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Description
“The sick should be good. / It is a kind of undoing,” Ashley-Elizabeth Best writes in her second collection. Bad Weather Mammals navigates the devastations and joys of living in a disabled and traumatized body. By taking a backward glance, she traces how growing up under the maladaptive bureaucracy of social services with a single disabled mother and five younger siblings led her to a precarious future in which she is also disabled and living on social assistance. In poems that explore a variety of formal constraints, such as the suite “ODSP 1, 2, & 3,” which infuses government forms with lyric poetry, she suggests all the ways the medical and bureaucratic systems can dehumanize and traumatize our most vulnerable citizens. By digging deep into her own experiences, Best has archived the ways we fail each other in our most desperate times — while at the same time outlining how we can show up to revel in disabled joy and community. Bad Weather Mammals disassembles dominant narratives about how disabled individuals should be and reconceptualizes the embodied experiences that recenter us in our own narrative.
“The sick should be good. / It is a kind of undoing,” Ashley-Elizabeth Best writes in her second collection. Bad Weather Mammals navigates the devastations and joys of living in a disabled and...
“The sick should be good. / It is a kind of undoing,” Ashley-Elizabeth Best writes in her second collection. Bad Weather Mammals navigates the devastations and joys of living in a disabled and traumatized body. By taking a backward glance, she traces how growing up under the maladaptive bureaucracy of social services with a single disabled mother and five younger siblings led her to a precarious future in which she is also disabled and living on social assistance. In poems that explore a variety of formal constraints, such as the suite “ODSP 1, 2, & 3,” which infuses government forms with lyric poetry, she suggests all the ways the medical and bureaucratic systems can dehumanize and traumatize our most vulnerable citizens. By digging deep into her own experiences, Best has archived the ways we fail each other in our most desperate times — while at the same time outlining how we can show up to revel in disabled joy and community. Bad Weather Mammals disassembles dominant narratives about how disabled individuals should be and reconceptualizes the embodied experiences that recenter us in our own narrative.
Bad Weather Mammals by Ashley-Elizabeth Best is an atmospheric exploration of disability, abuse and death. Best's poetry is steeped in imagery and metaphor, while her use of form ranges from utilising the traditional, to clever manipulation of government forms to demonstrate how disability and trauma permeate the everyday.
While these topics have certainly been written about before and will no doubt be written about for years to come - Best's injection of personal experience ensures this collection is fresh. From start to finish, her poetic style and voice are strongly established and maintained; a strength defying the people and systems bent on stifling the speaker's voice.
And thus, while Best's narrative is not linear and nor does this collection tout to be a way of healing, there is hope in the sheer defiance and ferocity felt in these poems. Bad Weather Mammals conveys an admirable desire to live.
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Featured Reviews
Librarian 1002018
Bad Weather Mammals is an incredible collection. Striking, moving, some pages found me holding my breath.
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TASMIN B, Reviewer
Dark and Beautifully written poems. I love poetry that's like this when it feels raw and emotional.
"My teeth lean to the curve of words I’m too afraid to say,"
I was given a copy from Netgally for an honest review.
Bad Weather Mammals by Ashley-Elizabeth Best is an atmospheric exploration of disability, abuse and death. Best's poetry is steeped in imagery and metaphor, while her use of form ranges from utilising the traditional, to clever manipulation of government forms to demonstrate how disability and trauma permeate the everyday.
While these topics have certainly been written about before and will no doubt be written about for years to come - Best's injection of personal experience ensures this collection is fresh. From start to finish, her poetic style and voice are strongly established and maintained; a strength defying the people and systems bent on stifling the speaker's voice.
And thus, while Best's narrative is not linear and nor does this collection tout to be a way of healing, there is hope in the sheer defiance and ferocity felt in these poems. Bad Weather Mammals conveys an admirable desire to live.
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