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Technology and Barbarism

or: how billionaires will save us from the end of the world

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Pub Date Feb 24 2026 | Archive Date Feb 17 2026

Astra Publishing House | Astra House


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Description

Thought-provoking pieces of nonfiction exploring the crossroads of technology with art and science, as well as how hard science fiction has inspired the craziest ideas of our times, for the good and the bad.

The nonfiction pieces included in Technology and Barbarism, as well as the long essay "Capitalist Science Fiction," constitute the nonfiction alternative to Nieva’s Dengue Boy and has similar potential to achieve cult-status. Equally fast and furious, grounded in deep research as well as far-reaching literary traditions, Nieva writes about the crossroads between civilization and barbarism through history, literature, and the incidence of genetics in the arts and humanities. 

Could the inspiration for Kafka's stories have come from his visits to human zoos where he saw indigenous people kidnapped from Tierra del Fuego? Can an algorithm understand the verses of Rubén Darío? Can bacteria write literature? And can a monkey reproduce the complete works of Shakespeare? These are some of the questions that run through this collection of essays, which explores the almost always ambiguous threshold that technology and culture have drawn between what is understood as human and what is not, living and nonliving, and which is the seed of the biggest questions of this century.  

From nineteenth century science fiction to contemporary art exhibitions, via a philosophical take on COVID, this book examines the impact of capitalism, indigenous extermination, medical policies in Latin America and elsewhere, in order to interrogate our very identity.

In "Capitalist Science Fiction," Nieva studies the influence of historical "hard" science fiction on technology and capitalism today, with a special focus on Silicon Valley, and a particular spin at the end on, of course, Elon Musk. The essay is totally timely and super smart.
Thought-provoking pieces of nonfiction exploring the crossroads of technology with art and science, as well as how hard science fiction has inspired the craziest ideas of our times, for the good and...

Marketing Plan

MARKETING AND PUBLICITY PLANS • Excerpt to pitch ahead of publication • Pitch author interviews and original pieces • National media campaign including print, radio, podcast, and online coverage • Targeted outreach to reviewers and publications focused on SFF, politics, technology, science, and translation • Original interviews and craft-focused essays with the collection’s two illustrious translators • Select bookstore and festival events for New York-based international author • Academic outreach to translation studies, comparative literature, and creative writing departments • Book club outreach

MARKETING AND PUBLICITY PLANS • Excerpt to pitch ahead of publication • Pitch author interviews and original pieces • National media campaign including print, radio, podcast, and online coverage...


Available Editions

EDITION Other Format
ISBN 9781662603181
PRICE $20.00 (USD)
PAGES 240

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Average rating from 10 members


Featured Reviews

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I love nothing more than a book that asks intriguing questions. This one does, but adds in an extra element: unflinching, almost damning clarity.

Did Kafka’s preoccupation with consciousness and alienation come from human zoos? Can algorithms understand complex poetry? Can bacteria write literature?

It’s a collection of essays that explores the crossroads between civilization and barbarism through history, literature, and genetics. The line, however imagined, is thinner than I thought. It interrogates how scifi shaped everything from Silicon Valley’s delusions to Argentinian history.

What works is the refusal to settle and the critical depth without academic distance. Sometimes you pick up an essay collection expecting polemic and get something far sharper: illumination.

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Thank you NetGalley and Astra Publishing House for sending this book for review consideration. All opinions are my own.

This book felt like a high pressured hose to face in terms of information density, and I loved it. Immediately after this review I will find everything Nieva has written in English and invite him over for tea to discuss technology and politics.

Each essay in this collection is thoroughly researched and herein lies my only complaint. Sometimes it felt like the narrative thread was compromised due to the depth of research. That is, I feel there is an art in choosing what not to write.

Having said that, the writing style was funny, thoughtful, insightful, honest and personal whilst retain objectivity. I would recommend to any one who wants to do Brain Day at the gym.

Also a note to the publisher, with scientific notation the indicie should be present in superscript. That is, with the 2 × 10 -6 on page 207 the -6 should be in superscript.

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Not the easiest read (the essays were dense and very informative), but utterly fascinating throughout. Made me think, made me smile in more places than I expected, and I found myself raising similar questions with my colleagues and friends-- a mark of a great book and compelling ideas.

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First essay on capitalist science fiction is incredible, well worth your time. Felt the second half was a little disjointed and not really about sf, but still an effective exploration of the contagion metaphor used historically to discuss indigenous people

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4.5 - This was such a smart collection of essays by Nieva (and just makes me want to read his fiction even more than I did previously). Sci-fi has always been political and these essays have equipped me with new lenses to read it through. Thank you Netgalley for the ARC!

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This book was incredibly insightful and connected to a number of things I'm reading and teaching right now. My galley has notes for days and this book has added so much to my nebulous "want to read list."

While I liked the structure and progression of ideas, I was a little confused by the final essays in which the author seems to express that genetic modification is okay as long as it's done for the sake of aesthetics and art.

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This book blends speculative fiction with biting social commentary. It is surreal, sharp, and often darkly funny. The narrative uses exaggerated futures and dystopian elements to critique modern capitalism, environmental collapse, and digital excess.

What stood out to me is how unapologetically strange it is. It does not aim for comforting realism. Instead, it pushes into grotesque and absurd territory to make its point. That boldness really works if you are willing to go with it.

Four stars for originality and nerve. It is not subtle, but it is memorable.

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