The Alehouse at the End of the World

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Pub Date Nov 06 2018 | Archive Date Feb 28 2019

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Description

When a fisherman receives a mysterious letter about his beloved’s demise, he sets off in his skiff to find her on the Isle of the Dead. The Alehouse at the End of the World is an epic comedy set in the sixteenth century, where bawdy Shakespearean love triangles play out with shapeshifting avian demigods and a fertility goddess, drunken revelry, bio-dynamic gardening, and a narcissistic, bullying crow, who may have colluded with a foreign power. A raucous, aw-aw-aw-awe-inspiring romp,Stevan Allred’s second book is a juicy fable for adults, and a hopeful tale for out troubled times.

When a fisherman receives a mysterious letter about his beloved’s demise, he sets off in his skiff to find her on the Isle of the Dead. The Alehouse at the End of the World is an epic comedy set in...


A Note From the Publisher

Illustrated by artist Reid Psaltis.

afterworld novels;dark fable;adult myth novels;twisted shakespeare novels;adult fantasy novels;adult fables;humorous fantasy novels;sixteenth century novels;sixteenth century farce;fable and legend novels;historical comedy;shakespeare inspired;shapeshifting fantasy;apocalypse novels;god and goddesses novels;adult fantasy fiction;magical world novels;adult fairytale;magical realism;mythology books;death;good and evil;dark;creatures;spiritual;fate;divine figures

Illustrated by artist Reid Psaltis.

afterworld novels;dark fable;adult myth novels;twisted shakespeare novels;adult fantasy novels;adult fables;humorous fantasy novels;sixteenth century...


Advance Praise

“This island of the dead is more active than a lot of retirement communities. Richly conceived, enjoyable, and a treat for readers of myths and legends.”

Kirkus Reviews

“The talented and erudite Stevan Allred is a natural storyteller, weaving together in The Alehouse at the End of the World various threads of Eastern and Western myth, fable, and legend, into an inviting, raucous romp through the lands of the Dead, where a lonely fisherman, accompanied by an entertaining cast of Avian co-conspirators, wanders in search of his long-lost beloved. You will frequently gasp, occasionally wring your hands, and always delight at Mr. Allred’s sharp ear for dialogue, unerring instinct for suspense, and magisterial command of the fanciful world that may await us all in our next life.”

—Michael Shou-Yung Shum, author of Queen of Spades

“Stevan Allred, armed with an abiding love of narrative, and an arsenal of sentence-by-sentence wit and tumble, draws us into an epic battle for the soul of the afterworld, and we are led ever on by language dangerously funny. The creatures that illuminate this journey with their eternal ponderings and arguments, are not necessarily human except in their search for reason and love, driven as they are by power, sex, and the beautiful mystery of death.”

—Joanna Rose, author of Little Miss Strange

“Alehouse echoes ancient myths of creation and undoings in the practice of love with a blend of Shakespearean comedy and Melvillian language on a classic odyssey to the end of the world and beyond. Trust me, people. This is the wildly inventive and lovingly hilarious work of a master craftsman.”

—Robin Cody, author of Ricochet River

“The Alehouse at the End of the World will take you on a fast-moving ride through sixteenth century farce with a present tense echo effect. Bard-like in its constellation of bird-gods and rough hewn characters tossed around like breadcrumbs, the epic voyage catches you between laughter and a tear forming at the edge of your eye. Like life does.”

—Lidia Yuknavitch, author of The Book of Joan

“The Alehouse at the End of the World will swallow you whole. You’ll land on the Isle of the Dead and walk with the fisherman who longs for his beloved. The Crow will eschew you with his solipsistic drama, and the Goddess will seduce you as part of her plan. Stevan Allred’s luscious language drives the novel, and his playful remix of lyrics and religious systems satisfies deep questions about the afterlife and the soul, which he describes as “a vibration so quiet it can scarcely be heard… the thing that gives self-awareness.” Reading this novel delights like a fine ale.”

—Kate Gray, author of Carry the Sky

“Crows and fishermen, gods and goddesses, love and deceit, boats full of the dead, clams that are much more than clams, an island inside the belly of the beast, and batches and batches of ale. The Alehouse at the End of the World is a comic epic that made me feel like us messy mortals can actually make a difference.”

—Yuvi Zalkow, author of A Brilliant Novel in the Works

“Allred’s imagination staggers the imagination.”

—Jan Baross, author of José Builds a Woman

“The Alehouse at the End of the World mines our primal desire to go through the looking glass or the back of the wardrobe. Stevan Allred is an ingenius guide. His Isle of the Dead is a dark place that crackles with life, full of shapeshifting, bed-switching heros fighting for the fate of the living world. An epic tale from a master storyteller.”

—Scott Sparling, author of Wire to Wire

“Stevan Allred has spun an original myth with its own vocabulary and weather system. The imagery alone has impressed new memories upon my psyche. Peculiar and inventive yet true to the human condition, The Alehouse at the End of the World holds familiar tyrants and temptations, confronted in the most unexpected ways by an unforgettable cast. The experience I found in these pages is the reason I read—to reach inconceivable places, to be touched, to be changed. By canoe, winged goddess, or whale, I would follow Allred anywhere.

