Lo

Poems

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Pub Date May 24 2023 | Archive Date May 24 2023
University of Iowa Press | University Of Iowa Press

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Description

Lo maps the deprivation and richness of a rural girlhood and offers an intimate portrait of the woman—tender, hungry, hopeful—who manages to emerge. In a series of lyric odes and elegies, Lo explores the notion that we can be partially constituted by lack—poverty, neglect, isolation. The child in the book’s early sections is beloved and lonely, cherished and abused, lucky and imperiled, and by leaning into this complexity the poems render a tentative and shimmering space sometimes occluded, the space occupied by a girl coming to find herself and the world beautiful, even as that world harms her.
Lo maps the deprivation and richness of a rural girlhood and offers an intimate portrait of the woman—tender, hungry, hopeful—who manages to emerge. In a series of lyric odes and elegies, Lo explores...

Advance Praise

“Melissa Crowe is a new kind of genius of sensory memory. Mina Loy–like, Sappho-seeming, as if those ancient fragments blossomed so many centuries later as lush nerve endings signaling desire, signaling help for the crushed blooms of a childhood betrayed, in a cycle of agonizing poems the book’s other sections surround as if holding, carefully, even joyfully. Lo is a love song with a haunting melody that thrills me and makes me weep with gratitude. With wonder at the beauty she creates. With anger. The power of this voice is unstoppable.”

—Brenda Shaughnessy, judge, Iowa Poetry Prize

“No one writes like Melissa Crowe, whose second collection, Lo, rides the exclamation and imperative of its title with indefatigable tenderness and dogged reverie and confirms Crowe’s place as one of contemporary poetry’s most skilled raconteurs. Like all great poets, Crowe knows attention is a kind of love, and her work resonates with the easy hum of concentrated care; what’s rare, then, is how these finely spun poems carry us through the sweet and the bitter, reviving a buried bravery both necessary and all our own. How many poets writing today can push us into the deep end of both fear and desire without ever letting go of our hand? We couldn’t have known then, given its brilliance, but it’s clear now: that first collection? Melissa Crowe was just warming up.”

—Meg Day, author, Last Psalm at Sea Level

Lo is a devastatingly gorgeous, sigh-out-loud-every-other-line celebration of the inner life. Like a geode, an ordinary looking rock, ‘that opened onto secret glowing facets . . . so you knew/ a thing like this could look less blessed than it was,’ Lo insists that there is more—more to discover inside or underneath, more in the secreted and unsaid. In these poems, Crowe cracks open the ordinary, the harrowing, even the ugly, to reveal the jewels inside. This book—this poet—is a marvel.”

—Maggie Smith, author, Goldenrod

“Melissa Crowe is a new kind of genius of sensory memory. Mina Loy–like, Sappho-seeming, as if those ancient fragments blossomed so many centuries later as lush nerve endings signaling desire...


Available Editions

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ISBN 9781609388997
PRICE $20.00 (USD)
PAGES 94

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Featured Reviews

Poetry like this will always scratch an itch on my brain like nothing else. Miss Melissa had me sobbing in the dark at 2 am so you know it's good writing because I do not ball for just any old poem.

This was such a complex dive into existence in a rural childhood, and how that translates into the woman that child became. Crowe's writing is so incredibly layered and beautiful (I cried like three times, to be honest). As someone who also grew up poor, in a rural place it was so impactful for me.

I re-read Lessons like 5 times because it resonated so much, and When She Speaks of the Fire...girl, goosebumps, for real.

Anyway, I loved it.

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Lo felt as though I were reading the cluttered ramblings of someone's diary that had long since decayed inside a drawer of a worn-out home—filled with dark secrets and agony brought on by molestation and neglect. Melissa Crowe's usage of different structures in her poetry was something that could work to digest these fragments of a little girl's story. The way I dove in was like staring at an abstract painting that was new to me, with messy and random strokes of acrylic; a long gaze into it is the only way it can sting and start to make sense.

