Anybody Home?
by Michael J. Seidlinger
This title was previously available on NetGalley and is now archived.
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Pub Date Aug 16 2022 | Archive Date Aug 31 2022
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Description
What came first, the home or the desire to invade?
A seasoned invader with multiple home invasions under their belt recounts their dark victories while offering tutelage to a new generation of ambitious home invaders eager to make their mark on the annals of criminal history. From initial canvasing to home entry, the reader is complicit in every strangling and shattered window. The fear is inescapable.
Examining the sanctuary of the home and one of the horror genre's most
frightening tropes, Anybody Home? points the camera lens onto
the quiet suburbs and its unsuspecting abodes, any of which are potential
stages for an invader ambitious enough to make it the scene of the next big
crime sensation. Who knows? Their performance just might make it to the
silver screen.
A Note From the Publisher
Advance Praise
“Harrowing and tremendously upsetting, Anybody Home? flips the home invasion genre on its head for a new generation of readers. I felt like I was reading something I shouldn’t have been reading. You’ll be checking your locks regularly after reading this nasty little morsel.” —Eric LaRocca, author of Things Have Gotten Worse Since We Last Spoke
“In Anybody Home?, Michael J. Seidlinger so masterfully crafts an atmosphere of pure terror that it had me checking to make sure my front door was locked, for fear of home invaders—or maybe Seidlinger himself.” —Rob Hart, author of The Paradox Hotel
“An ice cold, deadpan zeitgeist nightmare, Michael J. Seidlinger knows, and shows, that even in a lockdown moment, home is the most dangerous place of all. Watch out. Too late. They’re watching you.”—Kathe Koja, author of Dark Factory
"This addictive deconstruction of home invasion stories is so thorough and chilling, Seidlinger may as well have slammed the door on the entire genre. But beyond the torture and violation, Anybody Home? is a nuanced study of the creative process, exploring what it takes to create art that truly resonates." —BR Yeager, author of Negative Space
"Michael J. Seidlinger is a true innovator. The narrative shards of Anybody Home? cascade over the reader in a collage of troubling, sometimes half-seen images, and the wicked, insinuating, deeply unsettling voice weaves through the back of your mind and crouches in your dreams. A chilling and unforgettable book." —Dan Chaon, author of Sleepwalk
"A bone-chilling, immersive horror novel that explores fear, obsession, voyeurism, and senseless violence. Seidlinger takes an ax to the illusion of suburban safety. Unsettling, unflinching, and unforgettable. Anybody Home? is one of the most terrifying books I've ever read." —Rachel Harrison, author of Cackle and Such Sharp Teeth
Marketing Plan
- Frontlist positioning for previews, reviews & new release round-ups with top trades (PW, Booklist, Kirkus, Library Journal)
- Long-lead PR campaign for reviews, interviews, features/profiles, and excerpt placements with regional & national magazines, newspapers & online
- Pre-release buzz campaign with horror critics & influencer community
- Leveraging author's network of literary influencers, authors, critics, and journalists to organize virtual & in-person events and appearances in NYC and other top U.S. markets around launch
- NetGalley promotion & homepage feature
- Targeted advertising campaigns on Facebook, Goodreads and BookBub
- Pre-order push and release promotion in CLASH Books newsletter and social media
Featured Reviews
Let's talk about entertainment.
Can violence be entertaining? Can horror? Can we make the suffering of others into a self-referential form of enjoyment for consumption? That is the question Anybody Home? raises, and purports to answer. Our narrator is a veteran of home invasions, a proud monster now placing others under their tutelage. Their goal?
To leave a mark. To be remembered as monsters. They are named as "Invader #", barely mattering to the narrator save for the mark this narrator intends to leave through them. They are not human. They are irrelevant in that respect. They are the manifestation of the narrator's will.
Far more dehumanizing are the victims. Victims 1, 2, 3 and 4. People with names, backgrounds, a family reduced to nothing more than a set piece for the entertainment of the monsters. As well as the masses. Never are we allowed to forget of the voyeuristic tone of his novel, where suffering is presented in death and torture.
And we are invited to wonderful how culpable we, the readers are. The novel is a difficult and harrowing one. I cannot say the execution is flawless, but i makes us think, demands a sense of ruthless participation from the audience. Can monsters function without an approving audience? What is the price of entertainment in horror?
The humanization of the victims is all the more terrifying, for we cannot simply enjoy it as they are tormented. The novel turns the reader into a participant in the crime and is all the more affecting for it. There is simply no way out in this, for the victims or the reader. We can stop reading at any time and pretend suburbia is safe, but...
It isn't. Safety is just a set of circumstances we agree upon and can be breached at any time. For such a simple setting, this is harrowing from start to finish. Sometimes, the set pieces can wear too long, draining a touch of suspense, but this is minor to the full execution.
Like Man Bites Dog, The Last Horror Movie and Funny Games, it's referential and smart and leaves no escape.
This is the first book in a long time that’s actually genuinely frightened me.
Anybody Home? Turns you, the reader, into the antagonist. A home intruder learning from a more experienced home intruder tricks of the trade to get away with gruesome crimes. It read like a mix of Funny Games and The Strangers - two of my favorites. The home invasion trope of horror has always terrified me and this one was no different. I couldn’t read this book at night and when I wasn’t reading, I was thinking about this excellent piece of work. I’m completely obsessed with the idea of turning the reader into the villain and I wish I could see that in more books!
I don’t even know how to review this book. It left me wanting to take a shower and Brillo some of the scenes from my mind. It was excellent and kept you wanting to know more, kept you flipping the pages faster and faster. At one point I felt like I had to just get to the end to let those involved be through with the ordeal. I will definitely get a copy of this book and revisit it. I got a copy on NetGalley for review. If you like your books disturbing and keep you up at night wondering if you locked the door and wanting to go and check but then are scared of looking out the windows then this is the book for you.
Home invasion has always been one of my favorite subgenres of horror simply because it is a common real fear that we all experience at some point in our lives.
Have you ever considered how safe you are home? Have you ever felt scared after hearing weird noises in your home? Did you ever think that a stranger could simply break in and change your life forever in a matter of minutes?
This was such a different experience as a reader. The horror in this book felt so real, so close to home. A perfect exploration of a home invasion story that will have you hooked, terrified and disgusted all at the same time.
We follow a group of people that are experts in home invasions and we have the displeasure to follow them in their daily job.
Thank you to NetGalley for giving me an ARC to review.
3 stars!
I was really engaged in the story at first with how this is written. It is literally a guide how to do an home invasion and you as the reader are being some what guided on what to do, how to do something, what to say, what to reply with.
The characters within the story aren’t given any names despite victim 1, victim 2, etc and the invaders are simply known as invader 1, invader 2, etc
It’s a disturbing read as you are given a more deeper and in-depth look into the preparation of a home invasion, the planning, the reasoning, which in this case is just because which what’s makes it terrifying.
Wow. WOW. I posted on social media that I only meant to read the first few pages of Anybody Home? and ended up reading the whole thing over the course of an afternoon... this wasn't hyperbole. AH sucks the reader in and doesn't let go. The premise is queasy and voyeuristic - the reader is party to a conversation between two home invaders, one experienced, one a first-timer, as they plot and then carry out extended surveillance then torture of a typical American suburban family. Seidlinger's refusal to call any of the victims by name (they're Victim #1 and so on) offers the narrative distance needed for the reader to be swept up in this can't-look-away, creep-inducing detailed breakdown of a nightmare - and end up rooting for the invaders even as they sink further into depravity (there's a scene with a drill and an eye which proves particularly memorable, and as for the dazed, hazy grasp which the young daughter has on proceedings, including who's an ally and who isn't... brrr). A chilling commentary on torture-as-entertainment, playful and ghastly all at once. Fantastic.
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