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When the corporate monolith PortSys brought porting to the masses, CEO Emilia Kirsch and her son Jason accomplished what every other start-up company had failed to deliver. They really did change the world. They reversed climate change. They created a multi-trillion dollar industry out of thin air, curing economic woes across the globe. They made it so that anyone could be anywhere simply by touching a screen.
...including the man who murdered Sarah Huff.
Now, Sarah’s seventeen-year-old sister Anna is determined to hunt the bastard down. But there are a few problems. She doesn’t know who the killer is, or where in the world he may be at any given moment. Also, she’s stuck at prestigious Druskin Academy, where PortPhones are banned and any student who attempts to port off campus is immediately expelled.
It gets stickier. Anna’s also fallen in love with her dazzling new roommate, who just so happens to be Emilia Kirsch’s daughter, Lara. The dean of students wants Anna dead, perhaps literally. And she has only two friends to confide in; one is a reckless alcoholic and the other, a bizarre fussbudget. Oh, and now she also needs to find Lara, who has mysteriously disappeared from campus.
Point B is the story of one clever and occasionally determined young woman seeking both love and vengeance, but hardly ready for those two missions to intersect. It takes you to Vietnam, Hollywood, Singapore, Tokyo, inland Mexico, Oxford, the Maldives, Cuba, the coast of northeast Australia, and all points beyond. You will find yourself plunged into a borderless, chaotic, oddly miraculous world that is ruled by a single bloodless corporation, and by a family determined to keep it that way. PortSys never expected Anna Huff, and Anna Huff never expected love to make her this daring.
From the author of The Postmortal and The Hike comes his most deliriously entertaining novel yet.
"It’s a doozie. Set in a science fictional universe where climate change is fixed but people get killed via teleportation, a young woman named Anna Huff has to navigate her adolescence and a murder mystery. It has a little bit of all the genres you love in combinations you’ve never imagined, and it’s easily the funniest thing we’ve read this year so far." — GQ
"Drew Magary’s 'first posthumous novel' is so good. It’s about big tech, weird futures, growing up, and, intriguingly for us, the absurdity of on-demand global travel." — Roads And Kingdoms