The Girl on the Velvet Swing

Sex, Murder, and Madness at the Dawn of the Twentieth Century

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Pub Date Jan 16 2018 | Archive Date Feb 16 2018

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Description

From New York Times bestselling author Simon Baatz, the first comprehensive account of the murder that shocked the world.

In 1901 Evelyn Nesbit, a chorus girl in the musical Florodora, dined alone with the architect Stanford White in his townhouse on 24th Street in New York. Nesbit, just sixteen years old, had recently moved to the city. White was forty-seven and a principal in the prominent architectural firm McKim, Mead & White. As the foremost architect of his day, he was a celebrity, responsible for designing countless landmark buildings in Manhattan. That evening, after drinking champagne, Nesbit lost consciousness and awoke to find herself naked in bed with White. Telltale spots of blood on the bed sheets told her that White had raped her.

She told no one about the rape until, several years later, she confided in Harry Thaw, the millionaire playboy who would later become her husband. Thaw, thirsting for revenge, shot and killed White in 1906 before hundreds of theatergoers during a performance in Madison Square Garden, a building that White had designed.

The trial was a sensation that gripped the nation. Most Americans agreed with Thaw that he had been justified in killing White, but the district attorney expected to send him to the electric chair. Evelyn Nesbit's testimony was so explicit and shocking that Theodore Roosevelt himself called on the newspapers not to print it verbatim. The murder of White cast a long shadow: Harry Thaw later attempted suicide, and Evelyn Nesbit struggled for many years to escape an addiction to cocaine. The Girl on the Velvet Swing, a tale of glamour, excess, and danger, is an immersive, fascinating look at an America dominated by men of outsize fortunes and by the the women who were their victims.

From New York Times bestselling author Simon Baatz, the first comprehensive account of the murder that shocked the world.

In 1901 Evelyn Nesbit, a chorus girl in the musical Florodora, dined alone...


Advance Praise

"A terrifically entertaining work of popular history: swiftly paced, richly evocative, engrossing from the first page. . . . This vivid retelling of the 1906 murder of Stanford White couldn't be timelier. . . . The  murder of Stanford White has been the subject of many other books [but] Baatz's gripping, deeply researched retelling is certain to stand as the definitive version." —Wall Street Journal

"Readers will appreciate Baatz's exciting, novel-like approach, and those interested in early twentieth-century law especially will enjoy the courtroom scenes." —Booklist

"Simon Baatz has written a wickedly enjoyable book that enthralled me from start to finish. This multifaceted tale, rendered with an expert's touch, encompasses the aspirations and vices of an entire era." —Laurence Bergreen, author of Capone

"Simon Baatz, the absolute master of the true crime genre, has written another page-turner. This book has everything, bad behavior in high places, a spectacularly public murder, courtroom drama, a daring escape, even a mother-in-law from hell. It reads like fiction, but it's all real. A wonderful book." —John Steele Gordon, author of An Empire of Wealth

"Simon Baatz takes readers on the strange and sensational legal odyssey of Harry Thaw, the Pittsburgh millionaire who murdered famed architect Stanford White in 1906. . . Baatz offers a detailed and assiduously researched account of the shocking crime and its aftermath, with a focus on the legal wrangling that dominated two trials." —Paula Uruburu, author of American Eve

"A terrifically entertaining work of popular history: swiftly paced, richly evocative, engrossing from the first page. . . . This vivid retelling of the 1906 murder of Stanford White couldn't be...


Available Editions

EDITION Other Format
ISBN 9780316396653
PRICE $29.00 (USD)
PAGES 400

Average rating from 13 members


Featured Reviews

This is a must have for those who love true crime and history because it is a great mix of both without being cliche. I think also the way that baatz writes the characters, makes the book feel like a novel. Great work.

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A great tru-crime story that is from a time past that shows today few things have changed. The rich get richer, the "law" for the rich man is far different than the poor man. A great read for me

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