My thanks to NetGalley and Image Comics for an advance copy of this graphic novel that pulls out all the stops in its portrayal of why people like to watch, why people need to experience life through the actions of others, something that make up the lives and after lives of many.

Two genres in books that escaped me completely were romance and true crime. One I didn't believe in and one I didn't care anything about. I had read some books on mob, and famous assassinations, and even collections on crime Ian Fleming, Alfred Hitchcock books and some other titles. However the true crime moniker, the Ann Rule, the Joe Olsen books were of no interest. When I started in bookstores at the ripe old age of 16, I was stunned to see entire sections on True Crime. And honestly they all seemed the same to me, just like romance. As I have become older I am not as judgemental about books as I used to be. True Crime though, is something that I don't get. The books, the numerous podcasts, heck entire streaming services showing documentaries. I don't know if these are signs of the times, or the times have become what we watch. I know there are fans, enough to take true crime cruises, and it is big money. Living vicariously through the lives of the dead, and their murderer is big money, with a fan base that rivals Star Wars. A fan base that might keep watching, even past their own death. Spectators is a graphic novel written by Brian K Vaughan and illustrated by Niko Henrichon which looks at the human love for sex and violence, and how this has shaped us, and how many can't let go, even if given the chance.

Val is waiting for her date in a movie theater sometime after COVID. The theater is pretty empty, and will be even emptier when her date bails on her. Val settles back to relax in her own way, when the sounds of gunfire is heard. A shooter has decided to beat the number of people shot in the Las Vegas shooting and has worked his way through the building, finally killing Val. Val becomes a phantom, meeting other phantoms, many who spend their time watching others. Val is told that anytime she wants she can go to Paradise, or some place different, but Val chooses to wait. Years pass, and New York is a technopolis filled with violence, and/or sex. Val is still a phantom, drawn to extremes in everything. Val meets Sam, a cowboy of a sort, who looks at the world differently, but has his own set of hangups. The two wander the world, watching and talking, as things so from worse, to armageddon-ish.

A dark book that is loaded with everything to titillate the readers, and yet the book asks a lot of questions. Why are readers reading this? Why are we drawn to bad things. What does this mean for us, and what will it lead to. The book is pretty explicit, and yet it really does show how desensitized we have become to many things. Some of the stuff I read I thought about how I hadn't seen that in the real world yet, and wonder when I will. Working retail does that to a person. What I enjoyed were the quiet moments, the talks that Sam and Val had, trying to make sense of the insanity they found themselves in, and realizing it might be more about them then they think. The art is excellent. I can' imagine how long it took to create this book, for Henrichon is an incredibly detailed artist. Numerous pages stand-out, gross, wrong, and yet oddly beautiful. A true melding of art and story.

Not for everyone. Though the questions that Vaughan asks should be. There is a lot here, pages, content, and what it asks of us as readers, and as humans. Another solid work from a team I would wait a long time to see more of.

A woman from the present, the victim of a terrible cinema massacre, enters the afterlife and meets a gun-toting man from the past as they watch all the terrible things happening to the world in the future.
This is provocative, explicitly sexy, and incredibly violent. It examines human voyeurism in a thought-provoking way that made for compelling reading.
Loved the story and loved the art.

Around the present day, a woman bored at the movie theater is murdered by a mad gunman. Years later she is still hanging around New York as a ghost, when she meets another ghost dressed as a cowboy who has been on the other side for decades longer. The two of them decide to travel together to see what they can observe as conditions in the human world deteriorate dramatically.

Brian K. Vaughn and Niko Henrichon have collaborated to create an interesting look at the voyeuristic relationship we have with sex and violence. The centerpiece of the book is the conversations that the pair of ghosts have about their desires, their old lives, the things they have seen since their deaths, and the meaning of it all. But these conversations all take place over Henrichon's gorgeous art, which makes great use of contrasting color and black-and-white imagery. The book is about sex, so there is obviously a lot of it depicted in the book, but for very good reason as the reader is asked why we may want to watch just as much as the central spectating ghosts in the story. A sweet love story full of sex and violence at the end of the world.

Thank you to Image Comics and NetGalley for a copy of Spectators in exchange for an honest review.

Spectators is an interesting mix of smut and extreme situations, in a big way, it's a good story presented in an even better artistic quality.
Thanks to NetGalley and publisher for this advanced reader's copy.

