I Am Lemonade Lucy!

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Pub Date 09 May 2019 | Archive Date 30 May 2019

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Description

Azza Amari, a headstrong, hijab-wearing international student flees her dangerous life in the Paris ghetto to enroll at staid Northwestern Ohio State College. As the twentysomething refugee navigates her way among the commuter school’s working-class environs in tiny Fremont, Ohio, Azza comes into the orbit of 17-year-old Kip Beckelhymer, a precocious, history-obsessed senior trying to win back the love of Birdie Hudgins, his mercurial high-school sweetheart. Together, Kip and Azza discover an extraordinary kinship. All the while, the conservative hamlet—and especially Birdie—struggles to come to grips with what seems like the whole of the Islamic world having intruded into their workaday lives. Things come to a head when Kip and Azza find themselves on an unusual treasure hunt. Their whimsical search takes on deadly serious overtones as the strange duo inadvertently finds themselves peeling back the corrosive layers of cowardice and hate that linger just below the surface of their society in the Heartland.

Azza Amari, a headstrong, hijab-wearing international student flees her dangerous life in the Paris ghetto to enroll at staid Northwestern Ohio State College. As the twentysomething refugee navigates...


Advance Praise

“…delivers a fast-paced, energetic tale resonating with today’s most troubling and important issues.” –KIRKUS REVIEWS

“Readers looking for an amusing diversion with some serious heart to it will find that I AM LEMONADE LUCY! fits the bill nicely.” –IndieReader

“…a compelling and provocative tale, infused with humor, suspense, friendship, and, ultimately, hope.” –Jack Ford, Emmy and Peabody Award-winning journalist and author of Chariot on the Mountain

“Womack pens a driving tale that explores the pervasive xenophobia that threatens to divide our melting pot of a country while offering a whimsical mystery on the side to keep things from getting too serious.” —Mike Farragher, author of 9 Rooms in Ballyglunin

“…delivers a fast-paced, energetic tale resonating with today’s most troubling and important issues.” –KIRKUS REVIEWS

“Readers looking for an amusing diversion with some serious heart to it will...


Available Editions

EDITION Ebook
ISBN 9781684332649
PRICE $6.99 (USD)

Average rating from 8 members


Featured Reviews

This is one of those sorts of books where the pitch probably sounded fantastic. And, I admit, that the though of a young Muslim woman, in the midwest, where she was the only one, in an all white college founded like a good fish out of water. Throw in a quirky museum to Rutherford B. Hayes, and yeah, it could totally work.

But there was this annoying bit, that the voice of Azza didn't sound quite right. Perhaps I have read too many books written by Muslim women. Perhaps I have read too many books written by women in general, but no, this did not feel quite like the book that I wanted to read, and yet, I persisted, because like a train wreck, I wanted to see how it would turn out.

And oh, there were times that if it hadn't been on a computer, I would have thrown this book across the room. There were things that were said that made no sense.

For example, the secondary character is a 17 year old boy, who knows Rutheford B Hayes history to a "T'. He is a bit of a loner, because of that. But even if you were into presidential history, you still had to interact in the present.

So, why, for example, would Kip have this observation about his teacher.
<blockquote>Miss Pearson, a homely spinster, who invariably smelled of mothballs, as possible</blockquote>

First, what teenage boy would know what mothballs smelled like, in this day and age, and what teenage boy would refer to his teacher as a spinster? When I saw that, I actually wrote in my notes "Really? Really? You are writing this in the 21st Century?"

Another oddity was when Azza was interviewing an Elder Native American woman who was topless, but this is how she described it:
<blockquote>And she was topless, Azza was loath to discover, with her wrinkled brown dugs hanging right out in the open for anyone to see </blockquote>

Really? Dugs? I wrote at the time. "Odd language for someon who knows English as a third language. I have never even used this expression." And why would Azza, a woman, think it odd, or unnatural to see someone topless?

There are more things, other things, that bothered me. Such as when Azza's hijab is stolen and Kip suddenly finds her beautiful, rather like removing the glasses from the libarian. Sheesh. Give me a break.

It was these little things that bothered me the most.It is hard to recommend a book that has these flaws, that to me, as a woman, are obvious, never mind if a Muslim woman were to read this, and probably have a WTF moment.

The story was ok. The ending ok.

Thanks to Netgalley for making this book available for an honest review.

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Thanks to Black Rose Writing, Kenneth Womack, and Netgalley for making I am Lemonade Lucy! available for a honest review.

Summary:
Lured by promises of a “full college experience” by a shady recruiter, Azza leaves Paris and arrives in Fremont, Ohio, home of Northwestern Ohio State College and the Rutherford B. Hayes museum. Her arrival (and her hijab) causes a stir in the small town. Because the college is a commuter school–the recruiter lied–the college houses her in a local motel and high school senior Kip drives her to and from the school.

Kip’s a bit . . . obsessed . . . with Rutherford B. Hayes. He spouts random RBH factoids at all the wrong moments to everyone from Ryan, his best friend, and Birdie, the girlfriend who dumped him (but he won’t admit it), to Azza and Colby, the new docent at the RBH museum, the only person who can top his knowledge of all things Hayes-related. The museum is run by the eccentric Fletch. Kip’s been on the board since 8th grade.

Then a crisis hits: former First Lady Lucy Hayes’ plaster of Paris pear has disappeared. An audit is coming up and, fearing that the board will use this as an excuse to shut down the struggling museum, Fletch begs Kip’s help in finding the lost pear.

