The Battalion Artist

A Navy Seabee's Sketchbook of War in the South Pacific, 1943–1945

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Pub Date Sep 01 2019 | Archive Date Dec 20 2019

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Description

The Battalion Artist explores the three years, three months, and three days of Nat Bellantoni’s life on the Pacific front in World War II. He had known since childhood that he wanted to be—that he in fact was—an artist. When he packed his seabag and took leave of his family and his sweetheart to go to war, he knew that the best way to manage the narrative of his life and to cope with the ups and downs of his feelings was to create images—visual records that spoke of what he felt, as well as what he saw. In this stunning book filled with authentic World War II images—many in full color—we see and feel the intensity of wartime life through the eyes of a talented young artist who was also a US Navy Seabee. Natale Bellantoni, a young art student from Boston, sailed across the Pacific in 1943–45 and returned home with a sea chest of art and photographs documenting his experiences in New Caledonia, New Guinea, the Admiralty Islands, and Okinawa. His subject matter was his daily life: endless weeks at sea, harbors and ships, men at work, airstrips, the local countryside, and the view of enemy planes overhead at night from his fox hole. Now collected in a lavishly illustrated volume, his watercolors, sketches, and photographs offer a window onto one of the most significant moments in American history. The Battalion Artist explores the World War II experiences of Nat Bellantoni, but it reflects the story of an entire generation.
The Battalion Artist explores the three years, three months, and three days of Nat Bellantoni’s life on the Pacific front in World War II. He had known since childhood that he wanted to be—that he in...

Advance Praise

“There are thousands of World War II stories. But very few of those who lived those stories had the motivation, the ability—the talent—that Nat Bellantoni had. His paintings, his sketches, the photographs, everything he saved and brought back, are perhaps the most complete visual record we have of one man’s deployment with the Seabees in the South Pacific.”

—William Hilderbrand, Captain (Ret.), Civil Engineer Corps, US Navy, and President Emeritus, CEC/Seabee Historical Foundation

“Janice Blake and Nancy Bellantoni have created a beautifully written and illustrated war epic honoring Natale Bellantoni as he chronicled his World War II service in the US Navy’s Seabees. By producing this magnificent book, they have captured the essence of battle and expeditionary combat construction and collated many artifacts that are haunting and intensely personal to warfighters from any era. We are all enriched and made better by observing the intimate details of Seabee life in World War II through the eyes of this Seabee and artist.”

—Edward “Sonny” Masso, Rear Admiral (Ret.), US Navy, and Executive Director, Naval Historical Foundation

The Battalion Artist is a timely and compelling look at Navy life in the South Pacific island campaign through the eyes of a talented young artist who found himself part of the vaunted Navy Seabees, whose Construction Battalions built the bases and airfields across the Pacific on the way to Japan—often operating their heavy equipment with rifles in hand. Featuring high-quality reproductions and backed by insightful commentary, this book allows the reader to follow the course of the Pacific war with a very human perspective on both the routine operations and the heart-pounding stress of combat. It is an outstanding tribute to a member of the Greatest Generation.”

—Todd Creekman, Captain (Ret.), US Navy, and Executive Director Emeritus, Naval Historical Foundation


The Battalion Artist is a great adventure. A gifted young painter leaves his prestigious art school in Boston, and the girl who loves him, to join the Navy and go off to World War II. The belly of a ship carries him to far-off tropical islands in the South Pacific to fight the Japanese. The islands refresh his color palette and his senses. It’s all here—the daring and heroism, the self-sacrifice, the fascination with distant corners of the planet that needed defending. History made personal, and one of the final unexpected sagas retrieved from World War II.” —Anthony Weller, author of First into Nagasaki: The Censored Eyewitness Dispatches on Post-Atomic Japan and Its Prisoners of War and Weller’s War: A Legendary Foreign Correspondent’s Saga of World War II on Five Continents

“The personal and intimate story of individual men brings the truth of war home. Watercolors, so vibrant with color and life they could still be wet, bring the beauty and agony of the war in the Pacific home. A fabulous book.”

—Helen Simonson, author of Major Pettigrew’s Last Stand, The Summer Before the War

“Nat’s paintings capture the loneliness of being away from home and also the need to find some quiet space on a ship with one thousand–plus other men. The pictures painted at sea were the ones that sparked my memory the most—reminders of long weeks with some spectacular sunrises and sunsets, and the contrast between hours of boredom and watches that were spiked by the adrenaline rush of general quarter alarms.”

—Paul L. Smith, Commander (Ret.), US Navy

“There are thousands of World War II stories. But very few of those who lived those stories had the motivation, the ability—the talent—that Nat Bellantoni had. His paintings, his sketches, the...


Marketing Plan

NANCY BELLANTONI (Editor) carefully searched her father's extensive South Pacific collection for visual materials that accurately reflect the context in which Natale Bellantoni's wartime art was created. She is a co-founder with her husband, Peter Galipault, of Movidea Inc., a design and marketing strategy firm in Boston.

JANICE BLAKE (Author) set aside her freelance work in order to focus on The Battalion Artist at the request of her friend and former colleague Natale Bellantoni. She has edited books for the Brazelton Institute and the Harvard Business School Press. She has also taught writing at the Harvard Business School. Find her on Twitter @JanzaBlake

NATALE BELLANTONI (Artist) was assigned to the US Navy’s 78th Construction Battalion in the South Pacific during World War II before having a successful career as an art director in Boston.

NANCY BELLANTONI (Editor) carefully searched her father's extensive South Pacific collection for visual materials that accurately reflect the context in which Natale Bellantoni's wartime art was...



Average rating from 4 members


Featured Reviews

Insightful and thought provoking. A journey through difficult times captured through letter, photos and artwork from the author. I very much enjoyed this journey into this moment in time and a glimpse of life after. Wonderfully done. Thank you for documenting and sharing this journey. I received this book from NetGalley for an honest review.

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World War II. The Pacific Arena through the artist's eye!

I have always been drawn to art works depicting battles and wars and marveled at how the artists were able to work under pressure to produce some amazing pieces. I have spent time at major art galleries reflecting on varies artists' abilities. That interest is what drew me to this title.
Of course with the advent of the camera, paintings and sketches were no longer the only medium recording historical moments of life at the front. If your an ordinary serving seaman you use what media you have available. Natale Bellantoni used them all. Watercolor paintings, sketches, photographs and other realia. His paintings very much have that aura of late forties Realism (And how can they not be one asks!)
I marveled at how this talented young painter, attendee of the Massachusetts School of Art, was able to produce such a special record of the times, places and the work of the Seebees in the 78th Construction Battalion in the Pacific arena during World War II.
Putting this all lovingly together, the blended artifacts, photographs, jotted notes, and records along with interesting vignettes detailing both ordinary and extraordinary shipboard and island events confronted, Nat's daughter Nancy, has produced not only a fascinating historical record but an important artifact from the Pacific War zone.
I was drawn to Nat's paintings. They have a lively clarity, with depth and action that gives pause. From life on board ship, to the tranquility of untouched islands, to the intrusion of the war machine and all its accouterments they are are more than just a vivid record, they are an aesthetic response to the world Nat found himself in. Sometimes Nat's paintings are peaceful and reflect the untouched landscapes of the various islands, but with others Nat "was determined to see and show clearly how war had trespassed ... The intrusions were jarring to the eye." And indeed some of them do jar. The large planes on island beaches show this clearly.
An evocative and insightful artistic remembrance of times we should never forget.

A Hoover Institution Press ARC via NetGalley

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For three years, three months, and three days, Nat Bellatoni of Massachusetts served in the South Pacific during World War II. Nat was a young artist and served with the Navy Seabees on different islands during the war, often not allowed to tell his loved ones where he was. As time allowed, even on short breaks, Nat would sketch his surroundings. Some of those sketches now see print, thanks to author Janice Blake, and Nat's daughter Nancy Bellatoni.

Th sketches here are just that ... sketches. But they range from a couple of quickly drawn lines to quite detailed works. It really is like paging through a sketchbook. This kind of first-hand account, from the 'average' enlisted man, is a rare treat. We get an honest (not media-hyped) look at the war and the men who served, and because of his locations, a sweet look at the Pacific islands.

The book is a little heavy with pre-book information. We have a full page dedication, a foreward, a note, a preface, and an introduction. Clearly everyone connected with the publication wanted to have something to say, which is too bad because we don't really need this much preface to a book. There is also an afterward, two 'abouts,' acknowledgments, and an additional resources list in this 120 page book.

The information about Nat and his life is compact, but serves the book just right. We want to know a little bit about the man who made the art, but we don't need an in-depth biography. We're putting a face and a history to one of the hundreds of thousands of men who served our country during a great war. Janice Blake does this nicely.

I would have liked even more artwork. I was hoping to find more of a coffee-table art book with art on every page, but while there is a lot of art, there are also a fair number of photos here as well, giving the book a slight feel of not really being sure what sort of book this is. A history book? A biography? An art book? It's a little bit of all three, but that's trying to do a lot in 120 pages. Blake does manage to balance this well, but I never quite got away from the feeling that the book was going back and forth on what it was trying to present.

I liked the timelines included, showing us where in the world Nat was station during the war and what Nat painted during that time.

Overall, a really good book.

Looking for a good book? <em>The Battalion Artist</em> by Janice Blake is a good look at one Navy Seabee during World War II, and his sketchbooks from his time in the South Pacific and should appeal to war historians, as well as those who like art books and those who enjoy biographies.

I received a digital copy of this book from the publisher, through Netgalley, in exchange for an honest review.

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