The Mercies

Norway 1617, the town of Vardo. Maren Bergensdatter and Diinna are just two of the women who have made their way through the slashing rain to the edge of their island to watch a terrible, colossal storm raining down havoc and destruction on the little fishing fleet caught in the middle of it.

Maren and the other women are not aware of the consequences that this storm is going to have on the lives of their island town. As the storm subsides, the women observe the detritus rolling in towards them on the waves.

“The women of Vardo gather at the scooped-out edge of their island, and though some are still shouting, Maren’s ears ring with silence. Before her, the harbour is wiped smooth as a mirror. Her Jaw is caught on the hinges of itself, her tongue dripping blood warm down her chin. Her needle is threaded in the web between her thumb and forefinger, the wound a neat circle of pink. As she watches, a final flash of lightning illuminates the hatefully still sea, and from its blackness rise oars and rudders and a full mast with gently stowed sails, like underwater forests uprooted. Of their men, there is no sign.

The women of Vardo don’t know it yet but every man of the fishing fleet has drowned, including Maren’s father and brother. Her brother was Diinna’s husband and his loss is felt by both women.

There used to be fifty-three males living in the town, now there are thirteen. Two are merely babies, three are elders, and the rest are young boys who were too young to be out with the fleet.

Superstition is rife. The women start looking for answers as to what caused this tragedy. The storm abnormally strong and swift. They talk of signs that suggested this was going to happen, a tern, a whale swimming upside down, signs that the women should have noticed. The devil himself is blamed for the storm and the loss of their men.

Then the talk inevitably turns to leaving. The women have relations and family in other towns. Serious talk and consideration bandied about of leaving to the larger cities of Varanger and Tromso. Cities a good distance away. It is finally decided that they will wait for word from Kiberg, which they expect will arrive by boat now the storm has dispersed.

Diinna is of the indigenous Sami people. Charms, talking to spirits to appease the weather, vital for a fishing population, is simply their way of life. Maren’s father was a noaidi, a shaman, a mystic. Many from the town would come to him for charms and trinkets, protection from the sea and foul weather. However, King Christian IV is a strict Lutheran and times have changed, and laws have been brought in by the church banning such acts, although the pastor would normally let such things pass, turning away as if not noticing. Christianity has taken hold here and there is bad blood between the Christians and the Sami, who they consider pagans that follow the old ways.

The narrative now jumps to 1619, Bergen, which is in the southwest of Norway, almost as far away from Vardo, which is way up in the north, as you can get. Ursa has no choice in the husband she is to marry, she does not even get to see him before her father has agreed happily to the marriage. Commissioner Absalom Cornet has come all the way from Scotland and his marriage proposal is a simple sentence uttered to Ursa and her father, “I am in need of a wife”. Commissioner Cornet has been sent from Scotland under the orders of Lensmann Cunningham to ostensibly stamp out all heathen presence and activity from Vardo. Ursa’s father is, if not euphoric, then ecstatic, that his daughter will be marrying a man in such a prestigious position. Ursa’s feelings, well they hardly matter do they.
When the Commissioner leaves Ursa watches him from an upstairs window and thinks,

“Absalom Cornet. It sounds less like a prayer, and more like a knell.”

Ursa has no idea how prescient this thought will turn out to be.

Absalom and Ursa set sail for Vardo, where Lensmann Cunningham will meet up with them.

On the long sea voyage to Vardo, Ursa comes to see her husband’s true side and realises that she is trapped with no chance of escape. Upon overhearing her talking to the captain in Norwegian, Absalom becomes quite angry with her, he then asks the captain of the ship to teach him Norwegian.

“Ursa feels a noose slip about her neck. Soon she will have nowhere to hide, not even her mother tongue. She excuses herself early, leaves them talking in the lamplight. She feels, once again, quite alone.”

When the ship finally pulls into Vardo the women are all there to witness the arrival. Maren thinks that the last time all the women were gathered here together like this was the night of the storm, the night they lost the men.

