Inspired by a true crime, the mid-century genius Hélène Bessette unfolds a murder mystery in hypnotic interludes, as only she knows how

In an opulent villa near the English channel lives a well-to-do family. A man—a husband, father, and employer—has been shot dead. The bullet is from his own gun, which he got from the Germans during the war. In this family, the father has a safe, a monkey wrench, a wife, and a maid named Rose. The son has a swing, a croquet set, a rain coat, and a car. They all read detective novels to fall asleep (the father), to stay awake (the son), to distract herself from an empty marriage (the mother). Packed with brutal revelations, the novel centers on the twenty minutes of silence it takes for the family to alert the doctor (who lives next door) of the father’s death. Everything in this high-octane drama is subject to change, including the setting and the characters, who are truer to life than might at first appear. But who if anyone is the true criminal and who is the victim? In this marvelous and sui generis novel, written in Bessette’s signature taut and stripped-back prose, the detective novel is turned inside out and wholly on its head.
About the Author(s): Hélène Bessette (1918–2000) published thirteen novels with Gallimard between 1953 and 1973, won the Prix Cazes in 1954, and was twice in the running for the Prix Goncourt and the Prix Médicis. After her editor Raymond Queneau’s death in 1976, her publisher ceased to support her. In 2000, she died in poverty and in poor mental health, with her body of work out of print and largely forgotten. It was only several years after her death that her singular articulation of what, with specific intent, she called “the poetic novel” found a new and avid readership in France.Kate Briggs grew up in Somerset, UK, and is the translator of two volumes of Roland Barthes’s lectures and seminar notes: The Preparation of the Novel and How to Live Together, both published by Columbia University Press. This Little Art, her genre-bending essay on the art of translation, was published by Fitzcarraldo Editions in 2017. In 2021, she was awarded a Windham-Campbell Prize. Her debut novel, The Long Form, was published by Fitzcarraldo Editions in 2023 and shortlisted for the Goldsmiths Prize.