The Slicks
On Sylvia Plath and Taylor Swift
by Maggie Nelson
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Pub Date Nov 25 2025 | Archive Date Dec 31 2025
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Description
A keen, ardent celebration of unbridled female ambition in the work of Taylor Swift and Sylvia Plath
In The Slicks, Maggie Nelson positions culture-dominating pop superstar Taylor Swift and feminist cult icon Sylvia Plath as twin hosts of the female urge toward wanting hard, working hard, and pouring forth—and as twinned targets of patriarchy’s ancient urge to disparage, trivialize, and discipline creative work by women rooted in autobiography and abundance.
A buoyant melding of popular culture and literary criticism, The Slicks is a captivating and unexpected assessment of two iconic female artists by one of the most revered and influential critics of her generation.
Advance Praise
“Maggie Nelson is one of the most electrifying writers at work in America today.”—Olivia Laing, The Guardian
“Maggie Nelson is one of the most electrifying writers at work in America today.”—Olivia Laing, The Guardian
Marketing Plan
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Bookseller and academic outreach
Select author events
Social media promotion
Targeted digital advertising
Available Editions
| EDITION | Other Format |
| ISBN | 9781644454084 |
| PRICE | $12.00 (USD) |
| PAGES | 64 |
Links
Available on NetGalley
Average rating from 5 members
Featured Reviews
while dense for its compact page count, nelson paints a very compelling argument for the connection between swift and plath. as a lover of both, i'm so appreciative that this volume exists!
Maggie Nelson is a writer whose work I typically find to be a bit dense and theoretical, in spite of its roots in her personal experience. The Slicks is the most accessible thing she's written. It's an argument that brings together Sylvia Plath and Taylor Swift as exemplars of female ambition and self-mythologizing. There's some consideration of Emily Dickinson too. I think this would be a good book to assign undergraduate English or women's studies majors. It bounces from ancient Greece to the Eras tour.
I listened to a talk on Taylor Swift and Maggie Nelson several months ago, so I was very much interested to read THE SLICKS. During the lecture, when Nelson brought up Swift, the literati in the audience met her comments with laughter and light derision, an apparent requirement for a pop star who appeals to the masses. Nelson explores this phenomenon deftly in THE SLICKS, detailing both Plath’s and Swift’s confessional writing style, their desire to be received by the public rather than the erudite few, and the way society turns its nose up at a woman who is open instead of mysterious.
I found this topic entirely fascinating—I just wished it was longer. I’m inspired to pick up the Plath collection I haven’t touched since college and to see which parallels I can draw.