It is Maren who runs back to get Ursa a coat when they make land and an instant connection is formed between the two as Ursa thanks her.

There is an almost ominous feeling shrouding over this initial landing, and the weather, as if in agreement starts to rain.

A little later, when Absalom publicly addresses the women, he tells them that, “Too long you have been left here without guidance. I am here to offer it, and I must ask you to be vigilant.”

A dramatic statement that has a forbidding feeling attached to it.

It does not take long for Maren to realise that Ursa is floundering in this new way of life and has no idea about the things that the women of Vardo find basic and rudimental. Marlen takes it upon herself to help Ursa, and a strong bond of friendship is formed between the two.

These two characters who come from the two extreme ends of their country, come from lives that are universes apart, become closer and closer as each day passes. Are their feelings passing over the line of friendship? What will happen if Absalom finds out?

Then the Lensmann, who Absalom has been waiting for finally arrives, and the true, horrible purpose of Absalom’s appointment to Vardo becomes painfully clear!

To think that this book is based on a real event and real characters is chilling but not surprising. We have inflicted horror upon horror upon ourselves throughout our brief history. Looking at the world today, I would like to think we have moved forwards a little. We certainly don’t burn “witches” at the stake anymore, but do we tolerate beliefs that are not our own? Do we persecute those who choose a different faith? A different style of life? Will we ever truly change?

This wonderful novel will be published by Little Brown and Company in February 2020. Thankyou to them and Netgally for the ARC.

It is a small world. Just 4 weeks ago I was in Vardo which is the scene of this most impressive novel which is based around the true events of a mighty storm that killed 40 men, the persecution of the Sami people and the infamous witches' trials of the early 17th century. There is a strange isolated but beautiful set of memorials at Vardo that pays tribute to the women murdered by the religious fervour, bigotry and fear of the time. The old fort which was the scene of the trials still is manned and is an eerie reminder of the history of Finnmark.
The book uses sparse and bleak language to capture the mood of the women of Vardo, their isolation and domination by men and religion. It also tells of how a tribe of fanatics formed under the newly arrived Commissioner sent to purify the town of its evil. To balance the bleakness of the story, there is a love story between the young Maren and the Commissioner's wife which adds some hope but is shrouded by the dominating and demented Commissioner.
Part The Handmaid's Tale, part Burial Rites but uniquely different this is one of my faves of 2019. My thanks to NetGalley for a chance to review and to https://www.goodreads.com/user/show/8... for his review which introduced me to this book.

Thank you so much to Pan Macmillan for providing me with a copy of The Mercies, via Netgalley in exchange for an honest review!



Sometimes, because I read so many books, I feel like nothing much is unique any more, that I’m reading the same old thing over and over. The Mercies was NOT one of those books. Dark, atmospheric and utterly unique, this is a story hard to put into any box.

Set in Finmark in Northern Norway, a tiny town is thrown into chaos when a freak storm takes the lives of almost all the men on the island. As the women try to fend for themselves, even taking on tasks not permitted for women, such as fishing, the town starts to divide. Absolom is sent to the town upon rumours of the storm being an act of witchcraft. Having already been involved in recent witchcraft trials, he is determined to rid the small town of evil. Once the newcomers arrive, accusations of witchcraft begin to take over the town and only a select few women, Absolom’s new wife included, are willing to try and restore calm.

The Mercies was both a slow burn and a frantic book. Although the writing was beautiful and descriptive, leading us on a haunting journey through the desperate times of the villagers, it was also thrilling and had my heart in my throat on more than one occasion.

I’d highly recommend picking this one up!

4.5 stars

Thank you to Netgalley and Pan Macmillan Australia for approving a free kindle version of this book to read. This book is out next week!

In 1617 in Vardø, Norway a huge storm arrives suddenly and viciously wiping out all of the menfolk in the small fishing community. All of the women are left to fend for themselves and must find a way to survive.