Crowe starts her poetry with descriptions of incidents only she can relate to, but ends them with prose that haunts me. It sometimes feels like these scattered pieces of memories were brought to the reader unannounced; they slapped me so hard I started from the beginning to just swallow it whole. Her poetry is a fire, with trails of smoke hanging, suffocating me, then leaving me with the burning smell of loneliness. What I've been looking for in elements of slam poetry was given to me by Melissa Crowe, and I cannot wait for you to devour this well-deserved poetry next month.

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I enjoyed this collection. The poems were visceral and piercing, with a haunting rhythm. I especially loved the imagery and power of "When I Was Afraid." Recommended.

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A stunning collection of thoughts, written in a lyrical way. I've been introduced to poetry recently after college and this book was brilliant. Thank you netgalley for this Arc.

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Melissa Crowe's second book of poetry, "Lo" (University of Iowa Press, 2023), opens with lyrical verse inviting the reader into the natural landscape of the narrator's mind. Crowe's poems overflow with sensory elements like Queen Anne's lace, blizzards, honeybees, and the blistered feet that an isolated rural childhood provides.

Her pieces also echo haunting, visceral memories of sexual abuse, poverty, and neglect. Several epithalamiums (a poem celebrating love or marriage) to Crowe's husband are also interspersed throughout this poetic exploration which soothed my anxious, curious mind.

"Lo," the Iowa Poetry Prize winner, begs each of us to stop. Take a moment. Look around. Notice every burdock root. Every clover. And every girl.

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Beautiful writing as a constant stream of consciousness, that isn’t overwhelming at all. I really loved how descriptive her poems were, I felt like I was living through it all too.
Nothing like I’ve ever read before, but I really enjoyed it and I look forward to more of Melissa Crowe’s poetry in the future

Thank you to my besties at Netgalley for an advanced copy of this book

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This felt like one of the most personal poetry collections I have read in a long time. Through her carefully chosen words, Crowe effortlessly captures the essence of human existence, allowing us to connect with her on a deeply personal level. The poems resonate with a raw authenticity that speaks to the universal joys, sorrows, and yearnings that exist within childhood, and transform once we reach adulthood. This collection speaks directly to her soul, and mine.

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This book is steeped in desire.

"When I wake, I will be satisfied, but next morning stood longing in the sawdust of the barn where the horses ambled out of reach and perched in every saddle a girl with bare legs and boots, straddling."

It’s easy to see why this collection won an award. To quote Sally Beuaman, “death and desire live back to back” and that’s the easiest way to describe this book and speak of the unnameable hurt and the hurt that we arm ourselves against for the sake of those two.

I’ll be honest, I downloaded and waited so long to read Lo by Melissa Crowe that the book expired on the netgalley app on my phone and my iPad. I’m glad it was already on my kindle, even if I do suspect that sending poetry books to kindle removes any and all formatting they have.

And when I did read it I lapped it up.

And it genuinely has been a while since I read a poetry collection which as a whole has worked. There is nothing is this book that could be considered mediocre or bad; everything has a place and a purpose. It feels like Melissa Crowe knew exactly what she wanted to put together and did it.

Thank you NetGalley and University of Iowa Press for the chance to read such a stunning collection.

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OKAY.

ONE OF THE BEST POETRIES I HAVE READ MY WHOLE LIFE!!!!!!!!!!!! THE POEMS WILL GIVE YOU THE MOST HEART-WRENCHINGLY GUT PUNCH AND IT WILL STILL LEAVE YOU IN AWE AT HOW BEAUTIFUL IT ALL IS!!!!!!!!!!!! I LOVE HOW SHE EXECUTED THE WORDS WITH SO MUCH EASE AND THE MUSICALITY OF ALL THE POETRIES??? THAT IS WHAT I AM TALKING ABOUT!!!! MOST OF THE TIME, AFTER I HAVE FINISHED READING ONE POETRY, I WOULD FIND MYSELF CLUTCHING MY HEART BECAUSE OF HOW DAMNING GOOD IT WAS!!!!!!!!!!!!!! I CAN'T STRESS ENOUGH HOW BEAUTIFUL ALL THE POEMS ARE!!!!!

THANK YOU THANK YOU TO THE UNIVERSITY OF IOWA PRESS AND NETGALLY FOR APPROVING ME OF THIS TITLE!!!!

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