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Winner of the 2017 Dublin International Literary Award Shortlisted for the Man Booker International Prize 2016 "Who is this solitary young woman on the top floor of a luxury building in Luanda, Angola’s capital, and why has she walled off her apartment? Her name is Ludo…Her brooding presence is inescapable” — Kirkus Reviews On the eve of Angolan independence, an agoraphobic woman named Ludo bricks herself into her Luandan apartment for 30 years, living off vegetables and the pigeons she lures in with diamonds, burning her furniture and books to stay alive and writing her story on the apartment’s walls. Almost as if we’re eavesdropping, the history of Angola unfolds in A General Theory of Oblivion through the stories of those Ludo sees from her window in a a wild patchwork of a novel, playing on a love of storytelling and fable.
Winner of the 2017 Dublin International Literary Award Shortlisted for the Man Booker International Prize 2016 "Who is this solitary young woman on the top floor of a luxury building in Luanda...
Winner of the 2017 Dublin International Literary Award Shortlisted for the Man Booker International Prize 2016 "Who is this solitary young woman on the top floor of a luxury building in Luanda, Angola’s capital, and why has she walled off her apartment? Her name is Ludo…Her brooding presence is inescapable” — Kirkus Reviews On the eve of Angolan independence, an agoraphobic woman named Ludo bricks herself into her Luandan apartment for 30 years, living off vegetables and the pigeons she lures in with diamonds, burning her furniture and books to stay alive and writing her story on the apartment’s walls. Almost as if we’re eavesdropping, the history of Angola unfolds in A General Theory of Oblivion through the stories of those Ludo sees from her window in a a wild patchwork of a novel, playing on a love of storytelling and fable.
Advance Praise
"Each page brimming with imagination" — The Irish Independent
"In this tale, based on real-life events, one of Angola’s most inventive novelists has found the perfect vehicle to examine his country’s troubled recent past. . . Alongside Mozambique’s Mia Couto (shortlisted for this year’s Man Booker International), Agualusa has already become one of lusophone Africa’s most distinctive voices." — Financial Times
"The translation ... is seamless, with the light detachment and readability of Louis de Bernières at his best, but combined with the sharp insights of JM Coetzee ... Agualusa’s writing is a delight throughout, as he opens up the world of Portuguese-speaking Africa to the English-speaking community. And what a world it is." —The Scotsman
"Hahn is one of our most experienced translators. Such experience shows in tiny interventions to guide the English reader through the chaos of the Angolan battlefield ... and in his taking confident ownership of certain descriptive passages, ensuring the music of the original is conveyed along with the meaning... a timely homage to the prize of Angolan independence." —The Independent
"Without doubt one of the most important Portuguese-language writers of his generation." - António Lobo Antunes
"Cross J.M. Coetzee with Gabriel García Márquez and you've got José Eduardo Agualusa, Portugal's next candidate for the Nobel Prize." - Alan Kaufman, author of Matches
PRAISE FOR THE BOOK OF CHAMELONS
"Humorous and quizzical, with a light touch on weighty themes, the narrative darts about with lizard-like colour and velocity. Agulausa's delightful novel skitters across minefields with grace and poise." - Boyd Tonkin, The Independent.
"Ingenious, consistently taut and witty." - The Times Literary Supplement
"Strange...elliptical...charming." - Guardian
"A book as brisk as a thriller and as hot and alarming as the most powerful kind of dream." - Michael Pye, author of The Pieces from Berlin
"A work of fierce originality." - The Independent
"A subtle beguiling story of shifting identities." - Kirkus
PRAISE FOR CREOLE
"One of the most powerful and most beautiful arguments against a stereotyped vision of Africa." - El País
"Winged me into the lore of 19th-century Portuguese colonies and the slave trade."-Lisa Appignanesi, Independent Books of the Year
"Captivates with Picaresque adventure and evocative impressions." --Maya Jaggi, Guardian
"Each page brimming with imagination" — The Irish Independent
"In this tale, based on real-life events, one of Angola’s most inventive novelists has found the perfect vehicle to examine his country’s...
"Each page brimming with imagination" — The Irish Independent
"In this tale, based on real-life events, one of Angola’s most inventive novelists has found the perfect vehicle to examine his country’s troubled recent past. . . Alongside Mozambique’s Mia Couto (shortlisted for this year’s Man Booker International), Agualusa has already become one of lusophone Africa’s most distinctive voices." — Financial Times
"The translation ... is seamless, with the light detachment and readability of Louis de Bernières at his best, but combined with the sharp insights of JM Coetzee ... Agualusa’s writing is a delight throughout, as he opens up the world of Portuguese-speaking Africa to the English-speaking community. And what a world it is." —The Scotsman
"Hahn is one of our most experienced translators. Such experience shows in tiny interventions to guide the English reader through the chaos of the Angolan battlefield ... and in his taking confident ownership of certain descriptive passages, ensuring the music of the original is conveyed along with the meaning... a timely homage to the prize of Angolan independence." —The Independent
"Without doubt one of the most important Portuguese-language writers of his generation." - António Lobo Antunes
"Cross J.M. Coetzee with Gabriel García Márquez and you've got José Eduardo Agualusa, Portugal's next candidate for the Nobel Prize." - Alan Kaufman, author of Matches
PRAISE FOR THE BOOK OF CHAMELONS
"Humorous and quizzical, with a light touch on weighty themes, the narrative darts about with lizard-like colour and velocity. Agulausa's delightful novel skitters across minefields with grace and poise." - Boyd Tonkin, The Independent.
"Ingenious, consistently taut and witty." - The Times Literary Supplement
"Strange...elliptical...charming." - Guardian
"A book as brisk as a thriller and as hot and alarming as the most powerful kind of dream." - Michael Pye, author of The Pieces from Berlin
"A work of fierce originality." - The Independent
"A subtle beguiling story of shifting identities." - Kirkus
PRAISE FOR CREOLE
"One of the most powerful and most beautiful arguments against a stereotyped vision of Africa." - El País
"Winged me into the lore of 19th-century Portuguese colonies and the slave trade."-Lisa Appignanesi, Independent Books of the Year
"Captivates with Picaresque adventure and evocative impressions." --Maya Jaggi, Guardian
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