Three years later, Scotsman Absalom arrives with his Norwegian wife Ursula with an agenda to continue with his mission to rid the world of evil and ensure that witches are sent to trial and burned. On arriving, they discover a community of independent strong women who are suddenly now more vulnerable with a man around who is determined to find evil amongst them.

This book is inspired by true events - the storm and witch trials actually did take place in Vardø during those years and this is a very dark and atmospheric book that will make you feel uneasy the whole way through.

Although I didn’t particularly like many of the characters in this book, (with the exception of Kirsten) it didn’t detract from my enjoyment of the book....if you can call such a dark and tense tale enjoyment! It’s not that the characters are flat or dull, but let’s just say that there can be some interesting interactions between a community of only women and added to that the ‘evil’ lurking.

I thought this was an excellent story and I haven’t read a book that made me feel so uneasy and full of dread for quite a while. Definitely a worthwhile read. ⭐️⭐️⭐️⭐️.5/5 from me!

In the 1600s in Norway, back when magic was believed and feared yet relied upon in their hours of darkest need, there was a little fishing town who lost everything when forty men perish in the sea when a sudden storm overtakes them. The community are shattered, losing their husbands, fathers, brothers, in one night and are left with nothing but their grief and a lack of a way forward. 

Maren is our main character. In the storm she lost her father, older brother, and the man she was set to marry (however she may have felt about that at the time), and is left with her mother and sister in law. The sister in law isn't from around their parts, and is treated with suspicion at times when it comes to matters of the unnatural (her own father was a respected shaman), but women in the community have still gone to her for help falling pregnant, and the like. 

Absalom is a man who comes to their small town years later, and is determined to bring religion and the fear of God into them. His main goal is to rid the land of those who follow the old ways, such as Maren's sister-in-law's shaman beliefs and rituals. With him he brings his new wife, Ursa. She fears yet respects her husband, but is also drawn to Maren who is likewise drawn to her.

This novel explores the place a woman has in the world - where sometimes they may have to step up to save their community from starvation but also be looked down upon for not keeping in their 'proper' place as a woman should. Also, their worth to their family; having to wed another to save their family financially. Mostly, fear. The setting of the harsh ice land brings this into sharp resolve as it perfectly sets the reader into the understanding of just how trapped they are there in all senses of the word. 

Very bleak and absolutely gorgeous, and I loved Maren and Ursa's story. Hoorah for more queer historical fiction on our shelves.

The Mercies is a historical fiction novel from Kiran Millwood Hargrave, an award winning poet, playwright, and children’s author.

As Hargrave explains in a note, The Mercies is inspired by historical fact. In 1618 King Christian began a crusade to convert his subjects to his own religious persuasion and employed an enforcer to expose non-believers, particularly amongst the indigenous Sámi in Finnmark (Northern Norway). In all, fourteen Sámi men were executed, accused of sorcerery, but the Lensmann wasn’t satisfied with his remit, and over the next few years he was responsible for the trial, and execution of, 77 Norwegian women named as witches.

Hargrave begins her story in 1617 as a freak midwinter storm hits Vardø, Norway’s north-easternmost point, leaving the women of the island devastated as their fathers, brothers, husbands, and sons perish in the vicious squall. As the bodies of their men, dragged from the sea, lay shrouded awaiting spring’s arrival for burial, the womenfolk grieve, but once they are laid to rest they must confront their need for survival. Defying convention a small group take up the menfolk’s duties, among them twenty year old Maren Bergensdatter. For nearly three years the village manages in this way, led by Kirsten Sørensdatter, who also lost her husband.

The author skilfully evokes the isolated and harsh environment of Vardø, with its subarctic climate where the land is frozen solid during winter, and summer brings the midnight sun. The conditions in which the villagers live are generally basic, entire families live in one room huts, with fish, reindeer meat and potato bread providing the bulk of their diet, relying on infrequent opportunities for trade for additional resources.