Perfect and everything i expected i had wanted to read this for years so jumped on the chance to pick this up and honored to have been given the chance by netgalley

This one is a bit of a mixed bag. The artwork is stunning throughout, and Vaughan obviously knows how to write a hook, but this did occasionally drag into monologuing and stating the subtext. Still, there are numerous arresting moments in both the story and art, and I will be picking up a copy for myself (though not the school library) when this is available.

OH FFS, I got so wrapped up in the fact that this was glitching in the reader, I didn't realize which Brian it was! I was like "This is really far from Powers" and now that I'm writing this up...okay, okay, I got it now. BKV, not BMB.

This book is alternately horny and horrific, using that juxtaposition to highlight the strangeness that is life. Our main character dies in a mass shooting and becomes a ghost, someone who watches Manhattan like her own private, pornographic television show.

It's fascinating how much this touches on: from film to orgies to murder to what shapes people and what gets them off.

a full circle reader moment as one of my first ever comic books was The Runaways by Brian K Vaughan and it is an honor to be an adult reading his newest graphic novel for adults
100 years in the future, NYC is haunted by ghosts
a voyeuristic woman named Val, who died in present day time, follows live souls as the indulge in the explicit joys of humanity in its darkest moment
meeting a mysterious gun man named Sam, they journey together bearing witness to the decay of humanity and its relentlessness to find solace in obsession, the fine line of watching people live vs living, sexually explicit and gorgeous in this violently beautiful story with a bittersweet ending that will stay with you for a long time

Spectators is indeed about sex and violence, but more specifically, it is a philosophical, political and artistic exploration of our propensity as a human race to be spectators. We largely stand by and watch as the planet dies, we watch sports, we watch movies and other media, including pornography, we party, we engage in sex, as Rome burns. We are passive and largely disengaged from meaningful interaction with each other and the issues that threaten us with extinction.

Religion, Marx said, is the opiate of the people; in other words, it inhibits our political will to revolt against the class system. It’s a means of distracting ourselves from existential crises. Movies, sports, porn, as mcuh as we globally engage them, are similar opiates, though the idea here is complicated.

So Spectators is a dystopian graphic novel. On the very eve of the nuclear destruction of the planet--yes, the bombs have begun to drop--two ghosts--spectators of the living world--a woman who was scrolling porn as she died in a mass shooting, and a cowboy who died of syphilis--muse on what they might like to be their final act, and they decide they want to either view or in some way participate in a (sexual) threesome! So in one sense, the book becomes a kind of quest for that ending.

Clearly, facing the end, others have chosen similar acts; at one point, the two ghosts encounter an orgy, which they watch. And to be clear, this book is about and depicts very explicit acts of sex and violence, though (spoiler alert) it does not celebrate these acts. Well, it’s the nmarvel of Vaughn’s wizardry that we very much like these two, we see a akinship with them, sure, to die copulating might be the best wat to go, and so on, so we are implicated in Vaughan’s critique, but this book is not porn and not gratuitous in the usual sense of the word.

We like these two as in the middle of the apocalypse they swap stories of their favorite movies, including the cowboy’s original viewing of The Great Rain Robbery, but I have to say, if you are a film lover, you love the talk, as does movie maker Vaughan. These films are great art, they are a comforth, they make the world better AND as a form they are a distraction, too! Vaughan gets to have it both ways!

A found this book to be more than ever over-the-top Vaughan, hilarious, outrageous, shocking, and deeply reflective, so I say it is brilliant, and the ending, which I have studied for awhile now, I think is thought-provoking.

Many people--because it so graphic, sexually and violently--have found this book not to be for them, and I get it. Be warned. It is not Saga, it is not Pride of Baghdad or Runaways. This is adult-themed. But ultimately, this book is takes a traditional artistic and literary stand against (mere) escape (great films are never merely escapist, in Vaughan’s view) and isolation and random acts of violence. But embraces love and engagement with the planet most of us know is in freefall crisis but worth saving.

Thank you Image Comics & NetGalley for a chance to read this graphic novel (my first ever)!

This was an quick & entertaining story about sex, violence, voyeurism, and the afterlife; I thought it was very clever. There was a lot more uhhhhh como se dice ✨sexual content✨ than I was expecting (and I was expecting approximately zero going into this), but that's probably on me. I thought the art style was beautiful, it even made the violent scenes interesting to look at.

A graphic novel aimed at the "mature" audience from Brian K Vaughan which has an extremely interesting and unique storyline. Hard to give a summary of the plot without dropping spoilers so I'll just say that our titular "spectators" find themselves in this situation after a random meeting having come from very different times and embark on a bit of a quest to watch a particularly moment while everything around them goes to shit.