—Renee Macalino Rutledge, author of The Hour of Daydreams

“There’s all manner of craziness in The Alehouse at the End of the World: a giant beast who’s swallowed the spirit world, a hairless blue fisherman, a trio of shape-shifting god-birds, a self-aggrandizing (Trumpian?) crow, The Isle of the Dead, a feathered goddess, and a dead woman who’s…. well, you’ll see. Yet underneath these fantastical guises, lies the same hearts that can be found in all of us; some are kind, some are driven, some are evil, some are insatiable, and in spite of their non-human forms, they are all so very human. In this magical world, the net of a dark fate tightens around the existence of this motley crew, and an apocalypse brews on the horizon.”

—Dianah Hughley, bookseller, Powell’s City of Books

“A book rich in love and life and death and language and magic. You wonder where a tale of a crow and a blue-skinned fisherman could lead, and it turns out to be a wild journey of masterly storytelling, sneaky humor, bracing sensuality, and deliciously tricksy words.”

—Shawn Levy, author of Dolce Vita Confidential and Paul Newman: A Life

 

Praise for A Simplified Map of the Real World (Forest Ave, 2013)

“We’re all in this book. And that’s quite a triumph.”

—Tom Spanbauer, author of The Man Who Fell in Love with the Moon

“Fun to read and funner to recommend.”

—Brian Doyle, author of Mink River

“Beautifully crafted and marked by incisive wit.”

—Kristine Morris, reviewer, Foreword Reviews

“Stevan Allred’s stunner of a debut novel is a complex portrait of small-town life.”

—Maria Anderson, reviewer, Necessary Fiction

“The most skillfully-woven collection of linked short stories I’ve read to date.”

—Stefanie Freele, reviewer, Late Night Library

“For years I’ve been teaching Flannery O’Connor and Eudora Welty in my Literature of the South class and didn’t think there was a short story writer who held up next to these two. Well, finishing A Simplified Map, I put Stevan Allred with them.”

—Michael Strelow, author of The Greening of Ben Brown

“This island of the dead is more active than a lot of retirement communities. Richly conceived, enjoyable, and a treat for readers of myths and legends.”

Kirkus Reviews

“The talented and erudite...


Marketing Plan

• Blackstone Publishing audiobook due out on pub date narrated by the author

• Distribution of early galleys to media outlets, reviewers, bloggers, magazines, and key booksellers and librarians

• Advertising: SIBA, PNBA holiday catalog, and Booktrib

• Pacific Northwest tour with a focus on bookstores, libraries, local reading series

• Bookseller outreach, including PNBA holiday catalog, PNBA appearance, advance promotion while marketing for Blackstone’s audiobook, and galley mailings to booksellers who have enjoyed other titles

• Extensive librarian outreach in Oregon with personalized letters, donated copies of author’s first book, A Simplified Map of the Real World, plus postcards announcing Alehouse and the new Simplified Map audiobook released by Blackstone in Feb. 2018

• Author interviews: radio, TV, print, and online venues

• Reviews targeting Publishers Weekly, Kirkus, Library Journal, Booklist, The Bookforum, O Magazine, People 

• Book club outreach 

• Regional coverage targeting Portland-area media, including the Oregonian, Portland Mercury, Portland Monthly, Portland Tribune, Eugene Register-Guard, Willamette Week, KBOO’s “Between the Covers” 

• NetGalley, Edelweiss, and Goodreads ARC giveaways

• Social media including blog appearances, excerpts, Twitter, Facebook, and honing a strategy with Forest Avenue’s social media strategist

• Promotions on author's website, stevanallred.com

• Blackstone Publishing audiobook due out on pub date narrated by the author

• Distribution of early galleys to media outlets, reviewers, bloggers, magazines, and key booksellers and librarians

•...


Available Editions

EDITION Other Format
ISBN 9781942436379
PRICE $17.95 (USD)
PAGES 334

Average rating from 38 members


Featured Reviews

My thanks to Forest Avenue Press for an ARC via NetGalley in exchange for an honest review.

A fisherman receives a letter telling of the death of his lost love and then travels Orpheus-like to the Isle of the Dead to find her. There he encounters a group of avian shape-shifting demigods and a fertility goddess. Adventures follow, including a fair few erotic encounters. There’s also an adversary in the form of a crow, a petty tyrant living up to the crow’s archetypical role of trickster.

While I loved the concept I have to admit that I struggled for a time to engage with the narrative, though this improved as I continued and became more invested in the characters.

I appreciated that Allred was creating a fable or myth-like story combining strands from Eastern and Western traditions with original ideas. Given its structure and the rich descriptions I feel it would have worked better for me as an audiobook. Brought to mind sitting around a (metaphoric) campfire while a storyteller weaves this strange tale.