All of the community attend church (kirke) weekly, but the beliefs of the indigenous Sámi have a place in the life of many. In the wake of the tragedy, with the absence of someone to blame for their misfortune, some women seek refuge in the teachings of the church, and their righteousness, born in part from the bitterness of grief, begins to divide the community. The arrival of Lensmann Absolom Cornet, an ambitious and pious Scotsman directed by the King to quash the ‘sorcery’ practiced by the Sámi, along with his new bride, Ursula, serves only to deepen the rift.

The Mercies unfolds from the perspectives of Maren and Ursula, both of whom are struggling with the changes in their lives. Maren, who lost her father, brother, and betrothed, must step up to support her widowed mother and pregnant sister-in-law who are consumed by their grief, and play peacemaker as the two women turn on each other. Ursula quickly discovers that her new husband is a prideful and often hateful man, and she is ill prepared for both the duties of a wife and life in Vardø. Despite their differences, the two young women unexpectedly find comfort in each other. Hargrave’s portrayal of their evolving friendship is achingly tender, and a counterpoint to the rising tension in both Ursula’s marriage and Maren’s community.

When it comes, the conclusion of The Mercies is powerful and devastating. Eloquent and beautifully crafted, this is a captivating novel about love, fear, obsession, and evil.

This novel is going to be one of the next big historical fiction titles this year.
Beautifully written prose, harsh and dark atmosphere with a bunch of strong and independent women.
Absolutely loved it and what a gorgeous cover!
Highly recommend this to anyone who likes historical fiction.

A big thank you to Netgalley for providing me with an eARC.

I was really excited when I heard about The Mercies last year, and I was fortunate enough to receive an eARC from the publisher via Netgalley. I wavered a little when trying to decide what to rate it though. On one hand, I think it is an objectively good book. On the other, I didn’t enjoy it very much.

The two things that struck me the most were the world building and the writing. Millwood-Hargrave did a masterful job at transporting me to 17th century Vardø. It felt like I was completely immersed in the lives of the women who lived there. This was both a good thing, and a bad thing. Good, because it takes talent to achieve that. Bad, because I was equal parts bored with the minutiae of every day life, and anxious because of the oppressive atmosphere.

That’s another thing that was done really well. The atmosphere. Since this is a very character driven novel, told alternatively from Maren and Ursa’s perspectives, we get to see events as they unfold through the eyes of two characters who are very aware of the dangers, even if they don’t necessarily know what the exact outcome will be. As the fear, and bigotry amps up, and the accusations start flying, the tension is palpable.

The pacing throughout is quite measured. Then the climax crescendos very quickly, very close to the end, and then boom! The book is over. This seems to be a sort of signature for Millwood-Hargrave, because I had the same feeling of ‘that’s it?’ at the end of The Deathless Girls and The Girl of Ink and Stars.

Speaking of the end, I found it to be a bit unbelievable. I tried to do some of my own research to corroborate the story that was told, but my success was limited. This is why I don’t read a lot of historical fiction. I want everything to be factual, and to have references, and primary sources. Which is what non-fiction is.

In the end, I realised that this is an intensely psychological novel. There’s a plot, to be sure, but it is ultimately a meditation on womens’ survival, in so many different senses of the word. It is less concerned with historical accuracy, and more concerned with exploring the different ways women overcome.

After the storm takes the lives of every able-bodied adult male in their village, the women cling to each other and eke out a life on their own. They continue to do what is necessary to survive, even while they grieve. They cling to their faith and beliefs, in both Christianity and older traditions, to give them strength. Some choose to wield their faith like a weapon, lashing out at others for their pain and loss.

Others choose more practical outlets. Kirsten is most representative of all of these things- she chooses to wear trousers, she takes on a leadership role, she convinces the women to go out fishing, and she slaughters animals for the meat and hides. All socially acceptable – if you are a man.

Even Ursa, who is from the city of Bergen, is a survivor. She travels far from home, with a man she doesn’t know but to whom she is wed. She survives the journey, and she survives the realities of being a wife, with all that entails.

There are some pretty graphic scenes in this book- spousal rape, domestic violence, murder, violence- so that’s something to be aware of going in.

