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book cover for The Nashville Sound

The Nashville Sound

Bright Lights and Country Music

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Pub Date Apr 15 2015 | Archive Date Apr 10 2015


Description

While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. The demimonde of the traditional Nashville venues (Tootsie’s Orchid Lounge, Robert’s Western World, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are shown coming into first contact, if not conflict, with a new wave of pop-influenced and business savvy country performers (Jeannie C. “Harper Valley PTA” Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the Grateful Dead) as they took the form well beyond Music City. Originally published in 1970, The Nashville Sound shows the resulting identity crisis as a fascinating, even poignant, moment in country music and entertainment history.

While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were...


Advance Praise

“The best book ever written about country music.”
Chicago Sun-Times

“A first-rate book . . . that reads as smoothly and sparklingly as a bluegrass breakdown.”
—Christopher Lehmann-Haupt, New York Times


“All these years later, the Prologue [‘Friday Night at Tootsie’s Orchid Lounge’] reads as though it happened last night.”
Country Music magazine

“A rich, raw slice of American life.”
Los Angeles Times

“It’s the first ‘real’ book written about our music. The people, the songs, the places, all come to life in these pages.”
—Bill Anderson, singer, songwriter, and Grand Ole Opry star

“To say Hemphill is writing about country music is like saying Hemingway wrote about boxers and fisherman. What Hemphill writes about is America, and he has done it here with the incisive feel and the fine sure language and that very special knack of keeping his subject alive in print that so many of us strive for but so few of us achieve. A damned fine reading experience.”
—Joe McGinnis, Life magazine

“Anyone ever exposed to country music—which means nearly everyone—will go for the book the way Uncle Joe goes for bacon and grits.”
Publishers Weekly

“A marvelously honest look at music that deals with what people—real, live truck-driving, factory-working, beer-drinking people—feel about life.”
Louisville Times

“The best book ever written about country music.”
Chicago Sun-Times

“A first-rate book . . . that reads as smoothly and sparklingly as a bluegrass breakdown.”
—Christopher Lehmann-Haupt, New York...


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Available Editions

EDITION Other Format
ISBN 9780820348575
PRICE $26.95 (USD)

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