The cover and illustrations are stunning and there is a rather hallucinatory feel to the story. Early on the delightful frigate bird (my favourite among the bird characters) offers the fisherman some hashish and I felt that summed up the ambiance of the story. Weird, witty and certainly bawdy.

I feel it’s the type of novel that will polarise readers. I tried to weigh up what appealed to me against times I just felt disconnected, so decided on 3 stars. I would suggest potential readers sample it to see if the style is a good fit for them.

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I thought this was an interesting take on the Shakespearean comedy. Readers who are unfamiliar with the difference between a Shakespearean comedy and a modern comedy should know that this book is not going to be funny in the way you’re looking for. Shakespearean comedies pertain more to struggling lovers, love triangles, deception, and reunification. They are light hearted but not necessarily funny. This book has all of the above in spades and I found it highly entertaining.

I also enjoyed the way the author portrayed the afterlife. I’m not going to discuss details so as not to spoil anything but I haven’t seen life after death quite like this before. I’m always interested in new takes on old tropes, there are so many books and movies out there today that are just remakes of an older work or ideas that have already been done to death it’s refreshing to read something that feels new and different.

I will say that it took me a little while to get into the book. I picked it up and put it down a couple of times. The beginning sort of dragged on a little for me. Once you get to the second book things get much more interesting and I found it to be an enjoyable read from there. I will say that there are some sexually explicit scenes so be forewarned if that makes you uncomfortable this may not be the book for you.

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This is a very strange book, well written, and engaging, and beautifully weird. Unfortunately, it's not quite a good fit for our magazine. But thank you very much for letting me check it out. I hope to finish it after I find an appropriate fit to meat the deadline for our magazine, and will definitely review it on goodreads and amazon.

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I thought I'd give this book a read as part of the challenge I set myself to try different genres. I could tell from the back cover that I would have to suspend disbelief...something I usually struggle with!

I found it quite a slow read and I'm not sure if that's because of the storylines or because I was making an effort with a type of novel that isn't really my style.

The story is a tricky one to explain but it centres around a fisherman who wants to be reunited with his deceased partner and travels to the Isle of the Dead to find her. We follow our hero through his trials on the Isle and his interactions with the other characters...all of whom are types of birds. Not ideal for a reader with a bird phobia...

This book did remind me a bit of a cross between Animal Farm and Shakespeare. The Isle is ruled by birds who can shapeshift and are viewed as deities. The power struggles, and how some elements were relatable to every day human behaviour, reminded me of Animal Farm. The romantic storyline however did remind me of Shakespeare, certainly there were elements of 'Much Ado about Nothing' with the plotting and comical scheming amongst the characters.

Overall, I think this is one of those stories that you either love or you don't really get. I think I'm in the latter but can certainly see what others readers may enjoy and would recommend to those who like mythical type storylines.

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There's a lot of world building and creativity in this book even if it sometimes fails to deliver.
i loved the concept, the characters and it was like travelling in a fantastic surrealistic world.
It was fun to read and entertaining.
Recommended!
Many thanks to the publisher and Netgalley for this ARC

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‘We are all of us but parts of a pattern not of our own making.’

Stevan Allred’s new book promises much, but does it deliver? This is the story of an unnamed fisherman who learns of his wife’s death and sets off to the Isle of the Dead to find her soul and bring her home. Here be shape-shifting bird deities, a usurping Crow who acts as despot, and as the tale develops we are bombarded by any amount of myths and allusions which direct the action. Eastern and Western mythologies combine: we have a ‘pilgrim’ descending into an underworld, tales of creation, goddesses, Edenic existence and a ‘fall’, a war to rival Milton’s War in Heaven or Tolkien’s great battle scenes… Into all of this mix Allred throws humorous footnotes and bawdy – even explicit – sexual encounters.

Does it all work? I’m so far out of my comfort zone with a book like this – it is not what I usually read, but isn’t it good to try something different? If you like fantasy novels I can see this appealing to you – although some reviews I have read said people were expecting a world like Terry Pratchett’s but were disappointed. There are plenty of references to other literatures and philosophies that it can be quite rewarding to recognise some as they come along. But, as a whole, I was left wondering if it all amounted to more or less of the sum of the parts and, to be honest, I thought it was OK, but just OK. I didn’t care enough for the central characters of the fisherman and his wife, and while it could be read as a novel reflecting some issues of our turbulent times I felt that the author perhaps tried too hard to throw everything but the kitchen sink to make his point.

I’m glad I read it, and I would encourage others to do so, but I can only rate it 3 stars I think, given my reservations.

(With thanks to the publisher and to NetGalley for an ARC in return for an honest and unbiased review.)

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The premise of this novel immediately caught my attention on first inspection. It’s fable-esque narrative quickly turned out to appear rather academic in a sense I cannot explain beyond this. Mythology is an incredibly interesting topic for me but I feel as though this novel lacked the pace to keep me involved for very long. Very unfortunate but as I say, the premise is excellent, it just was not for me in the end.

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