While I didn’t really enjoy The Mercies per se, I thought it was a compelling read. I found it hard to put down, even when I didn’t like what I was reading. I think it was well written, and it’s has some really thought-provoking themes.

The Mercies ended up being more than I expected. I was confused at the very beginning, but it only took a few chapters to realise what was happening. I decided to pick up the audiobook to read along with the physical book and wow, I'm so glad I did. There is no way my Australian accent could ever do this story any justice. The audiobook made the experience so compelling.

I found myself completely engrossed in the story, I don't usually like listening in the car but I HAD to! I NEEDED to know what was going to happen next. I was completely captivated. 

The characters were well constructed and I found myself invested in the characters and forming strong opinions on others. 

 

Overall I gave this book a 4.5 out of 5 stars.

Throughout the island fishing village of Vardø, the women grieve for their husbands, their sons and their fathers as the weather churned the ocean, the fishermen losing their lives. The women of Vardø gathered their deceased loved ones, waiting until the season thawed the hardest terrain and farewelled those captured by the ocean as a man arrives on the Norwegian island. A man of the church to guide the female community spiritually and morally.

Maren Magnusdatter has lost her father, her betrothed and her brother, a newlywed young man expecting his first child. To survive, the women must become self reliant and although the newly appointed Christian Pastor believes it to be improper, food is scarce and the women, more than capable, embrace the role of hunters and gatherers.

The Mercies is based on an event that occurred during the early seventeenth century. A storm decimated Finnmark, forty men lost their lives in Vardø where it is said that the sky and sea merged to drown ten fishing vessels, resulting in the now infamous Vardøhus witch trials and genocide of Indigenous Sámi communities.

Maren is a formidable young woman, intelligent and resilient. Since the storm claimed the lives of the men of Vardø, including her father, brother and her betrothed, the atmosphere within the small coastal village is precarious, women who place their faith in Christianity and those who are tenaciously pursuing their independence. Neither mutually exclusive. The Christian women of Vardø are relying upon the Pastor and Lensmann Absolom Cornet, a Scotsman on behalf of the Monarchy instilled to ensure Christian values are being adhered and practised. The brutality and violence against women is confrontational, women are expected to marry and bear children, serve their community and attend church services. The Lensmann appointment has reverberated throughout the village, creating fissures within the community. On his journey to the small fishing village, Lensmann Cornet married Ursula, a dispirited young woman who reluctantly abandoned her family, her once privileged life and stately home for a small homestead on the island.

The tentative companionship of Maren and Ursula is tender and beautiful, Ursula enlisting the guidance of Maren to learn the customs of the Vardø community and tending to her home. As the Lensmann travelled under his appointment of the monarch, Ursula and Maren begun to depend on one another. Although Maren was betrothed to the young son of a village fishermen, she is attracted to women, preferring their company. Especially Ursula.

Maren's mother is becoming increasingly volatile, choosing the company of the Christian townswomen and isolating Diina and her grandson. Diina's shamanic faith victimising the young mother still grieving for her husband. The courage and fortitude of the women of Vardø is inspirational, especially Kirsten Sorensdatter, trouser wearer and reindeer caretaker. Kirsten's independence reverberates in whispers throughout the village, those who disobey the Lensmann and refuse to follow the teachings of Christianity are branded as witches, held responsible for the storm. The women guided by Kirsten didn't survive, they thrived until the Lensmann arrived.

The Mercies is a narrative of quiet feminism and the fortitude of woman. The women of Vardø refusing to yield as they are sentenced to death by those shielding behind their faith. Women who refuse to adhere to Christianity and traditional female roles of caregivers, wives and homemakers are branded and sentenced. A remarkable story and beautifully told, The Mercies is unequivocally breathtaking.

The Mercies was an incredible book. I had not heard of the storm or the witch trials in Vardø before now and to learn about it in such an intimate way was astounding. Hargrave wrote an absolutely beautiful yet haunting book that has left me horrified at the atrocities of witch trials and filled with rage at the injustice.