You can guess what happens: Kip and Azza team up to find the pear (among other things that have mysteriously disappeared from the museum). Together with Ryan and Colby, they search. But their search reveals the prejudices lying beneath the surface of their tranquil little town.

(Note: In case you didn’t know and because Kip isn’t here to tell you this, “Lemonade Lucy” was the former First Lady’s nickname because she and the POTUS didn’t serve alcohol in the White House.)

My thoughts:
I have mixed feelings about this book. It’s always difficult for me to read a humorous book (or book intended to be humorous) because 95% of the time, I don’t find the book funny. But I did find parts of I am Lemonade Lucy! humorous.

A few things that didn’t work for me:
1. Azza & the portrayal of Islam
I like her. I think the author likes her. But how would a Muslim woman view her? As I read, I felt uneasy, questioning whether a Muslim would find this interpretation accurate, offensive, or somewhere in between.

For example, on her first day of school, Azza arranges her hijab to copy the “College Girl Look” found in a photo in a Muslim fashion magazine. The reader knows that absolutely no one in this rural midwestern town will notice how she wears the hijab, only that she is wearing one. They certainly won’t notice that her hijab is arranged differently than it was when she registered for classes. It’s dramatic irony. But could it be seen as making fun of her and the hijab?

Not being Muslim, it’s impossible for me to know this. Different Muslims would have different interpretations of these parts of the book, I’m sure.

2. Birdie-Kip romance
Birdie has dumped Kip at the beginning of chapter 2, but he’s in denial about this. As the novel progresses, Birdie becomes increasingly nasty. Really, she was a nasty, hateful person to begin with, but Kip just didn’t see it. I couldn’t stand her. She seems one-dimensional. I hear her name and all I hear is her screaming “Zero fucks” at Azza. Why did Kip ever find her attractive? Even his BFF doesn’t know.

3. The mystery
This is categorized on Netgalley as a mystery/thriller and women’s fiction. I don’t think this should’ve been categorized as a mystery/thriller. Sure, what happened to Mrs. Hayes’ plaster of Paris pear is puzzling for the characters, but it’s not compelling. It provides a little suspense, a little puzzle-solving, for this women’s novel and helps move the plot along and bring certain characters together, but that’s not a real mystery novel.

There’s a second “thriller” aspect that seems out of place in the book. Without spoiling this plot twist, let’s just say that the mostly light-hearted tone of the narration conflicts with a violent and dead-serious plot turn late in the book. It does, however, provide a moment of self-sacrifice and bravery.

What DID work for me:
1. The strong opening.
Azza brings her four-year tuition (in cash!) to the commuter school’s Registrar’s office, flustering all the registration staff. The narrator’s voice is great here: sympathetic, wry, slightly sad. The staff members are grey-haired ladies who have never encountered a student like Azza before. A hijab! A bag of cash! Oh my! And she thinks she’ll get tuition and board (at a commuter school) and a meal plan. They have no idea what to do.

Womack writes, "If they could have seen Azza beyond the hijab–if they had taken in the emotional contours of her face–those formidable women who comprised the grey-haired staff (they preferred to think of themselves as mature) would have glimpsed the fear in their most unexpected visitor’s eyes . . ." (chapter one)

The opening does multiple things. It shows Azza’s determination tinged with fear. It shows the quandary of what to do with a student who has been recruited with lies. It shows how people in this small town react to the presence of a Muslim. Also, it sets up the conflict that will continue throughout the novel.

2. Kip’s obsession with Rutherford B. Hayes
It’s just so odd, and it’s the oddity that works for me. Kip thinks that Azza is eccentric, though he doesn’t see his own eccentricities. How many teens geek out over Rutherford B. Hayes? Then again, how many teens even know who RBH is? And how fortuitous: just when his ex turns out to be a horrible person, he meets a terrific like-minded RBH fan who wants him to woo her.

3. The small town setting
I haven’t lived in a small town, but I’ve been in enough similar settings (churches, schools, college) that this portrayal of a small town rings true.

There are other things that worked for me, too. Overall, I think this is a good book. I enjoyed parts of it more than others, and I definitely enjoyed Womack’s voice as a writer. I would read other books by him.

4 stars.

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I'm not sure how to review this book, and that's a good thing. It doesn't fall into a neat, predetermined category. I wasn't ever sure exactly where it was going -- it kept catching me off guard. It's one that you have to read while actively engaged. The characters are endearing and the plot is unpredictable. Very enjoyable read.

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Great read. The author wrote a story that was interesting and moved at a pace that kept me engaged. The characters were easy to invest in.

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*Thanks to NetGalley and Black Rose Writing for providing this ARC in exchange for an honest review.* I expected to like this book a lot more than I did. The story of a young, hijab-wearing Muslim woman, Azza, coming to the heartlands of the US from Tunisia via Paris to study to be a chemical engineer. What is there not to like? There were certainly elements of the book I really enjoyed, such as the random snippets of history and the limited insight that we were given into Azza's world. However, I think too much of the plot was taken up on the hunt for an elusive figurine taken from the museum. I felt this detracted a little bit from the main story. However, I am older than the intended audience, so for teenagers, this book might hit the mark.

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This is a very good read. Loved the writing style very much so easy to begin. I definitely could recommend this to others.

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