what's accidental and what's intentional.

You never feel sorry for this character, but you begin to see him in a larger context, and you begin to see him as the final gasp of a generation of a certain age and a certain political bent. This realization, when it comes, casts the book in a different and brighter light, and invites the reader to think about the cultural, political and social issues that the author has slyly slipped in under the cover of mocking Arnold Appleforth.

So, an ironically ironic look at irony, with maybe a touch of slapstick and a helping of cultural commentary, all wrapped around a bristly and lively character. A pretty interesting find.

(Please note that I received a free advance ecopy of this book without a review requirement, or any influence regarding review content should I choose to post a review. Apart from that I have no connection at all to either the author or the publisher of this book.)

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The first thought which came to mind when I got hands on "The Diary of a Has-been" was 'how does this compare to "The Secret Diary of Hendrik Groen"?' Both are diaries of elderly people and yes, there are some parallels between both books.
"The Diary of a Has-been" is funny in episodes, but does not have the funny level and emotional debt which "The Secret Diary of Hendrik Groen" has in general.

There's a 20 year different and a geological difference and that provides a space for 2 different background stories between both characters. "The Diary of a Has-been" is about 60 year old man which has been a life-long left wing with a mind set still in the 70's. His behavior is self centered.
It wasn't my kind of book, certainly because I had "The Secret Diary of Hendrik Groen" to compare to, which to me is one of the best books I've read this year. "The Diary of a Has-been" is OK but certainly not great. You'll have a chuckle ever now and then and yes it will entertain you, it is well written but obviously just for the UK market.

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Arnold Appleforth gives "grumpy old man" a whole new meaning in his diary. Arnold means well, but often falls a bit short without even realizing it, in a world where he feels unappreciated and is desperately trying to stay relevant to not only his children, however many he has, but the world around him. He has uncompromising opinions, his denial of his age, drinking, and life are hilarious and his ability to justify the way he is and why the world around him is no longer the way he thinks it should be is perfectly framed in his diary. His complete cluelessness about his own attitude and behavior really made for a funny read.

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