Hargrave's writing drew me into the world of Vardø, of the women living there, their culture, and of the men who tore them apart. The pace of the book was very well suited and slowly increased the tension between the women and newcomers in Vardø before ending swiftly with the crux of the story. The ending was absolutely devastating and I wished to continue the journey of the main characters and the consequence of the trials on all who lived in Vardø.

I absolutely loved this book and highly recommend it to those who enjoy books inspired by real historical events.

The Mercies by Kiran Millwood Hargrave is a compelling work of historical fiction. I was immediately drawn to this book by the gorgeous front cover. The description promised a fascinating and gripping read and I was not disappointed.
That the story is based around real historical events is of particular interest. My knowledge of Norweigan history is limited to Norse mythology (from a very English perspective). I had some idea of how the Sami have been treated but did not know much more. I’d never heard of the Vardø storm and wasn’t aware witch trials occurred in Norway (although I probably should have guessed). The Mercies did a really good job of bringing this period to life; I was absolutely transported to 17th century Norway. Both Vardø and Bergen felt very real. I have recently visited Bergen so was able to visualise, but the sense of place for both cities was very strong for me as a reader.
Kiran Millwood Hargrave is remarkably skilled in descriptive narrative and clearly did meticulous research for the book. From the first page, the reader is sucked into a richly detailed story compassing the vast Norwegian landscape to the minutiae of housekeeping. The details do not burden the narrative, rather they support the plot to develop a story with an extraordinary atmosphere.
This atmosphere is quite heavy, oppressive even, drawing strongly on the Norwegian landscape and the brutally beautiful power of the sea. The women living in the isolation of Vardø, and their reliance on the environment highlights the power of the men who arrive seeking to tame both them and the place they live.
The details contribute to the sense of oppression as they are built into the story, as well as cultivating a deep sense of the characters. The story is told from the perspectives of Maren and Ursa, but the depth of characterisation extends to the rest of the characters. The women of the village are a rich tapestry of characters. Each is grappling with abrupt changes, the challenges of survival and incredible grief; dealing with this in different, often damaging ways. My favourite character was Kirsten. Her strength and practical attitude were very appealing, and I liked her friendship with Maren. The relationship between Maren and Ursa was integrated into the story effectively, particularly how it built from their friendship, and though the conclusion of the story was somewhat unexpected, I thought it worked really well.
There were a lot of layers to the story. Careful to avoid spoilers, I will simply add that it uses a historical moment to explore friendship, love, community and society, and power, particularly patriarchal power. Overall, The Mercies is a beautifully written story with haunting settings and complex characters.

Being a bit of a history buff I knew about James VI hatred of witchcraft and the result of this suspicion being the subjugation and torture of women, particularly in Scotland and England in the 16th and 17th century. I had no idea that it reached as far north as Norway and Finmark. Based on true events, the book tells the story of a community of women on a small island lose all of their menfolk in a freak storm and have to learn to fend for themselves. Although there is a limited presence of the native Sami people in the area they share knowledge and experience to survive in harsh conditions, staving off starvation while trying to overcome their grief.
When the new Commissioner comes to live in the community with his new wife the community is divided. Some try to curry favour and others court danger by flaunting their independence. A woman's role in society is clear and in these superstitious times, it's a crime to be self-sufficient. Soon talk of witchcraft turns neighbour against neighbour and sister against sister.
At the centre of the story are two women, one local and one brought from Norway by her husband. Together they face the harsh realities of the landscape and the times. This is a very quiet book - the style of writing is subtle and moving. A beautiful read.

I had issues downloading this book from netgalley.com earlier on in the year so ended up listening to the audiobook. I usually really enjoy historical fiction but I didn't completely love this book. I enjoyed the setting in Norway and finding out about life after the Vardo storm that wiped out the male population. I enjoyed the characters although listening to the audio book I was often confused to whose POV I was listening to. I didn't know anything about witch trials in Europe before this book so I definitely enjoyed reading about these elements. An enjoyable read/listen for anyone who enjoys historical fiction.
3 1/2 stars