Skip to main content
book cover for Erik Satie

Erik Satie

A Parisian Composer and his World

This title was previously available on NetGalley and is now archived.
Buy on Amazon Buy on BN.com Buy on Bookshop.org
*This page contains affiliate links, so we may earn a small commission when you make a purchase through links on our site at no additional cost to you.
Send NetGalley books directly to your Kindle or Kindle app

1
To read on a Kindle or Kindle app, please add kindle@netgalley.com as an approved email address to receive files in your Amazon account. Click here for step-by-step instructions.
2
Also find your Kindle email address within your Amazon account, and enter it here.
Pub Date Feb 18 2016 | Archive Date May 03 2016
Boydell & Brewer | Boydell Press

Description

Satie's music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris.

Sunday Times Classical Music Book of the Year

Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as "classical music". Instead of pursuing the path of a professional composer, Satie initially earned a living as a café pianist and moved in bohemian circles which prized satire, popular culture and experiment. Small wonder that his music is fundamentally new in conception. It is music which is not always designed to be listened to attentively: music which can be machine-like but is to be played by humans. For Satie, music was part of a wider concept of artistic creation, as evidenced by his collaborations with leading avant-garde artists and in works which cross traditional genre boundaries such as his texted piano pieces. His music was created in some of the most exciting and creatively stimulating environments of the late nineteenth and early twentieth century: Montmartre and Montparnasse. Paris was the artistic centre of Europe, and Satie was a notorious figure whose music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris. It shows that the influence of street music, musicians and poets interested in new technology, contemporary innovations and radical politics are all crucial to an understanding of Satie. Music from the ever-popular Gymnopédies to newly discovered works are discussed, and an online supplement features rare pieces recorded especially for the book.

CAROLINE POTTER is Reader in Music at Kingston University London. A graduate in both French and Music, she has published widely on French music since Debussy and was Series Advisor to the Philharmonia Orchestra's Paris 2014-15 season.
Satie's music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris.

Sunday Times Classical Music...

Advance Praise

'This brilliant and accessible new study of Satie gets right inside his contemporary Parisian world, relating its complex and fast-changing artistic climate to scientific and social issues, and most importantly to mechanical and street music. Dr Potter's painstaking and wide research brings many new discoveries too, and leaves us with a clearer vision of what the enigmatic Satie was really about.' Emeritus Professor Robert Orledge, University of Liverpool

'This brilliant and accessible new study of Satie gets right inside his contemporary Parisian world, relating its complex and fast-changing artistic climate to scientific and social issues, and most...


Available Editions

EDITION Other Format
ISBN 9781783270835
PRICE $49.95 (USD)

Average rating from 4 members


Readers who liked this book also liked: