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Big Fiction

How Conglomeration Changed the Publishing Industry and American Literature

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Pub Date Oct 24 2023 | Archive Date Jan 31 2024


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Description

In the late 1950s, Random House editor Jason Epstein would talk jazz with Ralph Ellison or chat with Andy Warhol while pouring drinks in his office. By the 1970s, editors were poring over profit-and-loss statements. The electronics company RCA bought Random House in 1965, and then other large corporations purchased other formerly independent publishers. As multinational conglomerates consolidated the industry, the business of literature—and literature itself—transformed.

Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author. Giving an inside look at the industry’s daily routines, personal dramas, and institutional crises, he reveals how conglomeration has shaped what kinds of books and writers are published. Sinykin examines four different sectors of the publishing industry: mass-market books by brand-name authors like Danielle Steel; trade publishers that encouraged genre elements in literary fiction; nonprofits such as Graywolf that aspired to protect literature from market pressures; and the distinctive niche of employee-owned W. W. Norton. He emphasizes how women and people of color navigated shifts in publishing, arguing that writers such as Toni Morrison allegorized their experiences in their fiction.

Big Fiction features dazzling readings of a vast range of novelists—including E. L. Doctorow, Judith Krantz, Renata Adler, Stephen King, Joan Didion, Cormac McCarthy, Chuck Palahniuk, Patrick O’Brian, and Walter Mosley—as well as vivid portraits of industry figures. Written in gripping and lively prose, this deeply original book recasts the past six decades of American fiction.

About the Author: Dan Sinykin is an assistant professor of English at Emory University with a courtesy appointment in quantitative theory and methods. He is the author of American Literature and the Long Downturn: Neoliberal Apocalypse (2020). His writing has appeared in the New York Times, theWashington Post, the Los Angeles Review of Books, The Rumpus, Dissent, and other publications.

In the late 1950s, Random House editor Jason Epstein would talk jazz with Ralph Ellison or chat with Andy Warhol while pouring drinks in his office. By the 1970s, editors were poring over...


Advance Praise

"Sinykin’s Big Fiction is a book of major ambition and many satisfactions. Come for the comprehensive reframing of a key phase in US literary history, stay for the parade of interesting people, the fascinating backstories of bestsellers, the electrically entertaining prose. The story of literary publishing in the postwar period has never been told with such verve."
⁠—Mark McGurl, Stanford University

"Ten years from now, Publishing Studies will be central to English departments, and Big Fiction will be a foundational text. Sinykin is precisely the critic I have been waiting for, with the intellectual range to bring rigor to the everyday processes by which publishing shapes how we write, read, and think."
⁠—Martin Riker, author of The Guest Lecture



"Sinykin’s Big Fiction is a book of major ambition and many satisfactions. Come for the comprehensive reframing of a key phase in US literary history, stay for the parade of interesting people, the...


Available Editions

EDITION Other Format
ISBN 9780231192958
PRICE $30.00 (USD)
PAGES 320

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