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Description
Riding the Rollercoaster tells the story of how artists and bands carve out long and successful careers in the music business, despite the numerous pitfalls and pratfalls.
Who lasts in the music industry — and why?
The music business is defined by volatility. For every artist who sustains a career, many more fall away, despite talent, acclaim, or early success. Riding the Rollercoaster examines why some musicians endure while others fade away.
Drawing on in-depth interviews with more than seventy artists and industry insiders, Keith Jopling provides a clear-eyed, behind-the-scenes account of how careers in music are built, tested, and sustained. These are artists who have been dropped by labels, lost bandmates, experienced both commercial failure and success, broken up and re-formed — and still found ways to continue.
Looking beyond individual stories, Riding the Rollercoaster situates artistic longevity within the wider structures of the modern music industry, from the attention economy to the growing concentration of power among platforms and corporations. Why do so few musicians retain control over long-term careers in a global industry worth hundreds of billions of dollars?
An insider’s guide to survival in modern music, Rollercoaster offers a grounded, accessible account of what it really takes to last.
Riding the Rollercoaster tells the story of how artists and bands carve out long and successful careers in the music business, despite the numerous pitfalls and pratfalls.
Riding the Rollercoaster tells the story of how artists and bands carve out long and successful careers in the music business, despite the numerous pitfalls and pratfalls.
Who lasts in the music industry — and why?
The music business is defined by volatility. For every artist who sustains a career, many more fall away, despite talent, acclaim, or early success. Riding the Rollercoaster examines why some musicians endure while others fade away.
Drawing on in-depth interviews with more than seventy artists and industry insiders, Keith Jopling provides a clear-eyed, behind-the-scenes account of how careers in music are built, tested, and sustained. These are artists who have been dropped by labels, lost bandmates, experienced both commercial failure and success, broken up and re-formed — and still found ways to continue.
Looking beyond individual stories, Riding the Rollercoaster situates artistic longevity within the wider structures of the modern music industry, from the attention economy to the growing concentration of power among platforms and corporations. Why do so few musicians retain control over long-term careers in a global industry worth hundreds of billions of dollars?
An insider’s guide to survival in modern music, Rollercoaster offers a grounded, accessible account of what it really takes to last.
A companion book to Body of Work, his exploration of the durability of the album, Riding the Rollercoaster examines how musicians survive the music business. It shares the strengths and weaknesses of its companion - Jopling is an engaging, informative and enthusiastic guide but his writing is a little workperson-like (I'd have liked more analysis of music and musicians) and bland in places e.g. the description of SAULT as "an ultra-cool blend of R&B, contemporary gospel, hip-hop and pop". There is also the odd error - Sam Fender might resemble the "Springsteen of South Shields", but he actually comes from North Shields. But that is a little unfair. Although it doesn't offer a huge amount of hope for musicians of the future, Riding the Rollercoaster is an engaging and diverting read.
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Michael J, Educator
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A companion book to Body of Work, his exploration of the durability of the album, Riding the Rollercoaster examines how musicians survive the music business. It shares the strengths and weaknesses of its companion - Jopling is an engaging, informative and enthusiastic guide but his writing is a little workperson-like (I'd have liked more analysis of music and musicians) and bland in places e.g. the description of SAULT as "an ultra-cool blend of R&B, contemporary gospel, hip-hop and pop". There is also the odd error - Sam Fender might resemble the "Springsteen of South Shields", but he actually comes from North Shields. But that is a little unfair. Although it doesn't offer a huge amount of hope for musicians of the future, Riding the Rollercoaster is an engaging and diverting read.
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