I thoroughly enjoyed the story and the artwork was exceptionally good. Well worth the read.

Thanks to the author, publisher and NetGalley for my review copy

We can always count on Eisner Award-winning writer Brian K. Vaughan to deliver something truly unique and thought-provoking. This goes for his latest graphic novel, Spectators, illustrated by Pride of Baghdad artist Niko Henrichon.

Hundreds of years in the future, New York City is haunted by many ghosts, including a voyeuristic woman who died in our present day and a mysterious gun-toting man from the distant past. Normally solo travelers, these two specters meet each other just in time to observe what might be the end of the (living) world.

Vaughan has created some fantastic stories over the years and Spectators is no exception. This unconventional supernatural tale dives into the lives of sex and violence from the point-of-view of the life beyond the grave. While ghostly figures are often imagined as passive onlookers, but it never really crossed my mind on when they are viewing in–are they watching us all have sex? Vaughan answers this in the bold and thought-provoking style he’s known for.

While Spectators doesn't aim to be the most exciting comic on the shelves, it does offer a distinctive experience. Through reflective narration, the story touches on things such as childhood trauma, sexual beginnings and politics. There is also a strong connection to films as the story progresses, a nice connection to spectating. These discussions create a somber yet insightful lens on the fleeting moments that make up our lives. The pacing may feel a bit slow, but it's an intentional choice that allows the story to sink in and take root.

Henrichon puts the graphic in graphic novel with Spectators. Henrichon's exceptional and vivid illustrations bring Vaughan's script to life without holding back. The use of black and white for current time and color for those spectating makes for a visually special comic. The book wastes no time grabbing your attention with a very violent opening sequence, setting the tone for the rest of the story. This is definitely a graphic novel that you might not want to read while sitting in your doctor's waiting room...

Spectators is a bold exploration of a few taboo topics, wrapped up within a supernatural romance. Brian K. Vaughan constructs a slow but powerful tale, while Niko Henrichon injects this story with intense and emotional illustrations. Together, this pair creates a thought-provoking graphic novel that challenges our notions about viewing, living, and, ultimately, being human. Spectators is a truly spectacular graphic novel.

Vaughan does it again! Seriously - I don't think I've ever read something from him that I didn't enjoy. The themes in this one were so relevant to the world we live in today that it was actually a bit unnerving to read and look at the artwork. Plan to go into this one and come out very reflective. There is graphic violence, nudity, and sexual activities - just as a heads up - but I did not find it gratuitous at all, it fed into the overall story and themes well.

Thank you to NetGalley for providing me an ARC of this book for an honest review. All opinions are my own.

This was a gritty, explicit look at the afterlife, from the perspective of the ghosts that don't move on after they die. It brings up many good points about toxic masculinity and the dangers of social media, which I was not expecting, but was pleasantly surprised by. It also asks many questions about voyeurism, human sexuality, and violence, and is thus DEFINITELY not a book suitable for young audiences.

I felt that the ending was a little rushed, but otherwise greatly enjoyed this book, both in its style and content.

Publication date: Sep 23, 2025

Spectators by Brian K. Vaughan is a truly unique read, captivating despite its seemingly simple premise: two ghosts, one a victim of a mass shooting, the other of a bizarre sexual mishap, simply chatting.

The book kicks off with a bang (literally). A woman, bored at the movies, starts scrolling porn and is about to masturbate when a gunman opens fire, killing everyone. Years later, as a ghost, she encounters a cowboy-esque figure, and their unlikely conversation begins.

Their discussions, spanning from childhood traumas and sexual awakenings to politics and favorite movies, offer a somber yet insightful walk through life's fleeting moments. It's a testament to the power of everyday talk, set against the backdrop of humanity's twilight. This out-of-this-world premise largely succeeds due to its focus on the intimate, human connection.

While I found the middle section could occasionally drag, with some conversations feeling like filler, these moments are thankfully infrequent.

Overall, I thoroughly enjoyed Spectators and would highly recommend it to anyone seeking a truly different and thought-provoking reading experience.

Definitely a 'mature' title, and 'newly-friended dead duo try to find a threesome before the world ends' is one of the stranger plotlines I've read, but it certainly kept me going until the end to see how it finished up. More an entertaining story than anything hugely deeper (unless you're particularly drawn to thinking about the afterlife and what we've left behind), it's got all of Brian K Vaughan usual excellent writing, coupled with illustrations that are mostly-excellent. If you don't like your illustrations graphic then I'd avoid this because it has them in abundance and they really don't hold back at any point, but if you're happy with a bit of erotic fun then you'll be just fine.

