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Flannery O’Connor may now be acknowledged as the “Great American Catholic Author,” but this was not always the case. With Creating Flannery O’Connor, Daniel Moran explains how O’Connor attained that status, and how she felt about it, by examining the development of her literary reputation from the perspectives of critics, publishers, agents, adapters for other media, and contemporary readers.
Moran tells the story of O’Connor’s evolving career and the shaping of her literary identity. Drawing from the Farrar, Straus & Giroux archives at the New York Public Library and O’Connor’s private correspondence, he also concentrates on the ways in which Robert Giroux worked tirelessly to promote O’Connor and change her image from that of a southern oddity to an American author exploring universal themes.
Moran traces the critical reception in print of each of O’Connor’s works, finding parallels between her original reviewers and today’s readers. He examines the ways in which O’Connor’s work was adapted for the stage and screen and how these adaptations fostered her reputation as an artist. He also analyzes how—on reader review sites such as Goodreads—her work is debated and discussed among “common readers” in ways very much as it was when Wise Blood was first published in 1952.
Flannery O’Connor may now be acknowledged as the “Great American Catholic Author,” but this was not always the case. With Creating Flannery O’Connor, Daniel Moran explains how O’Connor attained that...
Flannery O’Connor may now be acknowledged as the “Great American Catholic Author,” but this was not always the case. With Creating Flannery O’Connor, Daniel Moran explains how O’Connor attained that status, and how she felt about it, by examining the development of her literary reputation from the perspectives of critics, publishers, agents, adapters for other media, and contemporary readers.
Moran tells the story of O’Connor’s evolving career and the shaping of her literary identity. Drawing from the Farrar, Straus & Giroux archives at the New York Public Library and O’Connor’s private correspondence, he also concentrates on the ways in which Robert Giroux worked tirelessly to promote O’Connor and change her image from that of a southern oddity to an American author exploring universal themes.
Moran traces the critical reception in print of each of O’Connor’s works, finding parallels between her original reviewers and today’s readers. He examines the ways in which O’Connor’s work was adapted for the stage and screen and how these adaptations fostered her reputation as an artist. He also analyzes how—on reader review sites such as Goodreads—her work is debated and discussed among “common readers” in ways very much as it was when Wise Blood was first published in 1952.
A Note From the Publisher
Daniel Moran has taught English at Rutgers University and currently teaches history at Monmouth University. His work on G. K. Chesterton and John Ford has been published in academic journals and he has contributed articles to a variety of teaching guides, including Poetry for Students, Short Stories for Students, and Drama for Students.
Daniel Moran has taught English at Rutgers University and currently teaches history at Monmouth University. His work on G. K. Chesterton and John Ford has been published in academic journals and he...
Daniel Moran has taught English at Rutgers University and currently teaches history at Monmouth University. His work on G. K. Chesterton and John Ford has been published in academic journals and he has contributed articles to a variety of teaching guides, including Poetry for Students, Short Stories for Students, and Drama for Students.
This is a scholarly and meticulously researched work of literary criticism, but it is also very much an accessible and eminently readable account of Flannery O’Connor’s writing, concentrating primarily on her critical reception. So not a biography as such, although inevitably the life is touched upon, and not a work of pure criticism, although that comes into it too, but a more unusual approach, exploring the way O’Connor’s writing was perceived at the time and how it is viewed today. The author takes readers’ reviews from Goodreads to discuss contemporary views, an approach I haven’t seen elsewhere and one which works very well in this context. What “ordinary” readers think and feel is every bit as valid as what academics and professional critics think and feel. An excellent contribution to O’Connor studies, the author’s clear and concise style makes the book entertaining and enjoyable and I found it a wonderful introduction to O’Connor and a spur to discover more of her writings.
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Mandy J, Reviewer
This is a scholarly and meticulously researched work of literary criticism, but it is also very much an accessible and eminently readable account of Flannery O’Connor’s writing, concentrating primarily on her critical reception. So not a biography as such, although inevitably the life is touched upon, and not a work of pure criticism, although that comes into it too, but a more unusual approach, exploring the way O’Connor’s writing was perceived at the time and how it is viewed today. The author takes readers’ reviews from Goodreads to discuss contemporary views, an approach I haven’t seen elsewhere and one which works very well in this context. What “ordinary” readers think and feel is every bit as valid as what academics and professional critics think and feel. An excellent contribution to O’Connor studies, the author’s clear and concise style makes the book entertaining and enjoyable and I found it a wonderful introduction to O’Connor and a spur to discover more of her writings.
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