The cover and description really piqued my interest when I saw this one. But I really underestimated how graphic this one was going to be. Younger me would’ve absolutely loved the raw and unfiltered exploration of the baser aspects of humanity. Present-day me also loved it.

Spoilers and some mentions of mature content ahead!

What I liked:
The story opens with Val, a forty-something single woman who’s waiting for her date in a movie theatre. Unfortunately for her, her date won’t be able to make it. From context, you can tell that she wasn’t really there to watch the film; she just wanted to fool around. But, since she’s left alone and hanging, she doesn’t hesitate to pull out her phone and visit an adult website. The artwork doesn’t shy away from showing you what she’s watching, the lust and longing unapologetically clear in her eyes.

And that is when things take a 180° turn. A lone gunman enters the theatre and starts shooting everyone. He’s apparently playing some kind of online challenge that requires him to get as high a kill count as possible to stay on the leaderboard. The violence is as graphic and brutal as the sex was on Val’s phone. Where the first half of this scene built up desire, the second half subverts it with shock and repulsion. An extreme depiction of the two most base human traits—love and hate.

In the aftermath, Val’s spirit rises from her body. She’s greeted by a different ghost who welcomes her to the afterlife. This isn’t your average afterlife. The spirits that roam in this realm of existence are mere spectators to the show of human existence. While most pass on to the next realm without a thought, many stay back to satiate their curiosity and desire to keep living via the people they watch.

The rest of the story isn’t all that spectacular. More like a conduit for Vaughan to exposit on the philosophy of existence, living, and more. I’m including this in the ‘what I liked’ section because I genuinely loved this exploration, verbal and visual, both. The world fast-forwards to centuries later, the baser needs of humanity still dictating technological development. Where the first scene showed adult websites and mass shootings, the future world shows an extremely advanced version of both.

As Val has been established as a voyeur, she goes around looking to satiate her unfulfilled desires by projecting that satisfaction onto the people she spectates. These acts range from love-making to outright debauchery. But the violent manner of her death has also made her want to witness scenes of extreme violence. If you think about it, we aren’t all that different from Val. After all, sex and violence make for two of the most sellable hooks on the internet, don’t they?

My favorite part of the graphic novel was undoubtedly the characters. Val and Sam like tour guides that you, the reader, are spectating as they, in turn, spectate their world. Over the course of some 344 pages, you learn about their lives, what made them who they were, shedding light on why they might be desiring the things they do in the afterlife. All this again brings us back to the ideas of what it really means to be alive. After all, in an increasingly voyeuristic society that’s addicted to other people’s projected social media appearance, how much are you living your real life?

One could interpret Spectators as a speculative commentary on our modern-day digital isolation. Every app, every megacorporation, is trying its best to keep your attention, even if it is in short spurts of 30 seconds. The adverse effects of social media have resulted in a growth of dissociative mental disorders. Perhaps, in accepting your digital existence, you’re slowly leaving behind your physical one. Social media has made content out of other peoples’ lives, and viewers are mere spectators who dissociate from their own to experience second-hand the lives of others. Much like the ghosts in Spectators.

I can’t say more without spoiling the graphic novel. But I have to admit that the book is not for everyone. The graphic parts are genuinely very graphic. If you can stomach the extreme, you’ll love this one. But if you’re easy to squirm, then you will probably not make it past the first couple of pages.

What I didn’t like:
The story itself is rather flat and straightforward. The character work and resulting discourse were brilliant, but it did leave something to be desired.

The more I think about it, the more I realize that the book itself was everything it promised to be. Looking at humanity and our dystopian future through the lens of sex and violence, a convoluted and graphic exploration of longing and living. Yet, something felt missing from the narrative.

Maybe a better-realized world would’ve made the expositions more impactful. Maybe the characters spectating world leaders engaged in baser human desires would’ve felt more compelling than just common people. I’m only speculating here, but those are things I personally believe would’ve elevated the graphic novel from what it is at the moment.

In Conclusion:
Spectators is a beautifully provocative and evocative ‘graphic’ novel that forces you to reflect upon what it really means to be alive in the modern age.

TL;DR:
What I liked: The artwork, the characters, philosophical discourse.
What I didn’t like: The plot and narrative felt wanting.

WHAT A WILD VOYEURISTIC ADVENTURE!

Brian K. Vaughan has created a fascinating and unique story spanning millennia. Spectators gets to the heart of what happens next for us as humans. It gives a resounding answer in the face of sudden tragedy at the very start of this graphic novel and then travels across generations and years of human history. It is both historical fiction and science fiction in such an interesting way. I enjoyed how Vaughan built his main character, someone who unabashedly was chasing her unfinished business. The story takes time to build, it builds character relationships, giving glimpses into backgrounds and flashbacks to develop characters further. This gives readers all the time in the world to start to love these strange characters. It is so different, and the climax of this novel is EXACTLY that, a wild race to the finish that readers will most likely see coming, but still find it immensely enjoyable as well.

This is definitely a “for mature readers” kind of story with lots of graphic sex, violence, and provocative moments. It follows ghosts of a voyeuristic gal and a cryptic gunslinger as they observe the slow-motion apocalypse of a world. It also leans into something more introspective than other Vaughan’s stories. Basically, it shows how obsessed people are with watching tragedy and pleasure from a safe distance.

The story isn’t super plot-heavy, and the pacing is more about vibe than momentum. But it’s readable as hell, and Vaughan knows exactly when to yank the rug out. Henrichon’s hand-painted art is often stunning.

It’s not my favorite Vaughan book, but it’s ambitious and different and I respect that. Is it worth checking out? Dunno, you tell me. If graphic sex and violence don’t disturb you, check this one out.

When I tell you this is a work of art. Brian K Vaughan was already up there as one of my favorites, but this was something else. It had everything I loved, and the moral quandary was perfection. I couldn't recommend enough.

This book was beautifully illustrated. It's a little light on plot. But if you like voyeuristic ghosts snooping on graphic sex during the apocalypse, this is your book.

When Brian Vaughan announced he was going to be doing a free comic about sex and violence, with art from his Pride Of Baghdad collaborator Niko Henrichon (and if you know that graphic novel, you'll know why the newsletter in which they published it was called Exploding Giraffe), it was very much a 'where do I sign?' offer. Since then it's been a long, strange, and yes, frequently explicit ride. More than anything, though, a melancholy one. After the early chapters, only ghosts are in colour, the strange future in which they find themselves rendered in monochrome – a decision which obviously suggests The Wizard Of Oz or A Matter Of Life And Death, even as the story goes to places neither of them would have been able to touch. That greyness aside, the future is...well, lonely, often, and sometimes brutal, but also filled with the sort of incredible yet everyday technology we used to expect from our futures, so between that and the fact it's there at all, not utterly flooded and/or burned, these days I'd call it utopian, despite the way events start trending. And in a sense it's pretty utopian to have top comics creators willingly giving away a whole series for free; part of me suspects it will read considerably better collected than it did trickling out as two or three pages a week. But, much like the people it follows, I'm not brilliant with that level of deferred gratification. Although I'd debate how representative those characters are; at one stage, with another apparent apocalypse looming for the living, one ghost says to another how she enjoys watching the living get horny at times like this: "whenever the general population is unexpectedly confronted with their own mortality, they always return to the same thing". Which...either there are some significant exceptions to that rule, or a lot of people have been having a significantly more entertaining 2020s than me; thus far, this feels like it's been a much better decade for violence than sex. But then they so often are, aren't they? We talk about the world's oldest profession, but organisms that reproduce asexually still prey, so surely violence has been around longer, and all these eons later it remains so much easier to destroy than to create. And somehow so much easier to get our heads around, too: as one ghost says, "I probably had a few thousand orgasms in my life, and I still struggle to remember what a single one of them felt like. But I'll never forget exactly how it felt to get shot to death." Something which then ends up in a feedback loop with our cultural mores, so many places finding sex more taboo than violence, even though one is where almost all of us come from and the other is much more to be avoided. The existence of incel killing sprees has clearly influenced aspects of the plot, but unlike all the chuckleheads happy to blame the nasty interwebs for everything, Spectators knows the roots go back longer; the emotional core of the whole comic, I think, is in a particular scene with a VHS tape which, given Vaughan is about the same age as me, I strongly suspect could be autobiographical. And against those centuries of destructive conditioning, here he does his own small part to push back, with a sometimes strangely heartwarming tale of two ghosts just trying to find a threesome to spy on at the end of the world.
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Rereading almost in one sitting, thanks to Image having finally come back to Netgalley (oh joyous day), though whether this included the new spreads BKV has mentioned, I honestly couldn't say. Perhaps that just means they're very well integrated – though I did notice one page was duplicated in the ARC, even if that did make its grumpy cat even funnier. Certainly the themes and the symmetry come through more clearly this way, and I'm still more impressed at the worldbuilding for how much it stays in the background. A really impressive piece of work, and one I hope endures as it deserves, though the very forces it examines which will militate against its presence in libraries &c already seem stronger than five months ago.

What if your entire afterlife started off with a bang? Most people are supposed to move on after such a traumatic ending, but that is not the case for Val. She spends her afterlife doing what she loved to do in life: watching others. In fact, you may say it is an obsession. What new episode may she spectate upon next? And will she always spectate alone?

This one is not for the prude, or those averse to violence.

However, I will say that Brian K. Vaughn has done it again with Spectators. He has sculpted an intriguing tale with interesting characters that keep you hooked til the end of the line. It is worth the read.

#ThxNetGalley #BrianK.Vaughan #Spectators

"Explicitly sexy and shockingly violent" is right! I was warned, and I have read from Brian K Vaughan before, but I must say I was caught a little off-guard when only handful of pages in we see our main character casually watching pornography in a cinema! It is definitely not something you'd want to read on public transport! Having said that, I did thoroughly enjoy this one! It was funny, sexy, violent, and tense - I could not put it down.

Kudos to artist Niko Henrichon, the visuals are absolutely STUNNING. Love the art style and the contrast between the black and white of the living versus the colour of the dead spectators.

3.75 *

This was an unusual read. Definitely not for the faint of heart. If you are sensitive to graphic sex and violence then I would warn you away from this one.

I have been an avid fan of Brian K. Vaughans work for quite some time ( Y: The Last Man being one of my all time favourite graphic novels) but Spectators didn’t quite hit the same as his previous works. The idea was compelling but the execution felt a bit lacking. While introspective at times, dare I say the parts without sex and violence were almost a little...boring. If that isn’t ironic, I don’t know what is.

We are introduced to our main character who is killed in a mass shooting as part of a lethal game called #leaderboard; a vicious game of who can kill the most people at one time, effectively ending with a ‘highscore’ on the #leaderboard. Despite being dead, our protagonist continues to spectate on human life for the foreseeable decades. The majority of the story takes place on a futuristic earth and Nico Henrichon’s art really brought this to life. The colour juxtaposition between the living and the dead was a Spec-tacular (Poor attempt at pun) idea.

Overall, the concept of ‘Spectators’ is very meta, with a break in the fourth wall which was actually very clever. The whole book revolves around the idea that people have a morbid fascination with watching sex and violence and by the end, you the reader, are just as complicit.

** I received a complimentary copy of this book from Image Comics via Netgalley. Opinions expressed in this review are completely my own.

For a story that’s undeniably explicit in nature, SPECTATORS left me with an unexpected sense of quiet sadness. Brian K. Vaughan has this uncanny ability to take what seems like a provocative premise and turn it into something deeply introspective about the ties that bind us as people.

True to form, Vaughan delivers something incredibly readable—I powered through it in just a few sessions. The narrative spans a big, ambitious concept, but it’s executed with a refreshing simplicity. There aren’t tons of dramatic twists or edge-of-your-seat moments, which is kind of surprising given that mass death plays a major role (wild, I know). The world-building feels seamless, and the characters' motivations are clear without ever becoming overly complicated.

The characters are invested, but there’s a sort of resigned, almost zen attitude in how they face the events unfolding around them. That same mood rubbed off on me as a reader. It feels like the heart of the book is about how none of us get to choose the timing of our end. We all wish it’ll happen “the right way,” but in reality… things just happen. Thinking about it now, I’m not sure “sad” is the perfect word for it. Maybe it’s more of a tranquil feeling—but not the glossy, dreamlike peace we often imagine. More like a quiet acceptance, which has its own kind of weight.

And the artwork—wow. Niko Henrichon delivers visuals that perfectly match the somber tone of the story. There’s a raw, sketch-like texture to some of the panels that hits just right. The sheer commitment to doing this entire book in grayscale is mind-blowing, and Henrichon’s attention to detail, especially in the backgrounds, really deserves major praise. It’s all around impressive.

I’m genuinely looking forward to seeing the final print edition of this. It’s a great example of what can be achieved with independent publishing and full creative freedom. While it’s not my personal favorite Vaughan work, I’d still wholeheartedly recommend it to anyone in the mood for a fast-paced, steamy exploration of death and human nature.